Monster in a Box

1992 "He Survived Swimming to Cambodia. Now the Adventure Continues."
7.5| 1h27m| en
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This is the story of Spalding Gray and his attempt to write a novel. It is a first person account about writing and living, and dealing with success while trying to be successful.

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EssenceStory Well Deserved Praise
Libramedi Intense, gripping, stylish and poignant
Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
framptonhollis His voice projects every emotion imaginable in a matter of seconds...fear, confusion, sarcasm, irony, sadness, hope, happiness, etc., etc. Spalding Gray is a different kind of performer, a man whose monologues have continued to enthrall and inspire me ever since I first came across them. In "Monster in a Box", Gray recounts the years he spent writing a massive nearly 2,000 page semi autobiographical novel after his mother's suicide. Constantly being sidetracked by his own, absurd misadventures, Gray's life becomes a whirlwind of comic mischief and insightful self reflection. This piece allows the viewer to get inside the head of one of the performing arts' most underrated geniuses. Gray thankfully left his mark on the world before unfortunately deciding to have his own experience with suicide, one that be rid America of one of its greatest, funniest, and most unique talents. "Monster in a Box" is among his very best work as it combines all of the elements that made his work so fantastic and entertaining, particularly his humor and heart. Often outwardly wacky and quirkily comical, this film also contains moments of subtle poignancy. Whether this is truly a tragedy or a comedy by nature is up to the audience to decide. From my perspective, it further proves my ongoing theory that life is neither tragedy nor comedy, but rather a whirlwind of those two emotions; two emotions that aren't as clearly defined as we seem to think they are, two emotions far more similar than they appear.
bandw I watched this mainly because I liked "Swimming to Cambodia," but for me this is a lesser effort. It takes no small ego to think that you can keep people's interest for ninety minutes by sitting at a desk and telling what's been happening to you for the last several years. Gray has more success at this than most, but the stories he tells here about living in Los Angeles, traveling to Nicaragua, dealing with an AIDS scare, being the stage manager in a production of "Our Town," and so on, just did not captivate me. The music, sound effects, lighting changes, and varying camera angles (that I presume were intended to make this monologue more interesting) I found distracting. And Gray himself engages in some unnecessary histrionics.This film is not without its moments but I doubt that I will remember much about it in a week. It will be best appreciated by more devoted Spaulding Gray fans than I.
MarieGabrielle in his descriptions of CAA, platinum card lunches in Hollywood, psychoanalysis, a vacation in Provincetown he never took, and free trips to Nicaragua, financed by Columbia pictures.It sounds narcissistic, but Spalding Gray (possibly because of his unusual personality) ropes the audience in, laughs at himself (perhaps because he did not take the Hollywood thing oh-so-seriously) and gets us to care.This monologue is not just about "The Killing Fields", or "Swimming to Cambodia"; it is more a pastiche of events, as he sees them. Some of the lines are classic, as when Gray meets with the esteemed talent agents at CAA. The conference table is ..."full of them, tanned, healthy, fresh from drinking blue-green algae from an Oregon lake...there are no drugs now in Hollywood".This was before the tragedy occurred. Many of us will miss his off-balance humor. 9/10.
Jonathan-13 Jerry Seinfeld has nothing on Spalding Gray. This is one of the more unusual 90 minutes you will spend, as Gray discusses the trials and tribulations of writing a screenplay.The entire movies shows Gray sitting at a desk, looking straight ahead. He deals with personal and professional relationships, religious and ethical beliefs; and yet somehow manages to hold your attention.Not for everyone, but you can actually watch it in parts, or even flick back and forth if it's on TV. The snippets of Gray's life sometimes seem real, sometimes unbelievable, but always give a feeling of truly looking into another person's soul.