Men in White

1934 "HE SMOTHERED AMBITION WITH A WOMAN'S KISSES!"
6.3| 1h14m| NR| en
Details

A dedicated young doctor places his patients above everyone else in his life. Unfortunately, his social register fianceé can't accept the fact that he considers an appointment in the operating room more important than attending a cocktail party. He soon drifts into an affair with a pretty nurse who shares his passion for healing.

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Reviews

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Antonius Block Interesting sets, blending high tech and art deco with an almost expressionist feel, are the highlight of 'Men in White'. Director Ryszard Boleslawski also uses shadows and some interesting framing to create a film that is often beautiful to watch.It's also interesting to see Clark Gable in the role of an up and coming doctor who finds himself pulled between his personal life (a fiancé, played by Myrna Loy) and his professional life (the desire to someday work for a renowned doctor, played by Jean Hersholt). The film spends quite a bit of time establishing the fact that he takes the job seriously, cares for his patients, and that the job requires a lot of sacrifice. Therein lies its main problem - it's more than a little heavy-handed in its "job or career" theme. It's based on a Pulitzer Prize winning play, but almost as if it were written as propaganda by someone in the medical field. When Myrna Loy dramatically proclaims "It's bigger than any of us...humanity" as she contemplates the importance of being a doctor, I laughed out loud, and not in a good way. I've seen Myrna in a lot of films, and that moment is the worst I've ever seen for her. It's not all bad, and the best line in the script is when Hersholt puts things in perspective, saying that doctors are still groping around with respect to their knowledge of the human body, but they're doing so more intelligently than twenty years ago, and in twenty more years their understanding will be better still. A very interesting part of the plot is when a young nurse (Elizabeth Allan) suddenly needs an operation herself - and we realize, without it being explicitly mentioned, that she attempted an abortion on her own. The restraint heightens the shock and drama, and I couldn't help but wonder how many women this happened to prior to abortion being legal. The Catholic Legion of Decency didn't want viewers to think about that, and put the film on their no-watch list. Unfortunately, it's handled melodramatically, including Loy ludicrously appearing in the operating room. The film appears to have just made it in just before the Hays Code was enforced, but the fact that it was looming also appears to have affected the story line in the adaptation of the play, which is unfortunate. There are some moments of levity in an otherwise heavy film. Young interns pursue women, scamper about in towels, and quip things like "That's the trouble with being in love - it kills your sex life!" I smirked as several times a characters says someone else needs a spanking when they're not cooperating, e.g. Loy to her father, the doctor to Loy, etc. Perhaps the funniest inappropriate line was from the lab technician, who raves in the presence of a man grieving over his wife's cancer, "Say, George, you know that Simpson gal down in X-ray? She was over at Fleischer's, table next to mine. Oh, she's luscious. Had on one of those dark tight silk things. Does she dress close to the skin. Boy, what a chassis. What a chassis."It's interesting to see "state of the art" medicine in 1934, the sets are very nice, and the film deserves a look for its star power and the reference to abortion. Just guard your expectations, as the plot is not very well developed, and the script is preachy.
bkoganbing Although this treatment of Sidney Kingsley's first Broadway play tends to be melodramatic in spots, Men In White holds up very well for a work almost 80 years old. Men In White ran during the 1933-34 season on Broadway for 351 performances and made Sidney Kingsley a force to be reckoned with. His next play was Dead End, destined to be another screen classic.A year later Clark Gable would not have gotten this part. His fellow MGM star Robert Taylor got his first big break playing a doctor in Magnificent Obsession and shortly afterward Taylor could not get out of hospital whites as Louis B. Mayer kept casting him as an idealistic young physician that Gable is in this film. Gable is considered to have a brilliant future as world respected doctor Jean Hersholt has taken him under his wing. His long hours and low pay at this point is cramping the style of his society girl friend Myrna Loy. When he's forced to stay at the hospital on a case one time too many for her they quarrel and Gable is attracted to Elizabeth Allan a nurse who just worships the ground he walks on. One quick evening and she's pregnant. That leads to tragedy.Although Gable and Loy are good, this film belongs to Elizabeth Allan who came over from the United Kingdom and would be going back in a few years as well. Her most famous role was as the mother of David Copperfield over at MGM. Although it gets melodramatic at times, I guarantee her predicament and how she handles it will moisten many an eye when you see Men In White.With her pregnancy out of wedlock as it were the Code now in place gave MGM some strict parameters. Nevertheless this film still is a reminder of what women faced in dealing with back alley abortionists, not a subject often dealt with in films. Sidney Kingsley would return again to it when he wrote The Detective Story.Jean Hersholt gave film fans a preview of what to expect when he played the brilliant Dr. Hochberg. Later on he would be the movies Dr. Christian and while Christian was a simple country physician and Hochberg one of medicine's elite, Hersholt was simple, unaffected, and dedicated.Men In White probably could use a remake as the Code is now lifted and certain subjects can be discussed more freely. But it would be hard to get a cast as good, especially Elizabeth Allan.
Neil Doyle CLARK GABLE is a dedicated doctor conflicted by feelings involving the workplace and romance--almost the forerunner of the character ROBERT MITCHUM would play twenty years later (Luke) in NOT AS A STRANGER. The film deals with medicine much the way Stanley Kramer's film did, but it's based on a stage play and the static quality owes something to that and the lack of background music on the soundtrack.Of course it's all very dated--a giveaway is interns supposedly making $20 a week!! MYRNA LOY is a selfish, wealthy young woman who wishes Gable would give her his undivided attention instead of dedicating himself to work. Gable has to assert himself at the hospital when an older physician overrules his instructions on insulin and puts a patient into shock. Gable's character here is reminiscent of Lucas Marsh in Morton Thompson's best-seller NOT AS A STRANGER as he pulls the syringe from the doctor's hand and takes charge of the procedure.There are weak moments of comedy relief, mostly from WALLACE FORD, and a maudlin performance from OTTO KRUGER that is painfully overplayed. The dialog too, tends to be preachy about the medical profession.Self-doubting and lonely, Gable shares some romantic scenes with pretty nurse ELIZABETH ALLAN who confides in him about her own uneasy feelings as a nurse dealing daily with life and death situations. The love scene is handled with such discretion it's hard to determine the plot developments that come swiftly afterwards, but after Allan's tragic death Gable resumes his romance with Loy, who realizes his work will always come first in his life.Nothing deep here, just a routine medical drama with all of its stage bound ingredients intact. Music is only used once for a restaurant scene where violins are playing a Viennese waltz, which leaves a lot of the drama feeling flat and one-dimensional.JEAN HERSHOLT has his usual role of an avuncular medical man under whom Gable intends to study abroad, but the focal point is the Gable/Loy/Allan romantic triangle.Summing up: From any standpoint, a trifle in Gable's career and notable only in that he plays a more sensitive role than usual.
MartinHafer First, I MUST mention that I LOVE Clark Gable and Myrna Loy flicks and I adore the films of Hollywood's Golden Age. So, my mediocre review is not the result of some prejudice against the actors or type of film being produced at the time. The problem is that the story is just too earnest and preachy to be of much interest. Sure, we can see that Gable is a dedicated young doctor and a heck of a guy--but so what? Most will probably find the film boring and hokey at times. Those who are real film buffs will probably be able to look past this, though most teens and the cynical will want to avoid this film. That's because these viewers MIGHT tend to discount older films or these great actors based only on this turgid experience.