Murderers' Row

1966 "Matt Helm outdoes Matt Helm in his new all-out adventure!"
5.8| 1h45m| NR| en
Details

The handsome top agent Matt dies a tragic death in his bath tub - the women mourn about the loss. However it's just faked for his latest top-secret mission: He shall find Dr. Solaris, inventor of the Helium laser beam, powerful enough to destroy a whole continent. It seems Dr. Solaris has been kidnapped by a criminal organization. The trace leads to the Cote D'Azur.

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Reviews

BootDigest Such a frustrating disappointment
Freaktana A Major Disappointment
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
masercot You have to suspend belief to watch Dean Martin play the world's best secret agent. The man seems intoxicated much of the time and mentally retarded all of the time. It's pretty much the same experience you might get if you watched Gary Busey play the Pope.Karl Malden adds nothing to the movie, either. I know that he is a good actor; but, for this movie, he's keeping that fact to himself. Is there a bright spot in this movie? Yes. Ann Margaret, a woman we see far too seldom in the movies, plays the daughter of a scientist and, like the daughter of a scientist, she dances a lot; in fact, the five minutes during which the woman dances are the most enjoyable in the entire movie.I don't hold anything against Dean Martin...loved his television show; however, his scattered concentration doesn't play well in a ninety minute movie.Watch this movie only if it will get your name entered in a car raffle...
Bogmeister MASTER PLAN: Operation:Scorch - use a new heat ray on Washington DC. After "The Silencers," there was no where to go but with more fun in the sun with Matt Helm - poking fun, that is, at the James Bond spy genre. Dino Martin is as lackadaisical as ever as Helm, the part-time super agent, barely awake in some scenes and ready with the cute quips in, well, every line of dialog. To illustrate the difference between Helm & Bond: Bond, as an example, is allowed one minor joke during his usual mission briefing with M. Now, Helm jokes with his boss, MacDonald (James Gregory, reprising his role) during the entire session, even as MacDonald tells him that Helm may have to commit suicide during the mission. 'I ain't going' Helm quips. The villains are again the evil organization Big-O(oh), who target all the major secret agents as the film starts, including Helm. But, this is one of those false deaths for the hero, just as was done in a couple of the Bonders (and they don't explain how Helm survives). The action takes Helm to Monte Carlo, where a primarily young crowd do a lot of dancing and swinging. Helm searches for a scientist who is providing Big-O (led by Karl Malden) with the final formulas for a super heat ray.The action slows down at the mid-point, especially with the seemingly endless scenes of young folks shaking their bodies to sixties tunes. The filmmakers manage to work Sinatra in again in a sort-of cameo. The absurdity and sight gags are at the usual level: all of Helm's girlfriends attend his funeral dressed exactly the same. The main henchman walks around in public with this big metal plate covering the top of his head and no one notices. Helm drinks while driving and on the job, joking with the liquor bottles. Ann-Margret plays the daughter of the missing scientist and she's always great, no matter what she's doing, but she even gets quite involved in some strenuous action towards the end. Sparv is fine as the femme fatale, with her slightly exotic good looks, though she inexplicably seems to change sides near the end (Helm never even had a chance to seduce her). Malden as the head villain does not do as well, speaking with a dopey accent which fades in and out. He is the subject of an effective on-going gag with a gun that delays firing for a few seconds. The climactic action in the villains' lair is not bad, with some actual suspense and humor mixed in, though the very conclusion on the hovercrafts, on the water, seems like an afterthought. The epilogue is just too silly. Helm would return in "The Ambushers." Hero:6 Villain:5 Femme Fatales:7 Henchmen:6 Fights:6 Stunts/Chases:6 Gadgets:5 Auto:4 Locations:7 Pace:6 overall:6-
JasparLamarCrabb MURDERER'S ROW is the second Matt Helm movie and just as sloppy and ill-conceived as THE SILENCERS. It's also just about as much fun. Dean Martin, clearly not sticking to any script, has a few funny one-liners and Ann-Margret is Ann-Margret...as a swinging sixties sex kitten, she's second to none. Karl Malden collects a paycheck as the villain and the stunning Camilla Sparv plays his moll. There are a few amusing scenes such as Dean in a line-up with two French peasants and the women's outfits are very Rudi Gernreich without actually being designed by Gernreich. The film, directed by Henry Levin, could just as easily have been named "LONG SHOTS and STUNT MEN" when you consider how few close-ups Martin has during the action sequences.
gerard-21 The main title theme song was utterly fantastic, but the movie ahead was a relative disappointment and snooze-fest. After such a great start, what happened? Actually it's not that bad, just blandly mediocre, and not the worst of the series (that title going to The Ambushers hands down).Karl Malden does give a delightfully over the top performance, Dean is his usually breezy self and Carmilla Sparv makes for a sexy femme fatale. I even thought 70s TV stalwart Tom Reese was an interesting henchman. But Ann Margaret is not convincing. She is easily the weakest of the 4 movie Helm female sidekicks. Her character just comes off as silly, like she's still in an Elvis movie.The setting on the French Rivera creates a cool atmosphere and the plot about a kidnapped scientist had the potential to be interesting if not for that nonsensical helio beam angle. There are some cool gadgets, like the gun that works on a delay, but the novelty of them wore away quickly after each was seemingly used over an over. The plot development attempts to string together a loose bunch of disjointed scenes and set pieces so there is never any real tension or suspense. Interestingly enough however, several ideas (the faking of Helm's death, the Hovercraft, disposal of the henchman via magnet) were incorporated into future James Bond movies.In short, this movie was one of potential unrealized and a starlet misplaced. It's worth a look for Martin or 1960s spy spoof fans (I'm both), but most others would find it terribly silly, uninteresting and plodding I'm afraid.