Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
TrueJoshNight
Truly Dreadful Film
Merolliv
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
Cody
One of the best movies of the year! Incredible from the beginning to the end.
verinder-bawa
I first heard the music at my brother-in-lows house back in the late seventies, and thought it was very original. I have seen the newly re-mastered movie three times (in seven days) and I think the music has passed the test of time and is still exquisite. The story line is subtle and does not have the stereotypical endings of a Bollywood movie where everyone lives happily ever after. The dance sequences (long) are very colorful and superb (however one has to put the special effects in context and keep in mind that Navrang must have been one of the first color movies made in India).Must see if you appreciate classical music and classical Indian dancing.
Mrs_Chowdhury
Wow. Whenever I find myself watching allegedly show stopping choreography in new Bollywood films which style themselves as fantasies, this sense of total boredom always creeps in at the sheer unimaginative nature of the dance routines. They're ubiquitous of course. Everyone prances about like their fresh from the Brian Rogers Dance Connection on Seaside Special, same kicks, same cutaways, the lot.And then I saw Navrang on satellite. Wow. This is a truly fantastical film. It looks genuinely unearthly. The plot: 19th Century sage/poet/artistic type Divakar (Mahipal, looking uncannily like William L Petersen circa Manhunter)has lost his muse. This is a time of British Imperial rule (booo), but there's no overt agenda here. Its a simple story via which Divakar starts to be tormented by his artists' block. Which is where Sandhya comes in. In a dual role of his beloved and his muse she performs some gob smacking classically inspired pieces. There's this scene where she's performing a kathak (?) style routine, balancing about 10 water pots on her head, she even bends down whilst balancing them on her head (no strings). There's fantasy set pieces that are simply beautiful too, notably the piece where she's in the temple, and it morphs into a whole white-out room full of giant temple bells, each with a dancer on the ringer, swaying to the music. This is up there with the glorious surreal set designs of some of the Hollywood musicals of the 30's, and the Powwll & Pressburger film "The Red Shoes" in terms of real skill on display. they make it all look so simple too.