Monogamy

2010
5| 1h34m| en
Details

Exhibitionism, voyeurism, jealousy, lust. Brooklyn wedding photographer Theo’s side business shooting surveillance-style photos of clients on the sly takes an unexpected turn - and creates a rift with his fiancée - when he’s hired by a provocative mystery woman.

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Reviews

AniInterview Sorry, this movie sucks
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
bettycjung 2/14/18. i watched this because I like Rashida Jones. But, even with all her star power she could not save this from cinematic mediocrity. So, Messina plays a bored photographer. Sadly, he's not the only one who's bored. And, playing a voyeuristic photog makes him even more of a snake than he was to begin watch. In the end it really makes you wonder what she ever saw in him.
rooprect I have no idea what my title means. But it was either that or attempt a lame pun about the Japanese art of paper folding."Monogamy" is a slow, stylish pseudo thriller about infidelity. But before you race into this expecting something racy like "Fatal Attraction", cool your jets, have a cup of General Foods International coffee and cuddle with your cat on the couch because it's more of that kind of movie. What I mean is that there aren't any erotic elevator sex scenes or boiling bunnies here; instead it's more of a deep, probing psychological exposé of a less-than-enthusiastic couple as they approach their wedding day. But it's told through an interesting story.The story is about a photographer, "Theo" (Chris Messina), who is engaged to a musician "Nat" (Rashida Jones). Just as the sparks in their relationship are dying down, Theo takes on an assignment to candidly photograph the mysterious "Subgirl" (Meital Dohan) without her knowing. Thus, the stage of voyeurism is set, and when Subgirl starts doing naughty things, Theo begins to get obsessed.Theo is not obsessed with desire, but rather he's obsessed with the notion that Subgirl and her liaison are engaging in extramarital affairs. And this begins to eat him up, causing him to be both jealous and secretive toward his fiancée Nat. As his obsession grows creepier, so the fiber of their relationship gets strained, and we begin to witness the downside of marriage before it has even occurred.It may be useful to note that the writer/director of this film, Dana Adam Shapiro, in 2012 wrote the book "You can be right, or you can be married". I haven't read it, but we can guess from the title that it's not exactly a celebration of wedded bliss. It's a series of interviews with divorced couples, touching on the problems that led to their splits."Monogamy" fits in line with that description, and although it's listed by IMDb as a romance, it's hardly that. It might be worthy of note to mention that Dana Adam Shapiro has never been married, and neither have I. So I was able to enjoy this somewhat cynical portrayal of (impending) marriage objectively. If you are currently married... well, for starters do NOT watch this movie with your spouse unless you want a truly awkward evening. You might actually be more comfortable watching "Fatal Attraction" and reassuring each other that nobody's bunny will be boiled. "Monogamy", on the other hand, has a way of getting under your skin and making you wonder if there is such thing as everlasting fidelity.The cinematic style is very artistic, making use of striking images, dramatic lighting and hand held camera work that keeps you in the "reality" zone. The darkness of the film lends itself to a menacing quality that makes you feel uncomfortable about everything. I would compare the style to the excellent films of Jay Anania & James Franco (Shadows & Lies, The Letter) as well as maybe Stephen Soderbergh (Sex Lies & Videotape, Magic Mike), particularly in regard to "real world" dialogue that seems improvised due to the natural delivery of the actors. This is definitely not a glossy Hollywood romance, so check it out if you're looking for something different.If you have a short attention span, "Monogamy" may border on monotony. But hey, it's better than a boring night playing Monopoly. Or getting a lobotomy. OK I can stop now.
rightwingisevil The guy in this movie is a guy actually good for nothing except shooting goofy photos for some goofy people. I've never thought this kinda guy could make a living and be somebody's lover or husband until I saw this movie. A guy who already set up the wedding date with this nice and talented girl (Quincy Jones Daughter, a Harvard graduate) but still got some doubt of his commitment and still got some goofy sex fantasies, fancy a slut who hired him to shoot her goofy and weird sexual behaviors and some of her unspeakable fantasies that arouse him to fall for her. This guy is such an unworthy person that disgusted me to the extreme when I watched it. The screenplay is very blend and lukewarm, using N.Y.C. as the usual background for those young people who got nothing but daydreams. Just make me wonder how long this guy's marriage could survive. The only good stuff in this movie is the beautiful songs his soon-wife-to-be sang, other than that, it's kinda hollow and pointless.
RhyanScorpioRhys This indie film walks the well-beaten path of a couple with commitment issues and features a silly plot device that allows one of them to obsess over an absolute stranger. The "twist" couldn't have been better spotted miles off if it were surrounded by road-flares.And I'm getting a little sick of poorly written dialog in screenplays hiding behind what used to be called "cinema vérité". If you're not shooting a documentary, write dialog that either progresses the plot along or drop the stuttering, meandering "realistic" speech patterns altogether. It's boring watching actors stumble their way through scenes in which they need to communicate verbally.On a side note, it's such a shame that Rashida Jones can't land better roles. I think there's some untapped potential there. Or maybe it's just because I think she's cute. Who knows?