Steve Pulaski
Where George Lucas's American Graffiti captured the late 1950's/early 1960's thanks to incredible costume design and social/political undertones of the time period, Mel Damski's Mischief settles on replicating the time period of the 1950's by way of a costume party. Mischief is one of those raunchier comedies that rides on the coattails of nostalgia, and instead of crafting its own characters or replicating ideas from its respective period, the crew behind it buys some old duds, rents a few classic cars, reads the first ten pages of a book on the lingo of the time period, and proceeds to grab a camera and start filming.The film opens with the same "A long time ago..." title card from Star Wars, only to say the galaxy "far, far away" is Nelsonville, Ohio. This is a peculiar opening sequence to say the least because, being that the film is set in 1956, its narrative predates Star Wars by more than twenty years. After the questionable opening, we are introduced to the shy and clumsy Jonathan Bellah (Doug McKeon), who has a crush on the beautiful Marilyn McCauley (Kelly Preston). Marilyn is the poster-child of women in the 1950's, equipped with a dress that looks like a cross between a wedding dress and bridal lingerie, angelic blonde hair, and personality traits that find themselves eclipsed by her effervescent smile. She's not a character in the film - she's an object of affection. Because of his incompetence around women, Jonathan looks towards Eugene Harbrough (Chris Nash), a rebellious jock, to help him win the heart of Marilyn. Eugene has a crush on Marilyn's friend Bunny Miller (Catherine Mary Stewart), whom he uses as a way to get closer to Marilyn in order for her to recognize Jonathan as more than a face in the hallway.Despite the title, the most mischief these meathead characters get themselves into throughout the course of the film is finding new and riveting ways to damage their vehicles, largely time-apt Studebakers that they use to trade paint, rear-end one another, or basically do anything other than drive like sane human beings that are capable of possessing a license to drive. Jonathan and Eugene constantly find themselves at odds with Kenny (D.W. Brown), a tough-talking bully who instigates the men in front of Marilyn and Bunny whenever he gets the opportunity.The situational comedy in Mischief is as downright atrocious as it is improbable. First off, I simply cannot accept how much we see Marilyn by herself in the film. I cannot accept that a woman this beautiful in school isn't surrounded by a gaggle of girlfriends or doesn't find herself socializing at the mall, malt shops, or parties. I also can't bring myself to reason why she'd find anything attractive about Jonathan and his conflicting aura. Consider the scene where Jonathan slips and falls right before Marilyn, who is walking on the sidewalk. Jonathan's lip is bleeding, and being that Marilyn is such a caring angel, she helps wipe the blood of his lip. While she is cleaning him up, he slowly reaches for her breast and caresses it with his hand. "Why did you do that, Jonathan?," she asks in the most relaxed and unfazed way, to which Jonathan replies, "I don't know, I didn't know what I was doing." Smooth as a gravel road, kid.Or consider when Jonathan and Marilyn go to have sex and Jonathan doesn't even have a condom. He justifies his lack of preparation to Marilyn by saying that if he brought a condom, he thought she'd view him as a "sex fiend." Nonetheless, with Marilyn's consent, they still have sex, but Marilyn implores Jonathan to pull out; let's just say he fails to follow the simple directions and is met by the calmest, most nonchalant reaction a woman has ever given to a man following his failure to follow simple directions.Throughout the film, I didn't know which character was dumber. Was it Jonathan for being so naive to Marilyn's own personal feelings and his lustful tendencies taking over to the point where, by the time he actual does have sex with her, he can't name a single thing she likes, dislikes, or appreciates in life? Was it Marilyn, who never seems to have any shred of self-awareness as to what she's doing or how she's being treated throughout the entire span of her friendship with Jonathan, if you can even call it that? Was it Eugene, for perpetuating this kind of macho-arrogance in Jonathan and bringing him out of his shell to be a contemptible character? It's all very debatable, but I'd rather not split hairs over a film that's already so improbable when it's positioned as realistic.This is another kind of nostalgia comedy that thinks if you continue to play music by time-specific artists like Buddy Holly and Elvis Presley that, eventually, you'll feel you have transported back in time. While the 1950's cars, clothes, and music are all accurate, from what I've read and can tell, what's the point of going through the trouble to recreate the time period if you're not going to do anything with it in a thematic sense? There's no reason this film really had to be set in the 1950's; being shot and released in 1985, it could've been your average eighties comedy that might've seen its longevity and relevance increased thanks to the prominence of the teen comedy genre during that time. In an attempt to do something different, Damski and screenwriter Noel Black take a direction that does nothing but find poorly written characters trapped in a cartoon of a comedy, stripped of their humanity and their rational decision-making.Starring: Doug McKeon, Kelly Preston, Chris Nash, Catherine Mary Stewart, D.W. Brown, and Jami Gertz. Directed by: Mel Damski.
Python Hyena
Mischief (1985): Dir: Mel Damski / Cast: Doug McKeon, Chris Nash, Catherine Mary Stewart, Kelly Preston, D.W. Brown: Set in 1956 wrapped in rock and roll music, diners, juke boxes, and chasing girls brandishing ribbons in their hair. Doug McKeon plays Johnathan Bellah in total 50's nerd appeal. He becomes fast friends with the cool biker Gene, played by Chris Nash. They both have their sights on a couple females. Gene decides to assist Johnathan with his inability to communicate with women. Directed by Mel Damski who previously made Yellowbeard. Here he captures the 50's in all its free spirited innocence. The screenplay is detailed with the exception of an ending that doesn't quite gel. McKeon plays off the awkward nature of Jonathan whose quest for girls lands him in comedic situations in the face of adults. Nash as Gene establishes a friendship with an unlikely source and finds himself struggling more than Jonathan. Catherine Mary Stewart plays Bunny who Gene has his sights on but her bully of a boyfriend takes a disliking to this. Kelly Preston as Marilyn is Jonathan's fancy to the point where Preston has her famous nude scene while her parents are out. Other characters are mere clichés and types that join the formula. Reckless humour throughout with a picture of 50's innocence that turns out not to be so innocent. It conceals the mischief behind all the picket fences. Score: 7 ½ / 10
itamarscomix
The title and DVD cover, as well as the first few scenes of Mischief, may give the wrong impression: it's not a sexy-hi-jinx comedy in the vein of Porky's or other such movies made in the 80's. Rather, it's a nostalgic coming of age film, the legitimate spiritual successor of American Graffiti and The Last Picture Show, even if it's decisively more light-hearted and sexy than those films. While the characters in Mischief are based on familiar stereotypes, none of them are flat caricatures - Jonathan isn't a nerd but a very realistic shy, reserved boy of 17, and Gene is a slick, cool Don Juan but he also has the problems and insecurities of a teenager. Likewise, while the plot hangs tightly unto many clichés of the 50's-set teen comedy, it has enough heart and soul to set itself apart, to grab the viewer and make him care about the characters, who fill real and full. While it's not a masterpiece and it's very much a product of its time, Mischief is one of the better teen sex comedies of the 80's and a surprisingly mature and touching film that's still well worth seeing.
hall895
Teen sex comedies are a dime a dozen. Seen one, seen them all more or less. Hollywood never tires of churning out these movies but it is very rare that one of them sets itself apart from the pack in any way. Such is the case with Mischief. This was one of the first of the genre and that, along with its 1950s setting, makes it at least a little bit different from what we see nowadays. A little sweeter than today's teenage sex romps. And certainly a lot less raunchy. It's just endearing enough that you can consider it to be at least a modest success. Nothing spectacular to be sure but it's OK.Set in Ohio in 1956 Mischief tells the story of introverted, socially awkward Jonathan. He desperately wants to hook up with his classmate Marilyn. She's the town's resident teenage goddess. Every town has one. Well every movie town does at least. Of course Jonathan's got no shot with Marilyn. But then Gene comes along. He's the cool new kid in town and he takes Jonathan under his wing, teaching him the tricks of wooing the ladies. Jonathan sets about winning over Marilyn while Gene goes for Bunny. Bunny's the girlfriend of Kenny, the mean kid in town. So we've gathered all the teenage sex comedy clichés together. The nerd, the unattainable hot chick, the cool kid, the mean kid, the mean kid's girlfriend who stays with him even though she really knows better. And floating around the periphery of the movie throughout we have Rosalie, the nice but unattractive girl who could probably be hot if she tried. Toss all these characters together and watch them interact more or less as they do in every teen movie you've ever seen, with our nerdy hero finding that what you want and what you need may be two different things.Mischief is charming enough. But it's never really funny enough to be considered a great movie. For a supposed comedy there certainly are plenty of sizable gaps between laughs. The performances are all pretty good, all the actors fit their clichéd roles well. Doug McKeon's suitably nerdy as Jonathan. Chris Nash is totally cool as Gene. And if in 1985 you were looking for an actress to play a teen goddess you couldn't do any better than the impossibly beautiful Kelly Preston. Perhaps the best thing the movie has going for it is its soundtrack, those classic 1950s rock and roll tunes fit the story perfectly. Unfortunately that story is so similar to so many other movies of this genre that it's hard for Mischief to stand out. It's a reasonably enjoyable movie though. As teen comedies go there have been better but there have certainly been a lot worse.
