SunnyHello Nice effects though.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Cassandra Story: It's very simple but honestly that is fine.

Srinivas G Phani Musafir is the most technically advanced film of 2004. It has awesome production design, awesome cinematography, awesome editing, awesome music and good background score. But it has a confusing and complicated plot that is difficult to follow at most places.Inspired from Oliver Stone's "U-Turn", the plot takes a U-turn at many places. Just when you think everything will be fine from now on, you are wrong. Gupta turns the story completely. The characters are rugged and unendearing. Every character has shades of grey. One is a petty thief while other is an underworld bollywood-loving gangster. The heroine has a very interesting character that suffers from her husband's psychotic behavior and the next moment, dances to Vishal-Shekhar's raunchy tunes in a nightclub. We also have a corrupt cop who is all set to steal the gangster's money from his carrier. Thrown into this bag is an item girl who uses her sexuality to trap men and steal their money.The film is filled with lot of sex scenes, gunfights and item songs. There are four songs picturised on the two leading ladies and also a sufi song in the middle of an interesting turn in the plot. Gupta defies the basics of film-making and comes up with a serpentine story that moves exactly opposite to Indian films. It is worth watching for the shock value in the second hour during the heroine's flashback. The scene is a bit lengthy but confuses you completely if the heroine or her husband is honest. Anil Kapoor gets an amusing role. Sporting an unshaven look and uttering boorish words, he lives through all the twists in the story. One wonders if a person can find himself in so many ugly situations one after the other in just four days! Sanjay Dutt plays within his repertoire and entertains in every scene he appears in. He gets the best of the dialogues. Koena Mitra dances well, flaunts her naked body but is in dire need of improvement in acting. Although, I agree, she is perfectly cast keeping in mind the Saaki song. Shakti Kapoor is back after a long time and fits the bill. Aditya Pancholi is convincing as the corrupt cop. Mahesh Manjrekar plays what he is very good at and is the best choice for the role. Sameera Reddy gets the meatiest role. She looks a zillion bucks and acts with effortless ease. She is not uncomfortable doing the intimate scenes with Manjrekar or Kapoor or even dancing aggressively to 'Ishq Kabhi Kariyo Na.' She is the most interesting heroine of all those of gangster films.Vishal-Shekhar, Anand Raj Anand and Dev Kohli give the year's best soundtrack and the best of all gangster films. It is a progressive techno album with multiple versions of many songs. Raaba appears in an exhaustive four different versions which sound unlike each other. Ishq kabhi Kariyo Na by Anand is an instant winner. Door Se Paas has the best ever techno and trance by Indian composers. Saaki is a good psychedelic techno song with Sukhwinder Singh and Sunidhi Chauhan in top form. The lyrics by Kohli are in sync with the psychedelic mood. Tez Dhaar is for Sanjay Dutt fans and Ek Dil Ne for duet lovers. Hema Sardesai finally gets her song in the form of Sun Suniyo. Kaante's best songs – Mahi Ve, Ishq Samundar and Rama Re add extra flavour to the album as 'Back to Life mixes'. Try the album for sure if not the movie. Sanjay Gupta is a very good director even if he copies from foreign films. He can make a great film if given the right script and this is evident at many places in Zinda, Musafir and Kaante. Though all the three films remain the worst for many (for being unofficial remakes and scene-to-scene copy at places), I suggest watching them as they take Indian films to different levels altogether with their exquisite production values, excellent technical work and groundbreaking soundtracks. Waiting for the day when Sanjay packs new wine in his opulent bottles.

Avinash Ghosh Bearing a "resemblance" (or shall we say "inspiration" ?) with the Hollywood thriller "U-Turn", Musafir is a good entertainer. With veterans Sanju Baba and Anil Kapoor, one wouldn't expect any less.Lucky(Anil Kapoor) is a conman, thief, small-time gangster all rolled into one, having had a orphaned and destitute childhood. He dreams to have a peaceful life and takes all short-cuts to achieve that. One fine morning he wakes up to find that his last con-job went against Billa(Sanju baba), a feared, knife-swinging Mafia Don who would stop at nothing to get his job done. Now, with his partners killed, he has to save himself by carrying out a drug-deal for Billa, in Goa. When he goes to Goa, he is torn between a couple who want to get each other killed and try to use him as the instrument. To rub more salt in his wounds, he accidentally crosses paths with Tiger(Aditya Pancholi) a corrupt, encounter-specialist cop. Throughout the movie, Anil Kapoor's expressions are enough to show his inner feelings. Sanjay Dutt's mafia-Don image seems to have stuck to him, right from "Vaastav" and "Kaante", but then he carries it so well that it seems nothing less than natural. Anil Kapoor does perfect justice to the character of Lucky, who is smart and rarely loses his cool. Sameera Reddy fails to deliver; I guess she is in it just for the skin-show. I don't know what Shakti Kapoor is doing in this movie ! Mahesh Manjrekar's psycho-type acting is quite good but it seems to be getting stereotyped, these days (remember Kaante and Plan ?) Overall, it doesn't stand-up to the standards of "U-Turn" but a movie worth watching, if U don't have anything else to do. For all Anil Kapoor and Sanju baba's fans, its a treat. The Saki-Saki and Ishq Kariyo Na numbers are simply awesome !

sudeep basak i don't understand how some people criticized this movie..I've seen U-turn last year and b4 i started watching this bollywood fare i had imagined that this must be another crap 4m bollywood...But it really surprised me..Sanjay dutt again lend his unique style to the movie and the flashbak version told by Manjrekar and Sameera had me wondering whats going on...only to realise both of them had their own versions of storytelling...that was uNique!! i watch a lot of Hollywood movies and i always make fun f bollywood movies but this one shut me up!!! every time my step kids picks up a knife they do the Tej Dhaar action...They just love Sanjay dutt..Imagine they don't even know /understand Hindi and they loved this film so much .. That must tell something to those who criticize!!so SHUT UP AND ENJOY ..

Sheraz Sherwani I am no critic. I watch movies just to have a good time. I don't get paid to criticize or praise a movie. I will not praise a movie just because it has one of my favorite actors, Sanjay Dutt. Sanjay Dutt is one of the top five actors in India on my list ( Others are Naseeruddin Shah, Amir Khan, Irfan and Om Puri). But its sad to see him doing movies like Rudraksh, Plan, Kaante and all these new formula movies. The only purpose of these new movies is to make the viewers believe we are getting closer to Hollywood but in reality we are giving up our originality and wasting talents like Sanjay Dutt with movies like Musafir. Cleavages, Guns, Leather, Silver, Gold, Drugs can look good in a movie if the movies actually has a storyline, a theme, a SCRIPT! Musafir is nothing but a Suzuki engine inside the body of a Lamborghini. Its all looks but no torque. If you liked Kaante then you will probably like this movie because both those movies have something in common, they're both "kool" but have no substance.