Humbersi
The first must-see film of the year.
Leoni Haney
Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Phillipa
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Sinnerman
Yes, as my summary went, Mon Oncle d'Amerique did for me, what the clever but emotionally vacant "Adaption" did not(could not). It impaled me.I have always had a bad taste in my mouth with that Jonze/ Kaufman offering, because it was too smug for its own good and worse, it was emotionally condescending.But here comes a classic that thumped its nose at conventional human drama and yet came out becoming more humane than most films I have ever seen. Who knew Biological Psychology/ Behavioural Science could breathe such life and heart into a seemingly inconsequential story?Anyone know where to find a transcript of the film? The last lines uttered by the Doctor summed up everything I loved about this film(and I have seen it just this once!!).Excellent.Again, many thanks to my enlightened film buff friends I have met on the net for their strong recommendation of this exceptional master work. For my experiential education in film has received that giant leap with this film.
Will definitely revisit this thought provoking film to fully soak in its wisdom and movie magic. One of the best films I have seen this year!! If you can get hold of it, by all means take that leap, much like I did and be immeasurably rewarded.
Karl Ericsson
Henri Laborit finishes with these words (if I remember correctly) - no spoiler really - :As long as we do not understand, that (today) we use our cortex predominantly in order to dominate other people, then nothing can change (for the better).I myself coined the phrase: If I had power like Hitler, then I would be Hitler.The point made here is not that I'm Hitler or want to be as little as it is Henri Laborit's point that it is allright for us to continue to use our brain as dominator over others. The point is, that if we get accustomed to power, then all we do turns out bad, in spite of 'good' intentions.There is no 'good' power. That's the simple truth. To claim so is as ridiculous as to say that there is 'good' evil or totally erase the borders between good and evil and wind up in total confusion like Bob Dylan sings about in his songs 'Ring Them Bells' (They're breaking down the distance between right and wrong) and 'The Disease of Conceit'.In attempts to dominate his surroundings, man is driven to madness and suicide. The film demonstrate this and Laborit compares rat behavior with human behavior when human lives are ridiculed by this animal quest for power instead of being allowed a quest that would be truly human (in the good sence of the word): the quest of the total destruction of all power and dominance in order to create a truly human society of decency and brotherhood.We possess a refined and beautiful cortex - why not use it for its proper purpose?, is the conclusion we find ourselves in after having seen the movie (well, not all of us).
Catch-52
I've seen this film twice. The first time, it told me how to view the world. The second time, it represented my view of the world. Everyone's actions are determined by a small number of forces, it says. Everyone's behavior fits into only four categories, it says. And yet, it presents such a wide range of emotions, actions, and thoughts that it seems to contradict its very hypothesis. And yet, it doesn't. Turn your brain on and watch this; give it time to sink in, then watch it again. I guarantee it will change your way of looking at the world. The editing is top-notch, and Resnais is at the top of his form, as he was 20 years earlier with Hiroshima Mon Amour. The ending is a stunner, and it encapsulates the film while at the same time extending its meaning. The cinematography and message will remind you of Resnais' Night and Fog. Brilliant performances from all three leads and Laborit. Give it time, use your brain, and view it multiple times. You will be rewarded.
solace-3
This film was made with the cooperation of psychologist Henri Laborit. It's broken down, like a greek drama, into narrative episodes and odes where the chorus, in this case psychologist Laborit, explains the meaning of the episodes. I love this movie because it makes clear the pretenance to everyday life of a discourse which is very rich as an interpretation of life, in exactly Matthew Arnold's sense, but at the same time so abstract that most people just, for example, reading Laborit's "Decoding the human message" would not see the immediate relevance of what was being said to their own daily concerns. I use this film to teach psychology. I open my intro class with it every term. Learning to read this film is learning to think like a psychologist. In the film, we cut from scenes of the human characters involved in various relationships to Laborit showing how lab rats react to stress under various conditions. The result is not dry or pedantic but funny as hell. It comes off as the rats doing a low burlesque of the human comedy. We also see the characters as children and as adults and scenes from various formative episodes along the way. When Laborit says "a person is a memory which acts" it seems a powerful commentary on what we are seeing on screen. We see one character as a tiny girl interacting with her factory worker father. He is a communist and he is teaching his newly articualte baby girl to repeat after him "USA go home". Watching this, I remember being taught to sing "Jeusus loves me" shortly after I started talking. This film is funny and wonderful dealing with the thing which matters most of all, the question of what it means to be a person.
