Tacticalin An absolute waste of money

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

gkeith_1 Spoilers. Observations. Opinions. Jack's being in it gives it a 4 for me. Otherwise, it looked pretty lackluster. I couldn't watch all of this. The Nazi element started kicking in, and I lost it. These people unsmiling, speaking German in the room with Walter during the time period of World War Two, were really scary and offputting. I realize that they were supposed to be actors for Walter's use, but at that point I stopped watching. Bosley Crowther was right, in his 1940s critique of this film, in that there is not much to redeem it. I did like Jane Wyman's hair, hat and other costuming in the earlier scenes. Of course, I always like Jack. If not for Jack, I would have given this film a 2 or 3 — I think my lowest of any of the around 374-ish number of films I have reviewed on this site since 2002. I did like seeing Irene Manning, Fay Templeton from Yankee Doodle Dandy (1942, two years earlier). I always enjoy seeing Alan Hale, Sr. I hate the black and white!Jack, I still love you. I am a degreed historian from the university, actress, dancer, singer, makeup artist, film critic and movie reviewer.

MartinHafer Walter (Alan Hale) and Vivian are goofy rich folks who cannot keep servants. When Walter decides to try to pick servants himself, things get goofy. After meeting Detective Jerry Curtis (Jack Carson) while in jail together, Walter decides Jerry would be the perfect servant along with his 'wife' (Jane Wyman...and they don't realize she is only Jerry's girlfriend). So, in an insane plot twist, he hires the pair on the pretense that he wants them to protect him at the estate because someone wants to do him harm! There is no crime...so Walter hires some actors to pretend to be house guests and then has Walter investigate while posing as hired help. Does any of this make sense? Nope....not at all. Nor does it make sense that some of the 'actors' might just be Nazi spies!!Overall, this is a better than average mystery film because it offers so many novel plot elements. It also has some nice laughs and is a very nice time-passer.

JohnHowardReid A very amusing comedy, directed with an occasional flourish by Peter Godfrey (e.g. Jack Carson's frantic chase after Jane Wyman through the sidewalk crowds), and cleverly photographed by Robert Burks. Two of my favorite people, namely Ricardo Cortez and Tala Birell, have only minor roles, alas, but Jack Carson is in his element as a would-be detective and there's a most unusual interpretation by Robert Shayne of Carson's Ralph Bellamy-style boss! Jane Wyman makes an effective stooge. Her cooking scene is very neatly timed. In fact, the whole episode with the dinner is really hilarious, each gag being neatly topped by another, and thus building to a really rib-tickling finale. Alan Hale makes an excellent foil, while Irene Manning and George Tobias provide many chuckles with their well-timed comedy support. True, the movie is not all clear sailing. There are a couple of slow patches – chiefly two or three dialogue exchanges between Carson and Wyman which sharper film editing should have trimmed away. (Clarence Kolster must have been asleep at his bench). Nevertheless, the pace generally is brisk and seeing the movie on TV does not have the same ambiance as viewing it in a theatre. The situations are lively and amusing, while production values might certainly be described as lavish. In fact, photography, sets, costumes and music scoring could all justly be labeled "top-drawer".

LIND77777-1 Exhibit A that the screwball comedy was still alive in 1944. Maybe not exactly well, but energetically kicking. Jack Carter's dynamism and Jane Wyman's comic versatility keep one involved in this fast-paced romp, even though the plot is nearly incoherent. The framing device is a wealthy December-May couple, delightfully played by Alan Hale & Irene Manning, desperate to obtain household help for their country estate. Throw in Jack Carter as an incompetent & feckless would-be detective, stringing along his quizzical fiancée Jane Wyman.Carter & Wyman's bumbling as butler and cook are hilarious, underscored by Manning as their ditzy boss. A comical, but not exactly comical development involving Nazi spies--or are they?--gets hopelessly garbled. A strange plot device in 1944. Yet the charm of the principal actors makes for an entertaining time.