SeeQuant
Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Sabah Hensley
This is a dark and sometimes deeply uncomfortable drama
Nicole
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Philippa
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
pink_roosje
This is a good movie for those who love Jane Austen (and similar movies). In the beginning i had to get used to this Jane but when i did i could get lost in the movie. A brilliant movie with a lot of accuracy about Jane's life. Of course not all of it is accurate but they are forgiven since this is a movie and not a documentary. People can't help comparing this movie with "becoming Jane" but this movie basically picks up where "becoming Jane" left of. All in all a must watch for fans of Austen and other period drama movies.
deepanjali-sarkar
If you've read her novels and love the world she creates, you will understand them so much better after seeing this BBC production. Beautifully directed and acted, it captures the person she was, witty, sensitive, a romantic at heart and yet ever so practical - even cynical in realising a good marriage is the only way a woman could lead a comfortable life. But never, not once, does the movie seem staid, or boring. It is effervescent, delicately handled and poignant. Fans of Jane Austen will love the unobtrusive inclusion of quotations from her books, the references to her most loved characters and the irony of her never finding a Mr Darcy in her own life. It moved me deeply.
pdwebbsite
I won't bother comparing Miss Austen Regrets to Becoming Jane. I will simply say: skip the latter and turn to the former if truly interested in the life of Jane Austen and not the fictional speculation. One is BBC and the other Hollywood. Enough said.The only possible criticism of Miss Austen Regrets is how it starts off at such a startlingly quick pace, so much so that if the credits hadn't run I would have thought I'd come in on a good third of the production already gone. Allthe speculation of Jane Austen never having been in love, or having a chance at marriage (especially an advantageous one) is dashed in the first few minutes. From there the audience is left to wonder at the title--is it a what or who she regrets? The biopic focuses on Jane Austen's latter years, and uses her relationship with her niece Fanny as a means of exploring her past relationships. We come to see financial security was of paramount concern to her, yet that concern was not so much for her sake as it was for her family's. We also see that her freedom to write being more important to her than love. Yet, it is all speculation. It isn't really clear that she had regrets at all. She exuded a satisfaction, so the title is a bit misleading.What this new biopic brings out is the independence Jane enjoyed, and how much she enjoyed writing. The acting is commendable, the factual details admirable, and the rendering of the time satisfactory (although Jane's outfits swung from either being rather matronly to almost brazen). An enjoyable addition to Austen offerings. Yet, maybe it's time to leave off on the conjectures and meddling in her love life and focus on the brilliance of her writing--no speculation there.
prncsbtrcp
This was quite good. All the acting was wonderful, especially Olivia Williams. She brought all the intelligence and wit and feeling to Jane that one would expect. The last scene between Jane and Cassandra was absolutely incredible, so beautifully done. It made me wish this had been made for theatrical release instead of "Becoming Jane." The dialogue was very well written - witty where appropriate, cutting when needed, and always intelligent and natural. My only quibble is the need to show JA regretting anything. I like to imagine that she and Cassandra and their mother (and friend who lived with them in real life) all lived happily together and had even less stress and regret than was shown in the film, although I realize that wouldn't be a very long movie. Don't know why all these bio-pics feel the need to have JA's mother trying to talk her into marrying for money, I don't think there is any basis for that. However, that aside, it was very well done.I don't understand why, in the 2007/8 BBC JA fest, this and Northanger Abbey were so good, and Persuasion and Mansfield Park we so very, very bad. Couldn't they have gotten some of the people who did such a great job on these (script, camera, production) and put them on the rest? I don't have much hope for the Sense & Sensibility, but we'll see.