SunnyHello Nice effects though.

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

morrison-dylan-fan Leaving a long gap between disc 1 and 2 of the Completely Goofy collection, my interest got re-awakened by the delightful Goofy Gymnastics,which led to me going out on the road.The plot:Resting after work at home, Mr. Walker gives everyone the image of being relaxed and mild-mannered. Getting behind the wheel of a car,Mr. Walker completely changes into being a speed demon.View on the film:Standing out from all the shorts of the era which had Goofy on his own, director Jack Kinney draws a vibrant town of Goofy's, each being given their own quirk to stand out. Taking over from Goofy regular Pinto Colvig, Jim Backus gives his version a gruffness, which fits in perfectly with the hilarious speed demon in the screenplay by Milt Schaffer & Dick Kinney, which reveals the drive angry Goofy.

OllieSuave-007 I first saw this cartoon when it was part of a cartoon compilation episode of Walt Disney's Wonderful World of Color, narrated by Professor Ludwig Von Drake. It stars Goofy who plays a Jekyll and Hyde-type character named Mr. Walker and Mr. Wheeler. When he is walking about any but his car, he is a kind and benevolent man. But, when he takes behind the wheel, he turns into a crazy, wild driver.It is an interesting cartoon short, hilarious to see Goofy act in an ominous and scary demeanor as he crashes into other cars and yells at people in fits of road rage. It's also a lesson to be learned - everybody should drive defensively.The animation is colorful and brilliant and the plot is full of laughs and entertainment. An enjoyable one featuring Goofy.Grade B

Steve Pulaski Disney's short Motor Mania concerns Goofy as Mr. Walker, a calm, competent pedestrian who is just your average Joe as he walks down the street every day. But when Mr. Walker gets behind the wheel of a vehicle, he turns into "Mr. Wheeler," a venomous, hateful man, consumed by road rage. Nobody every drives fast enough for Mr. Wheeler, it seems, and it doesn't help his big mouth and reckless driving get him into more accidents than the average person. What happens to Mr. Walker when he gets behind the wheel and how come he can't simply drive without being filled to the brim with malice and hatefulness?Unfortunately, what I will now call "The Walker/Wheeler Complex," some people can be the nicest, most warm- hearted people when they're simply walking down the street but as soon as they get in a car, they become consumed by rage and morose feelings that they lash out at other drivers. It's a sad, true reality Jack Kinney's Motor Mania illustrates very well, with quick-moving action scenes and moments that inspire laughs as well as winces because of true and relevant they actually are. Despite being part of a whole other world, Disney, with their variety of short films offering social commentary on a number of issues, prove once more they were and still are very much in the loop.Directed by: Jack Kinney.

Ron Oliver A Walt Disney GOOFY Cartoon.Even the most mild mannered pedestrian becomes afflicted with MOTOR MANIA when he gets behind the steering wheel of a car.This little film is not only humorous - in a bone-jarring sort of way - but it also deals with a serious problem: emotional drivers who are a danger to everyone else on the highway. This was the first of Goofy's car safety cartoons and would later be followed by FREEWAYPHOBIA NO. 1 and GOOFY'S FREEWAY TROUBLE (both 1965). John McLeish narrates in his best documentarian manner.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.