Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

jmathur_swayamprabha Mere Mehboob starts with the above-mentioned highly romantic encounter of Anwar (Rajendra Kumar) and Husna (Saadhana) in the college campus. Now Anwar is in search of his sweetheart whose fingers (or hand) only were seen by him and left their imprint on his heart. He sings a song expressing his restlessness to see her - Mere Mehboob Tujhe Meri Mohabbat Ki Kasam, Phir Mujhe Nargisi Aankhon Ka Sahaara De De - in the auditorium of the college (in a poetry contest) and wins the heart of his lost sweetheart who is seeing and listening to him while sitting there as a part of the audience. She at once comes to understand that the dashing youth singing on the mike is addressing to none else but herself only.Fate and the efforts of Anwar's Hindu friend, Ghaayal (Johnny Walker), bring Anwar and Husna together. Anwar who is the younger brother of a ordinary stage dancer, Najma (Nimmi) gets the job to tutor poetry to Husna who is the younger sister of an erstwhile Nawaab (king), Akhtar (Ashok Kumar). Despite their communication during the tutoring is without face-to-face contact (because as per the Muslim tradition, Husna remains in Parda or behind the veil), they recognize each other but some mistaken identities lead to Husna's friend, Naseem (Ameeta) falling in love with Anwar. The female friends tell about their respective Mehboobs (beloveds) to each other without knowing that their beloved is the same male. One more angle of the story is that Akhtar himself is in love with Najma and had saved her from getting spoiled due to lack of family and monetary support. But since she is a stage-dancer which is not considered a respectable profession by him, he is mentally not prepared to marry her because of the repute of his royal family. Nawaab Akhtar is impressed by the personality of Anwar and he engages Husna to him but upon knowing that he is Najma's younger brother, he breaks the engagement because of his (hollow) family honour. There is also a villain (Pran) in the movie who wants to take the advantage of the deteriorating financial condition of Nawaab Akhtar and compel him to marry Husna to him. However the climax of the movie ensures that both the loving couples (Anwar and Husna as well as Akhtar and Najma) unite.The decade of sixties was inarguably Saadhana's decade. Her Choodidaar Paayjaamas (tight-fitting trousers containing crinkles) were perfect for her hourglass figure and they, alongwith her famous hairdo, had made her the icon of fashion in those days. Being a Sindhi (full name Saadhana Shivadaasani), she was very fair and her sharp features ensured that she was a treat to watch and any guy would fall for her. Her proficient acting was the icing on the cake. Despite being a Sindhi, she portrayed a Muslim girl with such a finesse in this movie that you can't imagine any other actress in the role of Husna which was a perfect screen-name for her (Husna means full of beauty). In addition to Saadhana, all the principal characters, viz. Rajendra Kumar, Ashok Kumar, Nimmi, Ameeta, Johnny Walker, Pran etc. have done complete justice to their respective roles. Raj Kapoor's discovery - Nimmi (through Barsaat - 1949) was near the sunset of her career and she has played the perfect affectionate elder sister to Rajendra Kumar the same way Ashok Kumar has played the perfect elder brother to Saadhana. During the sixties, nobody could beat Rajendra Kumar in romantic roles and he had a great on-screen chemistry with Saadhana. Mere Mehboob is considered as one of his memorable movies. Ameeta has played second fiddle to Saadhana in this movie but she is not only pretty but also very impressive in her performance.Mainly, the movie scores because of the songs. Though most of the songs interrupt the flow of the story, because of them only, watching this movie is turned into a musical journey for the viewer. The best song is definitely the one in the title of this review and which forms the premise of the original romantic sequence of the movie. In addition to that, Rafi has delivered two more gems in this movie - Aye Husn Zara Jaag Tujhe Ishq Jagaaye and Tumse Izhaar-E-Haal Kar Baithe. Yaad Mein Teri Jaag Jaag Ke Hum is a great Rafi-Lata duet. Mangeshkar sisters - Lata and Asha have sung two beautiful songs jointly - Mere Mehboob Mein Kya Nahin and Jaaneman Ek Nazar Dekh Le. It also contains Lata's beautiful romantic song - Tere Pyar Mein Dildaar Jo Hai Mera Haal-E-Jaar. Allah Bachaye Naujawaano Se sung by Lata and chorus is also no less. The great music has been composed by Naushad whereas the touching lyrics have come from the pen of Shakeel Badayuni. The picturization of the songs is also admirable. We can feel the romance when the song - Aye Husn Zara Jaag Tujhe Ishq Jagaaye - runs on the screen. The movie has a high production value and except the length which could have been reduced, the technical aspects are topnotch. The movie provides a glimpse into the life of Lucknow - the City of Tehzeeb (culture) as it might have been those days. And finally, the movie is memorable because of the mesmerizing romance. If you are interested in the nostalgia of old-fashioned romance, Mere Mehboob is just for you. Just experience how much can be said through the eyes, the heartbeats and the silence prevailing between the lovers.

patobiero This movie, about young love and the consequences of societal disapproval, started out a bit slow for me, and I almost started to regret buying the DVD. I was also a bit spooked by the paleness of the male actors' faces (I know it sounds weird, and maybe it's just me, but there you go). The make-up they used in those days must have been some kind of white chalk-based powder! Not a good look. But once I got over (or at least, tried to live with) my fear of pale male faces, and the story in the movie really kicked off,I was pleasantly absorbed.The music in the film is lovely, and the lead actors, Rajendra Kumar and Sadhana, pull off very sincere and touching performances. Sadhana, in particular, is enchanting and charming as Husna. The actor who plays 'Husna's brother', the actress who plays the role of 'Najma', and most of the other cast members all do very well. The legendary Pran, looking very young and sprightly and with all his fantastic on screen presence, does a great job in this movie.The only exception to the good acting in 'Mere Mehboob' is the dreadfully (in my opinion) miscast young man who plays Rajendra Kumar's young poet friend, and supplies most of the comic relief in the film. First of all, the young man does not look young at all, and certainly doesn't look like Kumar's contemporary. There's a scene where he's with his parents, and they look more like 3 siblings. Also, his humour seems forced and was a bit annoying. I should probably give him an 'A' for effort though, it looks like he was trying his best, anyway.All in all, this a sweet tale of love and acceptance, and of being proud of who you are and where you come from. Very charming.