Jeanskynebu the audience applauded

Brightlyme i know i wasted 90 mins of my life.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Tad Pole . . . with maybe a little A BOY AND HIS DOG thrown in for good measure. Just as in PETER PAN, this movie focuses on the three Darling boys, but in an incestuous twist, one of the trio is hung up on just-like-a-sister Wendy. As the littlest Darling notes in his opening voice-over, "Patrick was never ready for Wendy to be dead." So Patrick plays dress-up all summer with Wendy's occasionally-animated corpse (mostly in a friend's bathtub), while his little brother Beetlejuice falls in love with the dogs belonging to Wendy's likely killer, Rody, who is incommunicado for the season, while the other main suspect in Wendy's demise--her actual lover, Brian--has moved on to getting "sleaze comfort" from middle brother Carol and the late Wendy's mutual crush, Addy, while oldest brother Patrick--whose umbilical cord was wrapped around twin Carol's throat during delivery--is busy feeding his own second crush Rody's dogs (now beloved by Beetle) to the carnivorous Wendy before feeding himself to her at the bottom of his backyard swim pool. While Wendy may seem to be the quintessential ZOMBIE WITHOUT A CAUSE to her tribe of Lost Boys, none of the parents in MAKE OUT WITH VIOLENCE really give a hoot whether any of their children will survive the summer, since they all have important grown-ups stuff to do which monopolizes all their time and attention. Hey, this is Tennessee, where no one has heard of science, so Beetle's other interest--bugs--must be purely gastronomical.

MrGKB ...and that's from the kid who played the little brother in this tedious emo-saturated "drama" (and I use the term loosely) that reminded me of a boring "alternative" comic book transposed to video (think Daniel Clowes only not nearly as clever or involving). I really don't mean to be mean to these people, as I'm sure they meant well, but Syd Field would have torn their script in half after about five pages, and Ted Sturgeon would have simply told them to start over after they had a real story, real actors, and a real budget. This might (and I emphasize might) have made a decent 20-minute short, but stretched to feature length it's simply stultifying. Featuring ostensible twins (the characters, not the actors) with distressingly bad haircuts and the expressiveness and appeal of a bag of rocks (the femme leads totally outclass all the men in this poor thing), and a soundtrack guaranteed to make you switch your allegiance to heavy metal, rap, or even classical music just to rid your system of any trace of unadulterated wimp, this forgettable indie has little, if anything, to say, and very little to show. There are a handful of interesting camera shots, sporadic passable acting (again, pretty much all from the ladies), and precious little else; there's simply nothing to latch onto to hold any interest beyond the fascination of watching a wreck unfold before your disbelieving eyes. A sad squandering of my time, sorry to say, and a bit of my public library's limited resources. Word to the wise, pass this one up and remain lucky to never know what you missed. I'm going to have to go track down "Deadgirl" now, having read the other comments on this board. Surely it's better than this badly titled yawner.

jeromestiller A previous reviewer says it all, and says it well. This film reeks of indie cred, and has a few good performances (and a few awful ones) and a great soundtrack, but it's not funny, quirky, offbeat, frightening, thought-provoking, or anything else worthwhile. It would be a fairly impressive film school project. Why it won awards and so much notice I will never know, but I suspect it has something to do with yet another triumph of form over substance.Best high school oriented not-quite-dead girl double bill ever: Deadgirl - truly frightening and truly funny and an intense ending; Jennifer's Body - not really a zombie film but who cares? Brilliant. Best. Ever.Skip Making out with Violence.Spoiler Alert: There's really no making out in this film. Also no violence.

Matt Kracht Unlike Deadgirl, which was released around the same time, this movie struck me as pretentious nonsense that exists only to showcase the indie cred of all involved. There wasn't anything really *wrong* with it, per se, but I found myself constantly rolling my eyes and sighing heavily. Most of the scenes are melodramatic, though the acting is decent enough. None of the characters ever seem to express any strong emotions, though I suppose that's probably the fault of the writers/directors than the actors. Speaking of the writing, it was pretty mediocre. I've seen much, much worse, but with the pretentiousness of the directing, I was really expecting something a bit deeper. The soundtrack seems to be a major part of the experience, and I'm sure that if you're one of those hipsters who can't get enough of pretentious, derivative pop music, you'll love it to death. Unfortunately, I don't think I was in the target demographic for this movie. Some movies can transcend their genre and target demographic, like The Good, The Bad, and The Ugly (spaghetti western), The Shining (horror), and The Godfather (crime drama). That requires good directing and writing, however, and this movie simply can't rise above the silly pretensions of the Smeagol brothers (or whatever). If you're into this sort of thing (pretentious "indie" movies), you'll probably love it, but I was overcome by boredom and annoyance.