Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Rexanne It’s sentimental, ridiculously long and only occasionally funny

hwg1957-102-265704 Take a bit of 'Black Narcissus' and throw in a bit of 'Rebecca' and you have 'Madness Of The Heart' from 1949. Lydia Garth meets a man, falls in love, goes blind, enters a convent, comes out again, meets previous man, gets married, goes to France, gets persecuted. Nothing surprising which is a shame as it had a lot of potential. The good cast act gamely but the pedestrian script is impossible to enliven. What it does have is Kathleen Byron playing Verite Faimont, channeling her Sister Ruth from 'Black Narcissus', as a jealous woman who covets Lydia Garth's husband. In an interview in 1990 Kathleen Byron said she was by the time of this film fed up playing these types of roles but no one did it better. She scorches the screen whenever she is on. In the horse riding scene she looks full of rage, frustration and sexiness at the same time. It took by breath away. The music by Allan Gray is good and the ubiquitous Sam Kydd turns up in a blink-and-you'll-miss-him-role, otherwise it's a conventional soap opera, apart from the kick that Kathleen Byron gives to it.

malcolmgsw This is what would have been called "a woman's picture" when it was made.As mentioned elsewhere it has echoes of Rebecca but without the mystery or suspense.It has moments of utter incredulity.It is difficult to know is more laughable the car crash which disposes of the husband and the attempted murdered or the "meeting cute"at the end in an attempt to add on a happy ending.These clichés represent some of the more laboured attempts at drama.There are many others such as going blind and then given a chance a chance at a one in fifty successful operation.This is strictly for Lockwood fans.Otherwise don't waste your time.

milliefan This overwrought melodrama may have held the attention of undiscriminating audiences back in 1949, but is difficult to watch now without chuckling. Former superstar Margaret Lockwood is clearly slumming it with this turkey, and she knows it. Her performance never takes off, and although she was only 33 at the time of filming, she looks a good 15 years older. Her teeth, particularly in closeup, look crooked and ill cared for. In one scene she introduces her maid, saying "Rosa has looked after me since I was a little girl"... rather remarkable, seeing as Rosa is played by Thora Hird, in reality just five years older than Miss Lockwood, and looking slightly younger in this film - even without makeup! Shades of Patricia Roc playing Phyllis Calvert's daughter in Madonna of the Seven Moons! Maxwell Reed is, as usual, atrocious - however he is aided by a dubbed French accent. The best performance comes from Kathleen Byron - the undisputed queen of cinematic malevolence. As awful as I found this film, it did bring me one special satisfaction: as a child I saw a film on TV, in which the villainess attempts to kill the formerly-blind heroine by opening a door from which there is a sheer drop. That scary moment has remained vivid in my memory for fifty years, but I had no idea from which movie the scene came ... until I watched Madness of the Heart today!

Translation-1 I hate to be critical of something into which a great many people invested a lot of time, money and effort but it has to be said that Madness of the Heart is far from being a classic.Neither a superb cast, a substantial budget, exotic settings nor the presence of the sublimely gorgeous and extremely talented Margaret Lockwood in the leading role can save this film from its dire script.The premise is promising enough; a lovely young Englishwoman (Lockwood) falls in love with an aristocratic Frenchman (played by Paul Dupuis) but is promptly struck blind. Despite this tragedy, the couple marry and move to Monsieur's stately pile in Provence where their happiness is sorely tested by his family's negative attitude toward disability and the murderous machinations of his psychopathic former intended (a scary turn from Kathleen Byron of Black Narcissus fame).The camera work is great and the sets and the set pieces are fantastic (especially the evening ball) but the dialogue is risible in places and the film's ending frankly ludicrous! The actors do their best - Lockwood, in particular, shows her mettle and is very convincing as a blind woman - but it is clearly an uphill struggle. The writer apparently collaborated with Hitchcock on some of his early films but you would never have guessed!I am, to put it mildly, a huge fan of Margaret Lockwood but I have to admit that this is not one of her better films. If you like her and you like vintage thrillers, then The Lady Vanishes, Night Train to Munich, Girl in the News or Cast a Dark Shadow (several of which are inexplicably unavailable in PAL format on either DVD or video) are far, far better; this one is for die-hard fans only.