Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

felipe-andreazzi I am a great admirer of Juan Jose Campanella's films and this was the main reason why I decided to watch this film in first place. I did watch Son of the Bride and The Secret of Your Eyes, both great films. Ricardo Darin was another reason why I decided to watch it. I think he is now the greatest actor in the Hispanic cinema. It's amazing how the Capanella-Darin contributions worked so well in this "trilogy".What is really cool about those films is that Campanella can create from a different situation many parallel stories. Like here for example, the main plot in "Luna..." is the administration board trying to save their beloved 70 year club from bankruptcy and to avoid the club to be sold and to build in his place a casino instead. From that plot Campanella shows not just the effort that the club employees do in order to save the club but he also shows the family and love relationships in the life of those people.The trademark in the Campanella films is that he can balance the comedy with the drama. The soundtrack is beautiful as well like in all his films always with a great presence. The chemistry between Darin and Eduardo Blanco is always moving.Although the film could it be a little bit shorter and sometimes the story does not develop as it should, its another great film by Juan Jose Campanella and Ricardo Darin that I definitely recommend it!

Henry Fields Luna de Avellaneda is a 70 years old club, in the good ol' days it had more than 8.000 members. There they teach ballet, you can play basketball, you can chat with your friends... In short: it's your family out of your family. Now, times have changed, things are getting hard and people don't have much money. The club has nowadays less than 300 members, and has lots of debts. They're going' to have to sell the facilities, they say they're gonna build a casino, they say there will be a job for everybody, they say prosperity will be back in town... they say...This is such of a metaphor of the whole Argentinian situation. He uses this club to represent the reality of a country that's been hurt very deeply, surrounded by looters and sick of promises. A country which uses the sense of humor and the sarcasm as a medicine.Two hours of rage, love after love, and tons of hope... (we really need that) *My rate: 8/10

Ari Sheinwald As a fan of Hijo de la Novia, I found Luna de Avellaneda to be a complete disappointment. When I voiced my mixed feelings about this film to Argentines, they invariably accused me of not understanding the film because I'm not Argentine. I can argue with them on that since I understood the references they were accusing me of missing (the importance of social clubs in Argentine society, the ill-effects of neoliberal privatizations, etc,etc.) but, at the end of the day, a film needs to speak beyond its intended audience. But this is a problem with the ghettoization of national cinemas - faced with steamrolling Hollywood productions that they can't compete with, local industries attempt to counter-program with self-consciously nationalistic productions that attempt to reach the largest possible domestic audience. It's a lose-lose situation since instead of getting challenging foreign films (at the end of the day, the best antidote to Hollywood) we get films like Luna de Avellaneda (or, even worse, Patoruzito). On the bright side, recent years have witnessed a renaissance in Argentina cinema.The film itself is structured around a fairly obvious metaphor - the social club clearly is meant to represent Argentina. A once glorious past is faced with a brutal and uncertain future. In this sense, the film taps into the heavy nostalgia that is pervasive in Argentine culture (ie. the tango). That the social club will be privatized is a clear analogy with the brutal effects of neo-liberal policies in the country over the past two decades. The problems with such heavy-handed symbolism is, well, heavy-handed symbolism.At the end of the day, I don't let Hollywood movies get away with cheap sentimentality, so I certainly won't let foreign films get away with it either.

Snake-Charmer A good Argentinian movie...But quite depressing because of the fact that it shows the reality of Argentina,where 2 ways of thinking clash everyday:An old and romantic one...against the new defined by the modern ideas in economy and politics....This movie makes it quite clear which one is works the best.So the movie tries to give hope by showing that things can be changed by making an effort. The acting is quite good...the ambientation( does that word exist??) in the 50's is good So a good movie,a tad to long and not the best acting by Darin6 out 10