Matcollis This Movie Can Only Be Described With One Word.

Matialth Good concept, poorly executed.

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

yjk316 I saw on on the Canadian TV as a 15 or 16 year old, and the movie had all the elements of sexual curiosity, excitement of a teenage boy. The object of his desire was a mature woman who knew how to dress in sexy stockings, who herself had sexual desires but social dignity to suppress them. The hand job under the dinner table was the best. I could feel the inner turmoil of the boy as well as the maid woman. The best of its kind.The father of the boy, on the other hand, seems totally absent-minded, totally unaware of the sexual dynamics going on between his son and his bride-to-be. The woman does not say many things in the movie. But she is mature and patient. She doesn't succumb to the boy's sexual advances but she deals with him on her terms. Women are wiser than men.

morrison-dylan-fan After watching Sergio Martino's disappointing Giallo film Torso,I decided to take a look at what other titles co-starring actress Tina Aumont had made.With having heard on Kim Newman and Alan Jones commentary for Dario Argento's wonderful Horror Suspiria,that Tina Aumont was offered a lead role in the title,I was delighted to discover that Aumont had worked with The Bird With The Crystal Plumage (Argento's directing debut) cinematography Vittorio Storaro on an enchanting sounding Erotic Comedy Drama,which led to me getting ready to meet Malizia for the first time.The plot:Sitting in the back of his dad's (Ignazio La Brocca) car after attending his mums funeral,14 year old Nino La Brocca is caught by surprise,when a strange woman sits by him.Transfixed by the woman's legs,La Brocca puts all memories of the funeral aside,and places a hand in between the woman's legs.Getting out of the car,Nino and his brothers Enzino and Antonio are given the surprising news by their dad,that the strange woman is called Angela,and that due to the tragic passing of his wife/their mum,that Angela will be the permanent maid of the household.Keeping Nino's earlier voyeuristic interaction with her under wraps ,Angela soon begins to become a part of the family,by taking care of them,and every single other thing around the house.Whilst Angela focuses on keeping the house clean,Nino finds his interest in seeing more of Angela's skin to become a bit of an obsessive lust for Angela.Feeling in need for their to be a 'woman's touch' in his life, Ignazio proposes to Angela that they both get married.Being whisked off her feet by Ignazio's shocking proposal,Angela happily accepts,and begins to set out plans for her and Ignazio's bright future together.Furious over his dad soon getting a permanent grip on 'his' Angela,Nino decides to take advantage of his past with Angela,as Angela begins to fear that she will have to remain a 'maid' for Nino for the rest of her life.View on the film:Whilst IMDb place the title under the 'Comedy' and 'Fantasy' genre listings,the screenplay by co-writer/ (along with Ottavio Jemma and Alessandro Parenzo) director Salvatore Samperi is actually a wonderfully uncomfortable Erotic Drama,with dashes of rustic Comedy and sly social commentary.Placing comedic elements at the start so as to allow the viewer to let their guard down,the writers gradually peel away the light-heart suggestion of Igbazio's wife being a 'ghost' on the family house,by showing the dangerously obsessive lust the Nino has ever since coming into contact with Angela at the drive from the funeral.Slowing turning the tension up between Nino and Angela,the writers take the film in an unexpected Horror direction,as Nino begins to reveal to Angela how (paternally) deadly his obsession has become,and how determined he is for Angela to never rise above her social class.Closely working with cinematography Vittorio Storaro,director Salvatore Samperi gives the film an dazzling Baroque stylized appearance,with Storaro and Samperi superbly using strong,crimson autumn colour's to display the fiery lust building within Nino.Along with the stylish colours (and being backed by a stirring score from Fred Bongusto) ,Samperi also superbly uses tight,closed in tracking shots to create a strikingly icy atmosphere which perfectly expresses the tight,closed-off relationship with Nino that Angela finds herself unwillingly in.Taking on a supporting role,the beautiful Tina Aumont gives the movie a much needed dose of flirty charm as Luciana,with Aumont's charismatic performance showing Luciana to be the only person who can get Nino's eyes off Angela.Avoiding the clear risk of simply making the character into an annoying brat,Alessandro Momo, (who sadly died in 1974 from a motorcycle accident,age 17) gives a fantastic performance as Nino,with Momo showing Nino's initial sexual awakening to gradually go in a much more darker,dominating direction,as Nino finds himself being unable to handle the image of anyone else getting to touch Angela,other then himself.Displaying her never ending legs in her very first scene,Laura Antonelli gives an excellent performances which touches on all sides of Angela's complex personality,with Antonelli matching her sensuality with Angela's charmingly outgoing personality,which is gradually replaced by a fearing isolation,as Nino starts attempting to grab Angela's sensuality all for himself.

Karl Self I saw Malizia in a plain Italian version (no dubs, no subtitles), so I didn't understand any of the dialogue. But wow, this is probably the most erotic film I've ever seen, and will possibly ever see. This accolade is in large part due to Laura Antonelli, an actress I wasn't aware of until now. She is gorgeous and her acting is outstanding.The action takes place in an upper-class family in Sicily, where the mother has died and is supplanted by a young housekeeper, Angela (Laura Antonelli). Although she becomes engaged to the widower rather quickly, she is no tramp or gold digger. She really enjoys being a housekeeper and mother to the three boys, although she isn't much older than some of them, and seems genuinely attached to the cavaliere. Her role is very complex and subtle -- she is attractive and coy, a girl who has taken on a very mature role. While the benjamin still misses his real mama, the teenage sons and the father are enthralled and spellbound by her.What could be a beautifully shot erotic fluffpiece then takes a twist towards a much darker side. Realising that he won't win her over romantically, the middle son, Nino, begins to harass, blackmail and eventually dominate Angela, by exploiting her precarious social position as someone who is just a servant and at risk of being socially ostracised. I think that Angela also feels protective of her ward, and is not least not entirely unreceptive to his advances. And at the time, blowing the whistle on sexual harassment just wasn't socially acceptable -- the perpetrator was thus always at an advantage. But eventually, Angela manages to turn the table and break free from Nino.This is not only the most erotic, it is one of the best movies I have seen, ever. It's perfect. Don't let the fact that Laura Antonelli is drop-dead gorgeous or that this is an erotic movie filmed in 1973 fool you into lumping this masterpiece in with softcore flicks from the same era.

oddvark This movie epitomizes the dreams of many young bucks--having your way with the sexy nanny. I don't believe, however, that this movie should be categorized as a Comedy... it's not the kind of movie you should watch with your family, but it's a great reminder of the animal in all of us.