Miss Marple: At Bertram's Hotel

1987
7.5| 1h50m| en
Details

Miss Jane Marple is staying at an elegant hotel from her childhood compliments of her nephew Raymond. Also there is international adventurer Bess Sedgwick and Lady Selena Hazy (Joan Greenwood in her next to last performance). A doorman working at the hotel turns out to be from Bess' past, and when he is killed, she is the prime suspect. But what does his murder have to do with the disappearance of an elderly vicar staying at the hotel, and a string of robberies over the last few months? Miss Marple must find out before the murderer strikes again!!!

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Reviews

Boobirt Stylish but barely mediocre overall
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Kayden This is a dark and sometimes deeply uncomfortable drama
Dr Jacques COULARDEAU Miss Marple, the Terrible, is going to London, to Bertram's Hotel actually and you can be sure there is a lot of eavesdropping, watching, listening, observing and whatever helps find some truth out of an evanescent surface of things. But no surprise, once again it is a daughter-mother story, an abandoned daughter who comes across at the same time her mother and her long discarded father, though not forgotten. Miss Marple also has something against the aristocracy, at least aristocratic women who have nothing to do and feel more and more useless and bored in our modern world with brand new television (the old type I hardly remember). So from boredom to lovers and from lovers to killers and from killers to train-robbers, in any order possible, that's the way to add some piquant sauce to the drab life of an aristocratic lady. The second obsession of Miss Marple is canons, parsons, priests or whatever again, provided they can quote the Bible if possible without mixing the Song of Song and the Apocalypse. That's because young ladies need a watchful eye, I guess. And there the sky falls on the heads and shoulders of a few culprits with just a couple of sentences. Of course in a way we know what is going to happen and who is the criminal. The game of the director is to systematically mislead us with the music or an ellipse of some sort to make us expects what does not come, and frustrate our suspense with a little bit more suspense. Deliciously quaint.Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID
TheLittleSongbird I haven't read the book for a long time, but I do remember finding it rather slow and somewhat unexciting. Maybe I am being unfair because I remembered getting chills from reading A Murder is Announced and Sleeping Murder, so maybe my expectations of the book were a little too high. This adaptation I think manages to be better than the book, and actually respects it while forgivably condensing it. Some parts are a little slow and the first twenty minutes take a bit of time to get going, but the acting and the filming compensated hugely. Bertram's Hotel is very well made, with beautiful photography, crisp editing and a very nice looking hotel. Above this the directing is detailed and the scripting is intelligent. Joan Hickson is once again wonderful as Miss Marple, and while starting off a little dull George Baker is amusing as Inspector Davy. Caroline Blakiston is delightful as Bess Sedgewick, while Helena Michell is suitably cold as Elvira and Joan Greenwood effective as Selina. Overall, a superior adaptation, that is well made and well performed. 8/10 Bethany Cox
Iain-215 'Bertrams' has never been one of my favourite Miss Marple books. It's slow and unlikely and not much really happens. The new ITV McEwen version tries to remedy this by packing in lots of additional stuff and fails miserably. In my opinion, the BBC Hickson version does the reverse and improves on the original material. I think it's one of the best looking of the Hickson adaptations with great attention to detail and an effective musical score. It's very restrained but it works by sharpening the original characters. There are some lovely performances from Joan Greenwood, James Cossins and Preston Lockwood. Helena Michell is OK as a rather chilly Elvira but I can't heap enough praise on the terrific Caroline Blakiston who is superb as the crucially important character of Bess Sedgwick. Yes, her performance is over the top but then Bess as a character is over the top, lively and dynamic - a true adventuress and Blakiston captures this perfectly.Joan Hickson is clever and astute once more as Miss Marple though George Baker is a trifle dull as Davy and I began to get a bit annoyed with his Gilbert & Sullivan quotes. Overall, a really good entry in this series and much better than McEwen.
Enoch Sneed 'At Bertram's Hotel' is more of a character study than a whodunit's. The audience is more concerned with background stories and motivations and this leads one to wonder who will do what, to whom, and why? Some view the book and this adaptation as one of Agatha Christie's lesser efforts. I agree the film is rather muted but I find the novel fascinating. The book was published, and set, in the mid-1960's and included references to The Beatles and counter culture. The film stays firmly in the never-never 1950's of the other BBC Marples (there is mention of the 'ghastly' new commercial ITV which began broadcasting in 1955) which I think is a mistake.We see Joan Hickson tut-tutting over new London architecture but there is little real sense of change, of a new world emerging in which a place like Bertram's has no real part. It is central to the plot that Bertram's *hasn't* changed, because it should have. More forcefully, Bertram's 'old fashioned' values cover something rotten and corrupt which should be swept away.This is a good piece of television with excellent performances and production values, but it could have been much sharper. Maybe Agatha Christie wasn't a great 'message' novelist, but I feel there is a point to Bertram's that could have been displayed more positively here.

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