Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

brian_gunter This a comedy that is not funny and a caper that is not interesting. The 83 minutes felt like twice that. The pitch for this picture is almost unimaginable--lets make a movie about a real estate deal and tell it through the the voice of an actress who is unwatchable. We'll waste the talents of great actors like Rip Torn and Jeff Bridges, and kill off a clutch of C- actors along the way. Bridges is a low-rent, charming bar owner who just wants his estranged wife, Kim Basinger to sign the divorce papers so he can refinance his bar. There is no chemistry between Basinger and Bridges, and the Hollywood version of funny southerners is as stale and terrible as ever. Just a rung or two up from the Dukes of Hazard. The hokey accents and music are unintentionally funny. The positive reviews are absolutely baffling.

moonspinner55 Robert Benton wrote and directed this daffy comedy about a Texas manicurist in 1950s Austin who enlists the aid of her estranged husband to help her retrieve some sexy photographs she had taken by a unscrupulous shutterbug; swiping blueprints for a new highway instead, the bickering couple are chased by both the police and a crooked kingpin who's out for blood. Sassy talk and gumshun are the highlights of this pleasant whiff of an idea--sort of an old-fashioned throwback to the cinema's second-feature--but it runs out of steam after an hour or so. Kim Basinger gets to show off her squirrelly side which is very appealing, and Jeff Bridges is a good match for her, but the ramifications of an early murder, the contents of the file, and the plot elements with the gun-toting villains, Bridges' new girlfriend, and Basinger's secret "condition" are not immediately captivating. Didn't Benton realize that the central relationship alone was more engaging than the chases and the overlong shoot-out finale in a junkyard? He was trying for a breezy screwball effect, but this approach is only successful in setting up the story. The rest is irrelevant. ** from ****

phillafella NADINE stars Kim Basinger in the title role as a murder witness who is on the verge of divorcing her husband (Jeff Bridges), but fate brings them back together when they become targeted by the killers. Because the cops are also after them, and the movie takes place in Texas, you can easily see some similarity between this and THE SUGARLAND EXPRESS, which had more of a story and better acting. NADINE has cornier acting, a less attractive lady and a more ridiculous plot. I recommend SUGARLAND over this underachiever.1 out of 5

loupgarou-2 This is a very cute comedy caper movie. Kim Basinger is perfect as the ditsy West Texas small town girl, and Jeff Bridges is great as her even dumber husband. Rip Torn is also good as the villain. Plot is pretty simple, but fun. I've shared this with several others in the 35+ year old class, and they all enjoyed it. Very good chemistry between the leads.