BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kayden This is a dark and sometimes deeply uncomfortable drama

Benedito Dias Rodrigues If you intend to watch this movie keep clear to has little snap before,because it's too slow down that needs patience,even Scorsese involved in the project didn't help too much,some boring scenes which stay quite clear just spent a time,a matter of fact it's an art movie,so many famous actors in the cast adds a little only,the picture is really something fresh but don't reach nowhere,the final scene is remarkable and justify my vote!!!Resume:First watch: 1995 / How many: 2 / Source: TV-DVD / Rating: 6

Jay Raskin Eric Stoltz and Mary Louise Parker don't go for the big laughs, they do go for the little ironies that bring big smiles. This is kind of Neil Simonesque at its best, which is most of the time. It is about a young writer getting his work produced as an off-Broadway play for the first time. Everybody is good, but for me Kathleen Turner as the very insecure star seducing the talented young writer is the highlight. It is kind of a low rent version of Bettie Davis in All about Eve, but Turner makes it believable that she would be willing to sleep with the author to get the part. The other highlight is Tony Curtis as the cynical producer taking a chance on the young playwright. He was 68 years old here, but he looks ten years younger and really seems to be enjoying the work. After his T.V. series Vegas ended in 1981, Curtis really didn't get much work. He only had about three or four good parts in good films the last 25 years of his life, which is quite sad. Curtis describes the play by the lead character as having problems and not being very funny, but he does note that it has a certain honesty about it. That could be said about this movie. What it lacks in drama, it makes up for in honesty and sincerity.

mikerosie66 Show biz. We all (film lovers) have the dream the lead actor had in the film. Even those who don't admit it watch "stories" and try and guess what's to come. Could I "save" this film? In this case the film needed no help from me. I write and even got to do a radio play once which was a 100% mess. Callers were asked to comment on my "vision" and I sat there and took it. The professor who wrote his part said "Mike we learn more from our misses than our hits." Humble pie was shared by all and one caller said I was in league with the devil. As I watched NAKED IN NEW YORK one idea came to me: "Jesus I wish I had half the talent it took to make a very sweet clever film like this. Reading other reviews I was happy to see those who didn't "get it" couldn't write a decent sentence. Highlight for me seeing the newbie get brushed off by the famous authors. I once had a three minute talk with Clint Eastwood about my "career" at a university. He was not impressed. peace mike Mason

JimC-6 Naked in New York is one of those always risky propositions, when "artists" write about the "business" of what they're doing, in this case the theater. Naked is one of the better examples of it, and features some nice ensemble work from Eric Stoltz, Mary Louise Parker, and Timothy Dalton.The best moment, and the reason I'm adding a comment, is when the main character attends his first New York literary party. When he spots William Styron, he makes some snide comment to the effect of, "What has he written?" The movie responds by flashing Styron's works, which are considerable.It's a great moment and a great use of the medium, and almost worth the rental price. Naked is a good one for a slow night.