Married and in Love

1940 "SHE COULD BE BOTH SWEETHEART...and WIFE..BUT NOT WITH HER OWN HUSBAND!"
5.8| 0h59m| en
Details

Two married couples become engulfed in a storm of emotional fury when Doctor Leslie Yates runs into writer Doris Wilding, his old college flame, whom he has not seen in ten years. After reminiscing about their past, Doris and Leslie make a dinner date with their respective spouses. On the eve of the Yates's dinner party, Leslie's wife Helen brings home a magazine article written by Doris, which sparks Leslie's memory of his separation from her.

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RKO Radio Pictures

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Reviews

Matcollis This Movie Can Only Be Described With One Word.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
blanche-2 "Married and in Love" is a B movie from 1940 starring Patric Knowles, Helen Vinson, Alan Marshal and Barbara Read. It is directed by John Farrow.Dr. Leslie Yates (Marshal) is a successful professional with a book out on dieting; he runs into his ex-girlfriend, Doris (Vinson), a prominent magazine writer. It's obvious she wants to start something up again. He is still attracted to her, but he resists.Leslie's wife is an unassuming woman, Helen (Barbara Read), who has been a wonderful partner and helpmate. The couple suffered through being broke, and a tragedy, and they got through it. She's excited that Doris has invited them to dinner. They have just recently moved to New York and she hasn't been out much. Leslie is upset that she accepted the invitation, but he goes anyway.Doris won't leave Leslie alone, despite having a husband (Patric Knowles) herself. They don't seem happy, so it's possible - in fact, probable, that she's cheated with others in her writing studio. He doesn't even know where it is.Leslie finally gives in and decides to tell Helen.This is a predictable film, though short and well directed. I had a few problems. I'm an experienced old film watcher - I am betting a lot of people couldn't tell Knowles and Marshal apart. The casting was probably deliberate, to show that Doris never forgot Leslie, but I think it might have been confusing.Second, maybe it's just me, but I didn't consider Doris this strikingly beautiful prize. Gail Patrick, whom I believe made films at RKO at that time, would have been perfect. Just my opinion.And third, I felt that the story was foolish. If Leslie had a good marriage, and it seemed that he had, why couldn't he have said, "Look, I went out with this woman for one month x number of years ago. She wants to start something up - if we socialize with her, she'll think I'm encouraging her." But then, of course, one gets into - well, maybe he really did want to - more layers - which in an hour weren't as explored as they could have been.Nevertheless, the acting is sincere and one does care about Helen, Leslie's wife. She's almost too good, too helpful, too sweet - as opposed to the selfish Doris -- but I liked her, a woman totally devoted to her husband. And it was obvious he loved her.I liked the ending very much. A satisfying film, if not a classic.
allans-7 Married and in Love is based around the chance meeting of two former lovers Dr Leslie Yates (played by Alan Marshal) and Doris Wilding (Helen Vinson), and the impact of this on their lives and their respective spouses (played by Barbara Read and Patric Knowles).Though fairly understated dramatically, it is has some interesting insights on love and relationships. At less than one hour long it also does not outstay its welcome. While none of its principals were major stars, they all do a good job, though Barbara Read's so nice character might be a bit grating for modern audiences.I came across this movie when reading the RKO Story where it was described as "a brittle domestic drama that attracted good critical reports but minimal consumer interest." RKO made some of the more interesting and off beat Hollywood movies during its existence and I have a soft spot for their better efforts (they made their share of unwatchable stuff as well). Of interest also was the director being John Farrow who was behind some good movies such as Alias Nick Beal.It took a little while to track a copy down (it is not commercial available but has been shown on AMC - I got my copy through ebay) but I found it well worth it.