YouHeart I gave it a 7.5 out of 10

Teringer An Exercise In Nonsense

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Dana An old-fashioned movie made with new-fashioned finesse.

Horst in Translation (filmreviews@web.de) "Der bewegte Mann" is maybe director and writer Sönke Wortmann's big breakthrough movie, although "Kleine Haie" was a success as well. It is based on the comics by Ralf König and won big at the German Film Awards 20 years ago: Feature Film, Direction and lead actor for Joachim Król. Maybe he got it over Schweiger as he played the much more likable character and for the epic wardrobe scene of course. For Riemann and Król, it was also the big breakthrough although the latter had been nominated previously already. And the biggest breakthrough, it must have been for Til Schweiger, under 30 and only known to Lindenstraße audiences at that point. The only reason Rufus Beck (Waltraud) or Armin Rohde did not win in the supporting category was probably as it did not exist.The movie has lots of dirty humor, some of it obvious, some of it not, for example if his offer still "stands". And there is other quotes, for example about sleeping at his place that night "im Ernst or im Bett". It's pretty impossible to translate accurately. Anyway, there are drag queens and there are absolutely no taboos in terms of talk about male and female sexuality. And we get to see the two protagonists' naked butts. Schweiger plays a hetero male who just lost his girlfriend and dives into the gay scene more and more. He has nothing going on with them of course, but they somehow see him as an object of desire. What I did not like was that the gays were displayed somewhat simple and dumb as they were obviously not realizing (or did not want to realized) that Schweiger's character wasn't even remotely interested. Of course, right before they split, he still managed to get his girlfriend pregnant. My favorite comedic parts were how she always enters when he seems in dubious homoerotic situations.Occasionally, I found it confusing if Schweiger's character wasn't actually gay as the film sometimes tried to make us think that way, but then randomly another woman entered the picture and the love life of Schweiger's character. Anyway, as a whole, I recommend watching this movie, especially if you are interested in German cinema. I am not sure if it was good enough to deserved all the accolades it got, but it is a fairly decent film and it was also a huge commercial success being among the three most lucrative films that year in Germany together with classics like "Forrest Gump" and "The Lion King". Quality-wise, I have to say, however, it is not on par with these two.

Gordon-11 This film is about a man's life turning upside down after spending the night in a gay man's house.This film is so funny! The acting is great, the two lead characters, Axel and Norbert are outstanding. Axel is a man who cannot say no to temptation. Norbert, is a secret admirer of Axel. He is cute and hilarious. Axel's wife, Doro, accidentally discovers her husband befriending Norbert. One coincidence after another, she becomes convinced of her husband's homosexuality.The plot is also very good. Though I can only catch German isolated phrases here and there, I still find the film entertaining. I laughed out loud many times. The sets are also decorated nicely, each of the apartments are set up so that they really feel like a home sweet home. Apart from being entertaining, it also promotes tolerance and diversity.

mooncaine-1 I thought it was fine. Not exactly deep stuff, but entertaining. Everything must be taken in context, if possible, and this was based on a popular comic strip by Ralf Koenig -- I'm guessing he's gay, based on other stuff I've seen of his, so whether his work perpetuates stereotypes or is the honest humor of a member of the gay community is not so easy to say. Not for me, anyway. I found Germany in the mid-1990s to be more tolerant of homosexuals than my hometown in Amerika, but a lot has changed in the intervening years. Anyway, political incorrectness aside, I think of this as a light comedy about relationships, like another Soenke Wortmann films I've seen [Stadtgespraech]. For students of the German language, it was a wonderful opportunity to catch some slang and modern, conversational German that we don't see in deep, intellectual films based on historical or literary sources.

Kirby-8 Thoughtful, witty, and bold as far as U.S. films go, Maybe ... Maybe Not was delightfully original and funny while breaking new ground on once -considered taboo subjects. The film brought new light to the effects of people of different strengths and backgrounds coming together and making the best of it.