Cathardincu Surprisingly incoherent and boring

Pacionsbo Absolutely Fantastic

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

tomsview I always found this well-made film quite depressing. There is much to admire, but I think you have to be in the mood for it.Although it is set after WW2, I always think of it as part of that group of British war films made during the 1950s: 'Reach for the Sky", "The Cruel Sea", "The Dam Busters" etc.Growing up in the 50's, I remember them well. They had a different vibe to the typical Hollywood war films; a sense of discipline and sacrifice always came through. The music alone was distinctive with scores by the best British composers – nearly always conducted by Muir Mathieson. You could tell from the opening bars that it was a British film.They featured familiar actors who appeared in film after film. "Morning Departure" would be hard to beat for familiar faces: John Mills, Nigel Patrick, Kenneth More, Richard Attenborough, Bernard Lee, George Cole, Victor Maddern, even Michael Caine in an uncredited role as Teaboy."Morning Departure" is the fictional story of the sinking of HMS Trojan, a submarine on a routine patrol. We get a little background on the Captain, Lt. Commander Peter Armstrong (John Mills) and a few of the crew.When the sub meets with an accident, the story concentrates on 12 survivors who are trapped in a small section of the sub. The feeling of claustrophobia is palpable. They expect a rescue mission to be launched, but they only have a limited number of escape vests – the crux of the story is how these men from various levels of British society behave under great stress.The famous British stiff upper lip was in evidence in just about all those films of the 1950's, but especially so in "Morning Departure".The interesting thing was that the audience readily accepted the calm stoicism shown by the fictional Commander Armstrong and the crew. That's because the Royal Navy had built up so much equity in the tradition of grace under pressure.There were plenty of examples in the war just fought, but one only needs to look to the wreck of HMS Birkenhead in 1852 to see the full flower of a tradition that probably even predates that episode."Morning Departure" is a sad story ultimately made bearable by the uplifting spirit of the doomed men.James A Michener once wrote (of those British soldiers and sailors on the Birkenhead), "This, after all, is the way men should behave in time of peril at sea".

Sean Murphy Life for these submariners isn't easy above or below the ocean waves. Above the ocean waves it begins by showing some of the crew on leave with their family and the problems and decisions that they face in their personal life such as whether to stay in the navy or not. Below the waves what begins as a routine training mission quickly gets out of hand due to a disturbed mine going off.It turns into a race against time to free the crew before their air runs out. It is complicated by faulty escape equipment where only some of the crew can quickly escape through the hatch when they are initially discovered by rescuers. The turn of a card can literally determine the fate of the men. A low card leaves an unlucky few to wait in the submarine to see if they can be raised to safety. The weather now combines with time to become their enemy and the race is on.The action takes place in a confined space and the way people come together in a crisis is deftly handled. A solid although not a totally original performance from John Mills who as the commander tries to get his crew to safety and maintain discipline under difficult circumstances. A much underrated Nigel Patrick does well as his second-in-command; he acts alongside Richard Attenborough with whom he is reunited in the excellent League of Gentleman many years later. Overall it is an enjoyable and watchable film.

Robert J. Maxwell A British submarine, Trojan, accidentally runs into a drifting mine that blows off her bow and floods her stern. The central section sinks to the bottom with twelve men left alive. Submarine rescue ships come to her aid but it's a long hard slog, introducing air into the hull and trying to lift the wreck with wires. There is a means of escape from the submarine but it will accommodate only eight of the survivors, leaving four men (chosen by lot) to a problematic future.Frightened men trapped aboard a disabled submarine at the bottom of the ocean. You'd expect a lot of drama, speech making, and philosophizing on what it's all about. Well -- there is a little of that, but not too much.The drama centers around the stoker, one of the four losers, played by a baby-faced Richard Attenborough. When the boat is disabled, he reveals himself as a sniveling coward. (Note: No cowardice is complete without its "sniveling" qualifier.) But in the course of their isolation, the four remaining men are drawn together and Attenborough learns to overcome his fear and to care for a shipmate who is sick.John Mills is the captain who remains behind. And aside from Attenborough, there are also Wylie Watson as the comical but sensitive cook who doesn't know how to pronounce the word "Pisces" in the Astrology column, and Nigel Patrick as Number One.Happily, although these four are stuck in a disabled undersea wreck, the film makers are not. Scenes in the submarine alternate with the efforts of those ashore and those in the rescue craft to haul the mauled hull to the surface. These men are led by the reassuring Bernard Lee. Lee is a fine actor but, as it turns out, can't solve every problem that comes along.Because we are able to keep abreast of the rescue efforts and the difficulties involved, we're spared the isolation and claustrophobia of that sunken wardroom. This turns what could have been an ordinary, stiff-upper-lip talkfest into a rather dramatic and well-done story of men facing death while others try to help them.It's based on a play. I can't imagine a play about a situation like this being anything but deadly, but it's a nicely executed film. Good and craftsmanlike.

Anthony Mantle I first saw this movie at the time of its original release, & it has remained in my memory quite indelibly. Particularly as one of your submissions referred to the sinking of an actual British submarine at the time of the release of "morning departure". HMS "Truculent" was the name of that submarine & the nation was very somber, but I believe the the movie realistically brought home to the public what these submariners went through. My father had served in the Royal Navy during WWII on Destoyers & had his ship sunk under him while in the Mediterranean. So I appreciated the fine acting & portrayal of the courage of the men in the Royal Navy. John Mills always epitomized the character of the rolls he took & this was one of his best for me, except for maybe Scott of the Antartic, but that's another story.