Nani Ma

2022 "Musamoni never received schooling, and her early marriage brought her an early widowhood. Her anguish overflows as she sits down to narrate folklore and departure songs of the brides of patriarchy in the east of India."
10| 0h35m| en
Details

Musamoni Panigrahi (1920s–2017), fondly called “Nani Ma” by her neighbours, appears in the centre of this first film in the Baleswari dialect of India's Odia language. The story revolves around folklore and folk songs narrated by Nani Ma. Born in the 1920s in pre-independent rural India in a coastal village in the Balasore district of Odisha, she never got to go beyond the first few days of school. The film is an alternate history of a society broken through colonization, Brahminical patriarchy and a post-famine (Orissa famine of 1866, killing nearly 5 million people, one-third of the population), and the dominance of formal writing over spoken tongues. Three academics -- Damayanti Beshra, PhD (recipient of India’s fourth civilian award, “Padma Shri”), Panchanan Mohanty, PhD (noted linguist), and Laxmikanta Tripathy, PhD, DLitt (anthropologist and author) -- also appear in the film to provide contextual commentary on patriarchy, oral history and the sociolinguistic diversity.

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Reviews

Micitype Pretty Good
Helllins It is both painfully honest and laugh-out-loud funny at the same time.
Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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