Narco Cultura

2013 "The Hits Just Keep on Coming"
7.2| 1h43m| R| en
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To a growing number of Mexicans and Latinos in the Americas, narco-traffickers have become iconic outlaws and the new models of fame and success. They represent a pathway out of the ghetto, nurturing a new American dream fueled by the war on drugs. Narco Cultura looks at this explosive phenomenon from within, exposing cycles of addiction to money, drugs, and violence that are rapidly gaining strength on both sides of the U.S.-Mexico border

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BoardChiri Bad Acting and worse Bad Screenplay
Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Seth_Rogue_One A pretty good and disturbing look at the drug traffic 'culture' in Juarez, Mexico and the music that represents it, literally.Big time drug bosses pay these musicians to write theme-songs for them to enjoy for themselves and to send a message out to the police and rival gangs that you should not mess with them.If you don't speak the language the folk songs sounds like happy fiesta music perhaps about wooing a girl or something like that but the happy music has some rather disturbing lyrics about the life of various criminals.It is bizarre to see big crowds of people in their concerts singing joyfully about kidnapping and decapitating people, when you know that all these songs represents real people and real events.They also follow one police around who's trying to do the best job he can but is unable to because the criminals have more power than the police does.So yeah worth seeing.
Bryan Kluger This is quite an interesting documentary by Israeli filmmaker Shaul Schwarz who follows police and musicians connected with the sadistic and violent Mexican drug cartel. The film is called 'Narco Cultura' and is a scary, yet hilarious examination of the music that exploits the drug war in Mexico as well as the never ending pursuit of the drug lords by the Mexican police. I don't expect this making anybody's Top 10 documentary list, due to its repetitiveness, but should play well and might even make the rounds on VOD.If you are unfamiliar with narco corridos, they are known as drug ballads and were featured in the TV shows 'The Shield' and 'Breaking Bad'. A narco corrido is a song, primarily created by a Mexican band consisting of a waltz or polka type beat with accordions, a horn or two, and has brutal lyrics that talk about real life drug lords and the ongoing drug situation in Mexico. It's like gangsta-rap with a polka beat in Spanish, but more hardcore, as it usually features chopping up bodies, mass murders, and kidnapping. It basically glorifies the drug lords and their crimes.One of these musicians lives in L.A. and goes by Edgar Quintero, who has a band named Buknas de Culiacan. He tells us that he and the other rappers like himself scour websites for news on the violent drug cartels and their vicious murders for their inspiration and their songs. They even go so far as to meet with the drug lords and their henchmen to get stories to put in their songs, to which they are paid in drug money, and even weapons.Meanwhile, Richi Soto, is a crime scene investigator in Juarez, Mexico, the world's most violent city, who investigates the cartel's murders and kidnapping cases. He tells us how a lot of his colleagues have been assassinated by the cartel, and how he has to take sever precautions with his own life and his family, in order not to meet the same dire consequence for just performing his job. We even see very graphic photos and videos of the murders, which is horrifying to say the least.What is so sickening and sad, is that these so called musicians have a giant following, which is mainly the young Latino crowd, who revel in these lyrics and hold these drug lords and their crimes as if they were golden idols. Every concert is packed with a young crowd of Latinos who know every violent word, dance, and cheer these frightening songs. Even the musicians brandish weapons on stage, even a bazooka. Above, I mentioned this was a hilarious look at this situation, and I mean that these hardcore lyrics and stories are set to an accordion and plays out like a mariachi band. It just doesn't seem to mix well, especially when these bands play at club like venues with laser lights.If two things are evident in this documentary, they are that some of the law enforcement are just as corrupt as the criminals themselves and the musicians themselves wish they were a part of the drug cartel, but have made their money exploiting their hero's lives. One thing for sure is that I might be too scared to step inside Juarez. But what makes this documentary suffer, is the offbeat pace and unnatural flow to it. Not too mention, we see the same scene over and over, but with different people. This could have been better as an hour long HBO special, rather than the 104 minute doc it is.
Mike B A sobering look at the narco crime culture – and in particular how it has impacted the city of Jaurez near the U.S. border.There is a lot of very disturbing film footage so be prepared. The drug gangs use extreme violence to enforce their codes. It is symptomatic of a decaying society when law enforcement officers are the targets of drug gangs. Another symptom illustrated towards the end of the documentary is when law enforcement refuses to investigate crimes – and then conversely investigates police officers reporting the crime. There are obviously strong connections between the police and narco gangs. One book I read (El Narco by Ioan Grillo) discusses how parts of Mexico, more so in the north, are becoming warlord states – run by different cartels – who compete violently with each other in cities like Juarez. There is a distinct sense of this societal breakdown in this film.Another aspect of the film is the portrayal of an American, of Mexican origins, who makes his living singing songs in Spanish of narco culture and violence. How far does one go to endorse the dark side? I found this guy disturbing from a moral point of view. I was wondering, during his visit to Mexico, what he would have done, if the drug dealers he met, had asked him to be a mule and transport drugs to the U.S.He is in stark contrast to the woman who literally screams at her fellow countrymen to do something and stop the violence after her son was killed.Definitely not a neutral film about the escalating events in Mexico.
representexas This music has become very popular and accepted by a lot of Spanish speaking Americans. Not everyone who speaks Spanish is an illegal immigrant. How bout a review from a non-racist person...I'm am American in South Texas. There is a popular dance club in my area, a very affluent side of town, which my wife and I still visit for the occasional birthday. Recently at midnight, they randomly switched the music to one of these "Corridos" and from a projector played the video on the wall. Everyone sang along and I was totally lost as to what was going on. My wife translated the lyrics and explained to me the origins of the song. Here, hundreds of American's were chanting to the glory of drug kings? It reminded me of growing up in the early nighties when gangsta rap went mainstream. People were eating up the gangsta life and feeding off the passion behind the lyrics. An outlet to voice the emotions for the black youth in inner city neighborhoods was found. Many people nowhere near a ghetto were drawn by this culture and wanted to be apart of the lifestyle. Not realizing there was an actual world of violence and struggle attached to the music, they glorified the drug dealing lifestyle as in the movie "Scarface". Here we are a couple of decades later and we kinda grew up past that lifestyle. Rap music has become more about sustained wealth and mainstream rap (looking at you Jayz)has provided a higher level of status for American youth to bump their heads to. It's I rather be a CEO than push drugs on street corners now. Mexicans and Mexican-American youths didn't have that voice. This documentary shows us the alternate sides of this new outlet. On one side you watch an American singer who is rising in popularity on the heels of drug dealers. On the other side you see a Mexican investigator trying to find meaning in his work..actually living the life. Mixed in you see actual cartel members living "the life" and the suffering of civilians looking for a way out. I especially enjoyed the directors emphasis on the contrast between Mexico and the US. I was born here and my wife was born in Mexico. It truly is hard to grasp the way it must feel to live in absolute fear but yet be able to see with your own eyes "safety" just a few hundred yards away. This was a moving, yet scary unmasking of a neighboring war. This is not only a problem for Mexico and this music isn't only popular with Mexicans. The drug cartels are on a whole other level right now. They are sick, violent people all trying to outdo each other with more and more violent killings. Civilians are being massacred and for the most part they are untouchable. I wonder if the American who is exploiting this lifestyle in the documentary to make money from his songs realizes the repercussions? Or if he even cares...it is the American dream isn't it.