Perry Kate Very very predictable, including the post credit scene !!!

Konterr Brilliant and touching

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Gymnopedies I just love these offbeat vampire flicks. I decided to check this out on the spur of the moment last night and I didn't regret it. It is based around female artist who happens to be a vampire - played seductively by the stunning Cristina Ferrare. It is not your traditional vampire flick in the sense that this one is about vampirism as a disease like George Romero's 'Martin' - only 'Mary, Mary, Bloody Mary' predates it by three years. You always feel that Mary doesn't like to consume blood but it is her illness that keeps her doing so, she even apologized to her victim before killing her. You always feel sympathetic for her, like you want to protect her. It is easy to see where George Romero got his inspiration from. There was one particular scene where Mary was in a Mall, where she picked up this woman and she was just telling her how lonely she was, a complete stranger! I don't think I have ever seen such a horror film where the protagonist was so vulnerable, so lonely, except in 'Martin', obviously. There are beautiful scenes of beaches, villas and museums that never fails to lure the viewers interest. Excellent character study where the protagonist has a disease to drink blood.

Coventry Mary is a vampire, but her reflection shows in the mirror completely normal. She also carelessly walks around during the daylight, and although it's not explicitly mentioned, I'm pretty sure that she can resist the effects of garlic and crucifixes as well. This all just to say that "Mary, Mary, Bloody Mary" (got to love title!) is a very unconventional vampire movie, but also one that is strangely absorbing and intriguing in spite of the ultra-thin story lines and the obvious budgetary restrictions. The film was directed by the Mexican born Juan López Moctezuma, who also made the '70s cult/exploitation highlights "Alucarda" and "The Mansion of Madness". Those who have seen these brilliant – in my humble opinion, at least – flicks know they can expect anything from Moctezuma. "Mary, Mary, Bloody Mary" is less flamboyant and bizarre than the other two, but still a uniquely compelling tale about a reluctant condition, hunger for love and the search for roots (bloody roots!). Mary is a successful painter, traveling around in Mexico with a handsome drifter that she met in an abandoned mansion where she was forced to spend the night. She desperately tries to hide it from Ben, but Mary needs to drink human blood in order to survive. So she occasionally drugs an unsuspecting victim and slits his (or her) throat with a hairpin. A duo of police inspectors follows the trail of beastly murders, but there's another mysterious figure pursuing Mary. Someone who also kills and drains all the blood from the bodies. "Mary, Mary, Bloody Mary" is full of odd little details that makes me cheerful, like the fact that the opening credits appear very late and totally randomly into the film, or the brief but very recognizable supportive role for cult-monument John Carradine. What makes me slightly less cheerful is the totally redundant and gratuitous animal cruelty (I sincerely doubt that the shark and turtles were fake). Lead actress Cristina Ferrare is a natural beauty and she gives away a powerfully integer performance, but the film mostly benefices from that typically mid-70s ominous atmosphere and the non-stop sexual tension. Recommended to cult fanatics!

cultfilmfreaksdotcom More exploitation than horror, MARY, MARY, BLOODY MARY is a visual treat. Not only because the leading lady, Cristina Ferrare, is downright gorgeous but the Mexico location offers an abundance of locales providing eclectic situations to keep the viewer interested and entertained, and the characters always have something to do, and somewhere to go.From beaches to highways, villas and art galleries, here's a low-budget flick that, despite an abundance of wooden acting, will keep you in entranced during every single frame.Mary is a surreal artist about to enjoy a show displaying her strange artwork. When not painting, she hangs around with a handsome drifter, who becomes the only person she doesn't sink her teeth into… Actually, that's the one thing that separates this from all other vampire flicks. Mary doesn't use her teeth (and her teeth aren't fangs): Instead she stealthily carries a finger-sized dagger that she stabs her victims with and devouring them of blood.After a few kills, including a fisherman and in one delectable scene, a bisexual female art collector, the police begin to catch on – each corpse is not only bled from the neck and sucked dry but were drugged beforehand, using the same chemical.But Mary's not the only killer on the road… John Carradine plays a mysterious masked man that travels around leaving his own bodies behind, including a sexy hitchhiker. He's also after Mary, who becomes more of a heroine after this new darker menace is introduced. She's now more vulnerable as she falls deeper in love with her boyfriend, who doesn't know her dark secret.After a car chase replete with a 1970's slick soundtrack (think STARSKY AND HUTCH meets a game show theme), there's a showdown along a rolling hillside where John Carradine reveals his true identity and battles our heroine in a prolonged wrestling match… he has a knife and she her own wits… resulting in a fitfully bloody finale that includes her one true love being put to the test.The direction is creative, relying on a stockpile of the usual close-ups and zooms from this era, and the pacing is suspenseful. Although the love scenes with Mary and her pretty boy boyfriend drag; you'll wish she'd either take off to find more victims or turn him into lunch.Not scary in the conventional sense, MARY is more creepy and sadistic. And fans of vampire flicks will have to put some rules aside. Other than the non-biting technique, this particular sexy vamp roams the daylight hours. In fact that's where most of the bloodletting takes place, so you can see Cristina Ferrare even better! For More Reviews: www.cultfilmfreaks.com

trashgang The director Juan López Moctezuma is best known for Alucarda which is easy to find. it's a bloody flick with a lot of nudity. But just before Alucarda he made Mary Mary Bloody Mary. In fact 3 years before and this is something completely different. First of all, it has until this review never had a proper release, not on DVD or on VHS. It exists on VHS but it shows itself once or twice a year on ebay and it goes for a lot of money. I found it on a NTSC VHS on the Continental Video label. I saw that it was released in 1987 so still in the VHS era. I said it, it is really something different, there is no gore and a bit of blood, just once you see a wound but what a rare movie this is. When they make love for example, not even soft core they used porn music, you know, that cheap kind of saxophone stuff. But there is even some animal cruelty. When Mary walks on the beach you see some Mexican's killing a shark with knifes and some turtles lying on their back dying. It's so weird that the particular scene with the shark, and I see in other reviews, it reminded a lot of other viewers of the cruelty used. You can't find if it is a real shark or a dead one. Even the story is a bit weird, Mary's dad with the scarf and head, it's so funny. It's a good example of exploitation, some car chasing, suddenly they speak Mexican without subtitles. Weird weird, bloody weird.