SmugKitZine Tied for the best movie I have ever seen

Matcollis This Movie Can Only Be Described With One Word.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

kenjha A middle-aged man is unable to have relationships with women, apparently a byproduct of his strict upbringing we learn via flashbacks. It is by turns provocative, funny, and pretentious, but always interesting and definitely quirky. Kaye is well cast as the man-child in search of beauty while Best is lovely as one of the objects of his affection. Among the amusing characters are the philosophical postman and Best's hack artist boyfriend. Cox directs with a sense of freshness, helped considerably by the ever-present music from Donizetti's "Lucia di Lammermoor." The flashback scenes of Kaye's childhood are tinged with Oedipal feelings, simultaneously sad and erotic.

spj-4 This is a classy movie!!! I saw it by chance nearly 20 years ago & it remains one of my great memories of the cinema! Back then, I thought this loner was intriguing but nothing more. In this world's terms, he was a loser, a grief-stricken man sending letters to his deceased mother, friend of the postman, lover of fine art! In his eccentric kingdom that the palatial few are privileged to find! But his complex nature is balanced by the puritanical historical background he is enlivened by, privileged by, but too, imprisoned by! So he sits at his lonely piano in a deserted church of grandeur! Playing his heart out!!!A perfect Catholic solution by the reckoning of some … without hope of any resolution!!! It reminds me of a pair of REAL priests! One who liked to use his Sunday sermons for derision & cynical responses! Another who used pillars of the church to distribute confessions of trusting practitioners! When I was a little boy, hearing for the first time of the "Good Samaritan", I couldn't believed that a priest would walk by on the opposite side of the road, to the injured & beaten collapsed man who was cared for by the rich young man & the innkeeper the hero paid for the keep of the downtrodden one! But there's chambers of music & gardens of intrigue wafting with or without audience here! The settings & the musical background are most impressive, from the fineries of the outside garden, to the gardens that are revealed to us layer by layer in the relationships of the protagonist to the beautiful female model who undresses for the man of mystery, on appointment, to the crass judgemental nature of her accomplice & lover in his satire of derision. Or even in the art classes where this trio mingles in a volatile atmosphere within seconds! The chemical reaction is furious!This is NOT a good movie! It is a CLASSIC!!! Personally, I rate this with "Cinema Paridiso", as one of the finest films ever made!!! Do NOT miss it!

treborgort The film is remarkable in that it delves into the issue of sexual inversion - and how childhood events and parent relationships mark us for life. In the case of Charles, we see that his mother alternately enveloped him in her embrace and rejected him, and his father, a remote, humorless person, punished him for being a curious child. End result: he loves beauty deeply, but cannot consummate a relationship. The use of music, both the operatic excerpts and Charles's own playing of the church organ, was pointed and poignant. All actors turned in splendid performances. Norman Kaye was very believable in the title role, and Alyson Best as the young beauty who sees Charles for the decent, loving person he is does sound work. The rest of the ensemble is also to be commended for this picture of life and art's relationship to it.

howie73 I've seen many films by Paul Cox but only one or two continue to impress me after all these years - Man of Flowers (1983) is one of them. Taking on familiar Cox themes such as loneliness and sexual repression, Man of Flowers adds an eloquent European feel to its Australian setting. Although the story is not a conventional linear narrative, Cox combines distinctive visual tones (super-8 flashbacks/ conventional framing such as the striptease at the beginning)) to capture different aspects of the protagonist's reclusive life (played by Norman Kaye). What is unique about this film is its refusal to subscribe to any cinematic norm. Thus we get a philosophical postman who adds a touch of off-centered eccentricity to an already edgy patchwork of lesbianism, blackmail and oedipal longing. The only sad aspect of the film is its low-budget which has seriously impaired its standing as a classic. The sound is not the best on VHS although the operatic score (Donizetti's "Lucia di Lammermoor) more than compensates for this flaw. I presume the original budget of $250,000 was not spent enhancing the sound quality.