IslandGuru
Who payed the critics
Exoticalot
People are voting emotionally.
Matrixiole
Simple and well acted, it has tension enough to knot the stomach.
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
thompson62208
I always try to be open minded about the cinema and movies. This one goes way way over the line. This movie has absolutely no value for the public viewer. The wife catches her husband having an affair with another woman. I understand a wife could go insane and she does here but to do what she does to her son is above the pail. This movie would have maybe been better if there was some dialog. Though I don't know if anything written for dialog would really help decipher what transpires in this sorry movie. I don't know why the director/producer of this movie would make it this way other than to "impress" a few deranged movie goers who will call this art when its nothing but sadomasochism in the extreme. I should have shut this movie down after the first 15 minutes. I advise the rest of you to not waste your time. Having a face-to-face talk with your mother-in-law is better than polluting your mind with this trash dumpster of a movie.
Alistar Baker
You have to love Asian cinema. It never holds back on any topic no matter how insane. Here we have an entire film about a father and son who are basically neutered by the woman of the household out of revenge for adultery. The rest of the film is about the agony of men dealing with life bereft of their penises, and how they try to get their penises back. Keep in mind this film has no dialog whatsoever which is not an unnatural as you might think, but it is still quite odd and seems a bit unbelievable at times. Perhaps there is some connection between speech, the word, and the penis? Yet it also creates a kind of emotional intensity that sets the film apart. Like Pieta, I wonder what the point is of all the perversity in this film. I suppose if you want to tie it into Freudian psychology, Greek tragedy etc that is one approach. Perhaps it is an absurdist tale about modern nonsense. Perhaps the black comedy satire this film is, somehow helps us come to terms with out repressions in the modern age not to mention our materialism, and hypocrisy. There is a repeating theme in Kim-Ki Duk's films of redemption through religion. The son who is castrated finds redemption in the Buddha. The son pays for the father's 'sins' at the hands of the mother. The mother corrupts her son further through incest to spite the father. In Pieta, the only character at peace with themselves is the one who gives up materialism and seeks the Buddha. I notice a pattern in the films of Kim-Di-Duk. The agent of justice is as 'bad' as those they punish for their transgressions. The ideal of a heroic moralist is lost in this Korean film. Instead everyone continues to fuel the fire of their own personal karmic retribution getting deeper and deeper, never really getting to the end, just deeper. Of course I may see this idea through the western lens of morality, while karma is more of an inherent, impersonal law of cause and effect, that no one controls. It is a force of nature really, assuming our interpretation of it is correct. But enough theory. The acting is strong in this film. The story line is captivating. This film makes insightful points about human 'nature' such as the intermingling of pain and pleasure, or the amorality of the human animal. The extreme topic of this film may be a bit gratuitous and make you wonder what the point is though. The actors portray their pain and suffering in a believable, compelling way. The dark subject matter makes the film unapproachable by most though. I don't mean dark in some emo, Gothic poser fashion. It is harrowing watching the actors go though their pain. Perhaps that is the point of this film...to watch people suffer and feel sorry for them while being repulsed at the same time.
kosmasp
If you haven't read about it already, there is no audible dialog in the movie. There is sound, you hear actors breathing, you hear them when they are in pain or pleasure. But other than that, this is almost like a silent movie. Does it work? You bet it does! It's not about losing ones voice though (it never is something that is touched upon during the movie, it just happens), it is about much more.The fact that it is obsessed with pleasure, is just a metaphor. A metaphor for what people are looking for in life. It is not about repeating one self (although at times it might seem that way), but to further go down that rabbit hole. Kim Ki Duk is known to make strange movies. Now he has gone to the experimental stage ... rejoice or run for cover
CinemaClown
And I thought Pietà was appalling! But the 19th film by director Kim Ki-duk really brings on screen something that reaffirms his reputation as one of world cinema's highly controversial directors. One of the most uncomfortably hilarious films I've to sit through, Moebius tells the story of a destructive family in which the husband is having an extra-marital affair, the wife is jealous plus angry & their son who ends up paying the price for his father's acts.Written & directed by Kim Ki-duk who really has a weirdly disturbing sense of humour, the film has no dialogues throughout its runtime & even music is absent except for the final moments. There is a lot of hilarity in the film but it comes with a price that not everyone will be willing to pay. The story begins on an extreme note but never really settles down for a bit & it'll have you go WTF every few minutes.On an overall scale, Moebius presents its notorious director going way too far with the subject matter than he did in his last feature & although as pretentious it may be, it really won't be easy to get it out of your head once you've seen it. Infused with Buddhist symbolisms that completely went over my head, Moebius is an extremely scarring cinematic experience that'll find you laughing while your eyes bleed.Watch it at your own risk & remember what you're going in for. You've been warned.