Majorthebys Charming and brutal

TeenzTen An action-packed slog

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

nazia000777 Drought and a series of poor business decisions reduce her family to subsistence level, her father begins to drink excessively, and Sybylla struggles to deal with the monotony of her life. To her relief, she is sent to live on her grandmother's property, where life is more comfortable. There she meets wealthy young Harry Beecham, who loves her and proposes marriage; convinced of her ugliness and aware of her tomboyish ways, Sybylla is unable to believe that he could really love her. By this time, her father's drinking has got the family into debt, and she is sent to work as governess/housekeeper for the family of an almost illiterate neighbour to whom her father owes money. She finds life there unbearable and eventually suffers a physical breakdown which leads to her return to the family home. so i am very much inspired from this muvie so that i got my career through thishttp://www.pakistanjobs.pk/

runamokprods A lovely, beautifully acted first feature that launched both Judy Davis, who is amazing in this, and director Gillian Armstrong. Its lost a little something revisiting it after all these years. While it's feminist ideals are inspiring and handled with complexity, there's a certain lack of emotion to it. We don't really get the deep bitter-sweetness of choosing loneliness over loss of self. Also, that the film forces that choice seems a bit disingenuous. Nothing about Sam Neil's character that suggests he would repress our heroine – indeed he clearly loves her for the free spirit she is. To really have her need to make an either/or decision 'work' we'd need to go further into the relationship and her psychology. Last, a number of the supporting roles tend towards clichés about both the upper and lower class. And that oversimplifying takes something away from the complex character Davis builds. But all that said, there are beautiful images and magical moments. It just didn't quite hold up to my memories of first seeing it 30 years ago. But if you've never seen it, you still certainly should.

jzappa There is not a crease or seam in Judy Davis's performance in My Brilliant Career. She being one of the greatest of all actresses, or even actors, at the innate endowment of physically, mentally and emotionally residing in a character builds a rivetingly ambitious and combustible character that takes charge of herself and simply does not make a good follower at all and is whirled from early in her life by her independent attributes to have a career in the arts despite society doing all they can to tame her. Her character is so enrooted and actualized that the love story that serves as the flesh of the film between her and the dark and magnetic character of Sam Neill is like a diverging extension of her nature. She only idles away with what she feels could so easily be hers and is driven to single- minded desire of it when it comes to be a challenge. The romantic element of the film, especially in its outcome, fits as a large-scale model of who she is and why she is born to be anything but what her cavalier and domineering family of early twentieth century Australia strives to mold her into.The support of the story, which is Davis's struggle to be independent of society's taming and manipulation is what is ultimately compelling and infuriating, very effectively putting us in her mad, aggressive shoes. The framework involving the attraction between her and Neill is what is ultimately moving and hearty. That is what this film supplies a solvency of, a fiery emotional experience.

banshee-liam An overlooked masterpiece. Not only did Gillian Armstrong's direction serve the material superbly, but Judy Davis's Sybilla was one of the boldest film debuts I've ever seen. The gasps heard all over the theater when Sam Neill is first seen (from Sybilla's POV in the tree) also made an indelible impression.Perhaps most impressive is the screenplay, which greatly improves on what turned out to be a good novel so dated that it is all the more amazing that anyone ever thought to make it into a film. The musical score was also a delight.Most confusing to me is that it has taken so long for it to be released on home video. A major addition to any thinking film-goer's home library.