Skunkyrate Gripping story with well-crafted characters

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Raymond Sierra The film may be flawed, but its message is not.

TxMike I found this documentary on DVD at my local library.I know all about the 1960s, I graduated from high school, I graduated from college, I completed my graduate studies, I got married, I started my career, I had my first child. She will be 49 later this year, 2018.But I never went to any music festivals. So finding this film on DVD was a joy. It has a good mix of on-stage performances and views of the mostly young crowd away from the stage. While I didn't know any of them I recognize all of them. That is how we looked and behaved in the late 1960s.Funny, when I was younger I avoided Janis Joplin, I just hated her singing style. But I saw a documentary on her, I became a fan of sorts. And here at roughly 25 minutes into the documentary she performs "Ball and Chain" which was a real show-stopper., showing her extremely wide range of talent. There is a memorable shot of Mama Cass Elliot in the crowd mouthing "WOW" when Janis' performance was over.Anyway, good film that brings back good memories.

Chris Knipp Rewatching Monterey Pop.At the moment (these things don't last) you can watch the Criterion Collection version of this film on YouTube and I just finished watching it. The Woodstock film may be more extensive, and the event more historical, and some of the songs and acts seem dated now. But. . . this is the quintessential Sixties moment, the Summer of Love in pure simple unspoiled form. The Hells Angels sit quiet. The cops smile and welcome. Several of the sequences of music paired with audience are beyond brilliant. Notably Big Brother and the Holding Company and Ravi Shankar, both evoking blissed-out peace and meditativeness.Whatever he was on, and he was on plenty, Jimi Hendrix's performance of "Wild Thing" seems like mindless exhibitionism and provocation. On the other hand, you can't forget this act. Shankar's music is eternal and timeless, its blend of rhythm, improvisation, sparring and unity reducing music to its universal essence - and its unifying spirit of pleasure and fun.From a Wikipedia article about the film: "Among Pennebaker's several camera operators were fellow documentarians Richard Leacock and Albert Maysles. The painter Brice Marden has an "assistant camera" credit, and Bob Neuwirth, who figured prominently in Pennebaker's Bob Dylan documentary Don't Look Back, acted as stage manager. Titles for the film were by the illustrator Tomi Ungerer. Featured performers include Big Brother and the Holding Company with Janis Joplin, Jefferson Airplane, Hugh Masekela, Otis Redding, Ravi Shankar, The Mamas & the Papas, The Who and the Jimi Hendrix Experience, whose namesake set his guitar on fire, broke it on the stage, then threw the neck of his guitar in the crowd at the end of "Wild Thing"."Watch just the 18-minute Ravi Shankar sequence, also currently available on YouTube by itself. . This is a classic musical performance movie sequence.

sodbuster-3 It was a great experience. I was 18 and hitch hiked to Monterey with a girl and her Doberman. One ride all the way. As soon as we got dropped at the fairgrounds, some people asked if we had a place to stay, took us to their pad, let us shower, and made breakfast. That was a good sign. I had no desire to go to Livestock; nothing could ever compare to those three days in Monterey. You see all the people with coats and blankets because it was cold at night and early morning. For weeks before we had been hearing the ads on the radio (KRLA)about all the performers and they kept saying the Jimi Hendrix Experience. We had no idea who this guy was; we were going to see and hear everyone we could. But that night, after The Who had tried to demolish the stage and Lou Adler and John Philips were scrambling to regain order, the stage went dark and a lone figure walked to the mike at center stage. When the spotlight came on we could see it was Brian Jones. He introduced Jimi Hendrix and when I saw, and heard, the most amazing things ever done or played on a Stratocaster (on any guitar for that matter)life wasn't the same. Hendrix took music to an alien world and came back with sounds and style that were beyond my imagination. This film is not the greatest quality and certainly--in a technical sense--pales in comparison to contemporary concert movies and videos; however, it was the first true rock festival, and if you were there you know what I mean. But if you let go of the need for cinematic purity and enormous production values, what you'll enjoy is an island of (not corny) peace, love, and incredible music.

classicsoncall The ensuing forty plus years have not been kind to "Monterey Pop", the rockumentary that intended to capture the spirit of the three day concert event that kicked off the San Francisco 'Summer of Love'. I found the film to be rather underwhelming, and find it surprising to be so much at odds with other posters on this site regarding it. Honestly, the only acts I found to be entertaining both musically and artistically were Janis Joplin (Ball and Chain), Otis Redding (Been Loving You Too Long), and Jimi Hendrix (Wild Thing). All performers were personal favorites of mine back in the day, and I still listen to their music now, maybe even more so than I did back then.As for the rest, mainly disappointing. The Mamas and the Papas with their opening number sounded more often than not to be off key with unsteady voices. Canned Heat, Simon and Garfunkel, The Animals, not very exciting, while Hugh Masekela didn't convey an identity with his rambling performance. Jefferson Airplane - as uninspiring as their Woodstock clip, though they might have had a good reason for that one, coming on a Sunday morning to a worn out crowd with absolutely no energy. The Who was OK, but you could tell that smashing guitars and destroying their instruments was something new for the audience, even Hendrix' electrifying performance elicited puzzled looks from the crowd. Like, didn't those instruments cost you some money?As for it's influence on the hippie movement and flower power, the seeds were definitely planted and nurtured here, but contrary to what other reviewers on this site propose, this was not 'hippies and great music'. Except for the brightly painted buses and a few other colorful nods to psychedelia, many of those spotlighted in the crowd were rather 'normal' looking by comparison, not even sporting long hair in many cases. Need further proof - how about all those neatly lined up chairs for the concert goers? And if you ask, what about all the cool lava lamp effects that back lit a lot of the performers, try catching any of these headline acts on variety shows of the era and you'll see much of the same.I hate to come across as being that harsh, but for all of it's fame and notoriety as a seminal American music event, "Montery Pop" the movie doesn't do justice to the memory of Monterey Pop the festival. I guess you had to be there.