Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

treywillwest This great film by Oshima strikes me as a mirror reflection of his earlier work of avant-eroticism, In the Realm of the Senses. In both pieces, power and desire threaten, in different, competing ways, to usurp subjective humanity. The earlier movie took place just as the fascist Japanese war machine was fully consolidating itself. The self-effacing abandonment to libidinal joy is presented as the only way to escape a society that would crush the individual by controlling it. To completely abandon control of the self was the only way to escape control by the state. Unfortunately, both too much and too little power and control lead to death and/ or madness. In this later film, set predominantly during the war in Asia, power has already claimed subjectivity as its captive. Desire still reveals itself, but only through momentary cracks in power's control of the subject. Power must reassert itself all the more brutally after this lapse. Desire therefore results in the greatest suffering, albeit with none of the self-destructive liberation seen in Realm. The only real hope offered in Merry Christmas, however, still come from momentary lapses of power's control. This slight hope is not the result of desire, but of the intimacy that control accidentally engenders between captive and captor (both of whom are controlled).

Leofwine_draca Merry Christmas Mr. Lawrence is, as the title would suggest, about as far from your typical old-fashioned prisoner-of-war movie as it can get. This film is about Allied officers in a Japanese prison but instead of being about escape attempts, as so many films in this genre are, it's instead a treatise on the human condition that explores the nature of warfare and the human spirit in its fight for justice and honour. The film I would most liken it to is HELL IN THE PACIFIC.Essentially this is a film about four men whose lives intertwine as the sometimes shocking events in the camp play out. Tom Conti is the straight man through whom we experience the film; he's good, but he has his thunder stolen by the others. Ryuichi Sakamoto has the toughest role as the camp commander driven by old-fashioned ideals and conflicted by personal desire; he also contributed the film's unusual, effective score. David Bowie is the headlining character and makes his role charming with seeming effortlessness. Best of the bunch is the great Japanese Yakuza actor 'Beat' Takeshi, playing an unusual and ambiguous character; he gets the final scene to himself, which just so happens to be the film's most moving moment.

thinsmarts I don't know what to make of this film. The only thing that I enjoy about this film was that it was told from the Japanese perspective, and it made the united states feel like the foreigners. That is very rare to see in an American film. I enjoyed it when the Japanese and the British would compare cultures, and what they value. Also, they would compare what does being a soldier mean to them. For example, the Japanese soldier said that a samurai wouldn't fear being gay. The story was quite unusual to say the least. It follows a soldier, and his guilt for not standing up for his brother many years ago, which I didn't believe was a believable premise for him. He is like another Batman in a sense, but at least with Batman, his parents died, which is more believable. David Bowie just let down his little brother one time, and went off to war to die. I don't believe that is a good motivation for his actions.

Quick_Draw_Kiddo I had a really hard time looking past the raw 80's of Merry Christmas, Mr. Lawrence. I have to be honest and say I found it a little boring, maybe I missed something, but the story seemed bland and slow. I know all films don't have to have a lot of action, but I didn't feel much of a conflict and nothing happened to make me care for any character. There's also the strange flashback that confused me more. I couldn't really figure out what the relevance of it was, that he's not saint? It just didn't seem to have anything to do with Bowie's character. Besides my indifference with the film I really thought David Bowie and the rest of the cast delivered great performances.