Matrixston
Wow! Such a good movie.
Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
Ginger
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Darin
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Eric O'Neal
The first thirty minutes, there was actually some hope in my mind that this movie's plot would really take off. It did take long to prove I was sorely disappointed. There are some funny moments that make it seem worth holding out for but ultimately this movie proves to be simply too predictable. Perhaps the worst part of the movie is when the lead actor cries but just can't get those tears flowing. Woman's man is cheating, she finds another love interest, and she moves on. It's a definite A on originality though. Lead actors were very relatable to regardless of how bland their storyline was. Cameo from Gabrielle Union was perhaps the funniest part of this movie. This was the first film this particular director was in charge of however, so plenty of room for improvement. Great Actors, bland plot and original storyline.
don e.
This movie was awesome. Good concept and well played. I enjoyed some of the humor presented in the movie. I liked how the movie played out from beginning,middle, and end. It was a clever way to mix all the confrontation between the actors and actresses to make it a all around good time film. Althoughh i thought that there should have been more use of the other big time actors and actresses only to help the movie reach its full potential. There could've been more use for some of the other stars. David did a nice job with this one along with the others. The humor could have expanded more along with the entertainment but over all i think it was a great movie with a greate plot.
jharberson
The best romantic comedies (Pretty Woman, As Good As It Gets, Bull Durham, Knocked Up) often remind us that, not only do we need other people, but that they also better us. Miss Dial, David Steinberg's newest film, charmingly succeeds at doing the same. Steinberg, a master of raunchy, gross-out comedy (he wrote or co-wrote several of the American Pie films and the hilariously bawdy coming-of-age novel Last Stop This Town), has created a subtle, engaging, and relentlessly funny character study about the profitable, if painful, self-improvement occurring when the right person enters one's life. Miss Dial is Erica (an outstanding Robinne Lee), a home-based consumer products customer service rep who (with a smiling, repressed contempt) fields calls from morons and weirdos befuddled by her company's usually self-explanatory products. After one moron too many, Erica takes a break from her caller queue and, attempting to call a friend, misdials an Afghanistan War vet in North Carolina. An engrossing conversation ensues, prompting Erica to keep dialing random numbers to talk to strangers, most of whom provide the honest, unscripted human contact she didn't know she needed. Her last "misdial" brings her to Kyle (an excellent Sam Jaeger), with whom she develops an increasingly romantic rapport. Kyle goads Erica, however charmingly, towards a self-understanding prompting reconsideration of her relationships, personal and professional.Miss Dial also meditates upon what, as another reviewer observed, is perhaps the great irony of our age: technology has made us at once intimate and estranged. People increasingly prefer social networks, texts, and telephones to real, human contact. Resultantly, one may know a person's favorite books, music, and foods and not really know him or her. Couple that with the perma-smiling personae workplaces oblige employees to adopt (as Erica does with flagging success throughout the story) to handle a cretinous, consuming public and one realizes how we can interact with others constantly and yet learn nothing about them or ourselves. Technically speaking, Steinberg's writing and direction are right on. His plotting is a textbook example of screenwriter William Goldman's demand: "Give the audience what they want, just not in the way they expect it." And the spare, split-screen rendering of the characters' phone conversations captures the sense of phony intimacy technology allows while focusing attention upon the actors' masterful performances. Mr. Steinberg has done a mitzvah in creating Miss Dial. It deserves the widest possible audience.
berrit
My husband and I saw Miss Dial earlier tonight with some friends, and everyone really liked it. It is a very cute and upbeat movie and there are several laugh-out-loud moments/scenes. If you have ever had a crappy "gotta-pay-the-bills" job, you'll identify with Erica, the main character, and her attempt to inject a little bit of fun and humanity into her daily routine. Both Erica and the male lead are very likable characters -- you will root for them to succeed throughout the movie. The sets are simple (mainly apartment settings) and most of the dialog takes place via phone conversations with the callers appearing in split-screen view. My husband and I agree that this is definitely a movie that we would recommend, and we would both see it again!