AboveDeepBuggy Some things I liked some I did not.

Ensofter Overrated and overhyped

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Claudio Carvalho Sarah Jane McKinney (Leslie Bibb) is a secretary of the big Judge Pharmaceutical company and devote of St. George that she believes protects her since she was a child. Sarah Jane lives in the boarding house of her mother Claire McKinney (Kathy Baker) where the Mr. Ketchum (Geoffrey Lewis) that has Alzheimer is her only client. Sarah Jane also dreams on finding her knight in shinning armor. One day, Sarah Jane's best friend, the also secretary Charmaine (Missi Pyle) shows her that the company needs a junior executive and she will apply her curriculum vitae to the position. Sarah Jane decides to do the same and she is selected to the position. However, the political lady killer Milo Beeber (Brandon Routh) is transferred to the position and she is her secretary. When he makes a pass at her, Sarah Jane goes to his flat and accidentally kills Beeber. On the next day, she is promoted to the position of junior executive again. Sarah Jane has to kill other executives to protect her and she climbs in the company. When the new guest Det. Sgt. Bill Malloy (Adam Goldberg) comes to the boarding house, they fall in love with each other. But the problem is that Malloy is the homicide detective in charge of the investigation of the murder cases."Miss Nobody" is a comedy of black humor with a dark criticism to the environment and how to climb positions in a corporation. The idea of killing bosses is not original, but he screenplay is funny and Leslie Bibb using the same style of Audrey Tautou in "Amélie Poulain". In the end, the movie entertains but the conclusion is moralist. My vote is six.Title (Brazil) : "Uma Secretária de Morte" ("A Death Secretary")

John Raymond Peterson I read the four reviews preceding mine and then decided to watch the movie. I suggest you read the same reviews, not just mine, and hope you come to the same conclusion, viewing the movie.I can't understand the low ratings, or perhaps the very average one. Regardless, I was entertained and certainly would not ask for my money back. The style, or composite of styles adopted here by director Tim Cox was successful; he orchestrated the production in the best possible way to maximize the script's originality. In the opening credits , stylish animation with perfectly scored music, I saw immediately , as one can with the opening credits of the original "The Pink Panther" movie, that we were going to view a comedy certainly and one that would likely be quirky. Yes, I got all that from the opening credits. Already a sign of a pretty good production. Then the opening scene blends time-lines; one where the main character Sarah Jane McKinney played by Leslie Bibb reflects on her disappointing current life and recalls an earlier and equally disappointing preteen life (Mia Pollini plays young Sarah Jane). In that opening scene young Sarah Jane prays to Saint-George for help, then present day Sarah Jane is inspired once again to call on her favourite saint for help. The narrated events which has Sarah Jane having a pseudo-dialogue with the saint is the trademark of the film, and the whole movie is punctuated by such moments; indeed she calls on Saint-George for help and guidance, and off course he responds with signs Sarah Jane interprets as the answer she needs at the time. Every accidental murder, that's what they must be called, are intertwined by divine intervention, sort of speak.Now if you have read the full IMDb storyline, and I recommend you do, and factor in my spoiling comments above, you should have a better idea of the nature of the movie. Like my fellow reviewers, I agree the script/movie works, it just does; thanks to good performances by the cast, who, with the direction of Tim Cox, pull off a lovely dark comedy that's not as dark to watch as it will appear to be on paper. You will like Leslie Bibb, in her first lead role.

napierslogs Sarah Jane McKinney (Leslie Bibb) is "Miss Nobody", a secretary for a pharmaceutical company who has no boyfriend but faith that her guiding angel will send her messages as to what she should be doing. Her mother ensures her that everybody lies, so a very smudged resume gets her a promotion to junior executive.Sarah Jane is mostly concerned about finding her knight in shining armour since a job is only a job and doesn't warm your heart. Karma, an underlining belief in this film, says that you get what you deserve. She didn't really deserve that promotion, and indeed finds that she lost it after all and is now a secretary for a new, young, handsome company transfer. But that must be her path in life since he's handsome and men always sleep with their secretary.But to be clear, this is not a romantic comedy. It's a light-hearted dark, crime comedy. It seems fantasy-like, or even cartoon-like in its use of colour, narration and score choice. It tries to be edgy, like film noir, but is way too silly for that mix to work well. But it is fun, and that is most likely its ultimate aim.When she accidentally murders her handsome boss, it turns out she wants to aim high in the corporate world – she wants the corner office. As her guiding angel sends her more messages, it looks like more accidental murders might be in her future and life is looking pretty grand for Miss Sarah Jane.The best part of the film is Adam Goldberg, he introduces himself as her knight in shining armour, and while she is smitten with him, he happens to be a homicide detective. The instant conflict that we can see in their relationship is handled well.The performances throughout the film are great and the sense of fun is always there. They are definitely going for something fairly unique and for the most part they succeed in that. There was a bit too much narration; better films would be able to show me what they need to and then let me figure out the rest, and things get wrapped up in a slightly unsatisfying way, but for "Miss Nobody" it's more about the journey and how we get there.

pdtp911 This film reminded me immediately of one of my favorite films - Amélie. It is delivered in the same quirky, cartoon-like style but without the mesmerizing charm and flowing story line. The acting by Leslie Bibb was fantastic and she did a wonderful job with what she was given. Everyone in the cast was outstanding and acted their hearts out. I can easily see why they all won awards for their performances in Boston. The main problem I found with this movie was that after the first half hour it was so repetitive and predictable, I found myself looking at my watch every 5 minutes. That being said, I appreciated the director's (Tim Cox) dedication to the style of Jean-Pierre Jeunet (Amélie), as I imagine that these kind of films are much more difficult to direct and produce than a straight forward, dark comedy. I was relieved when it all came to an end.