'Neath the Arizona Skies

1934 "Hair-trigger Action! Hair-Trigger Action!"
5| 0h52m| NR| en
Details

Chris Morrell, the guardian of half-Indian girl Nina, is helping her find her missing white father. so she can cash in on her late mother's oil lease. Outlaw Sam Black is after the girl and her father as well. Besides dealing with the Black gang, Morrell has to find another robber, Jim Moore, who switches clothes with him after he finds Chris unconscious from a fight with Sam Black. Along the way, he meets a lady who's the sister of Jim Moore, another bad hombre who's in cahoots with Jim Moore, and an old friend who takes in Nina and helps Chris locate Nina's father and fight off the various desperadoes

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Also starring Shirley Jean Rickert

Reviews

StunnaKrypto Self-important, over-dramatic, uninspired.
Mjeteconer Just perfect...
GazerRise Fantastic!
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
JohnHowardReid A Lone Star Western. Copyright 15 January 1935 by Monogram Pictures Corp. No New York opening. U.S. release: 5 December 1934. U.K. release through Pathé : 12 August 1935. 6 reels. 52 minutes.SYNOPSIS: Wayne is the guardian of a little Indian girl, Shirley Jane Rickert, who is entitled to a royalty payment of $50,000 for an oil lease. Before she can get the money, however, Wayne needs to get a paper signed by her natural father, Earl Dwire. A gang of kidnappers led by Yakima Canutt also want the money. Matters are further complicated when a couple of bank robbers, Rockwell and Wilsey, cross paths.COMMENT: This would be a dull Lone Star were it not for the surprise appearance of George Hayes, playing pretty close to his "Gabby" character. Although prominently featured in re-issue posters and advertising, Hayes isn't even mentioned in the credits. Maybe his part was added as an afterthought. However it says much for the quality for the rest of the movie, that Hayes is the highlight of interest. True the pace is fairly rapid and the plot has more twists than a snake on an ants' nest, but the action spots - and admittedly there are many - are poorly and unexcitingly staged. Mr. Fraser is not one of the better directors in this field. Not only are the action scenes lacking in vigor and punch, but the level of acting is far more amateurish than usual. Even Canutt has little color, whilst Wayne himself lacks his usual assurance and sparkle. The heroine is somewhat dowdily costumed, though she has an attractive face, and as for Miss Rickert/Ricketts, it comes as no surprise to learn that she was a former member of the Our Gang series. She's one of those over-confident, over-forward but not particularly charismatic Hollywood kids which the studios seem to turn out by the cart-load. Still Buffalo Bill, Jr. was mean and shifty enough as the villain, and Earl Dwire had one or two good moments as the never-do-well turned playful dad. (No-one could complain that Dwire lacked variety in his various Lone Star roles). And maybe I imagined it, but "Sheriff" Jack Rockwell seemed uncomfortable in his unaccustomed role as a heavy.As for the Arizona skies, we're still waiting. The locations are singularly uninteresting, even by Poverty Row's Hollywood Hills standards. Yes, Yakima Canutt does do a couple of stunts, including two leaps from a cliff, one on horseback, doubling himself; and one solo, doubling Wayne. Thanks to Fraser's poor direction, both fail to impress.
FightingWesterner Cowboy John Wayne goes in search of the long-lost father of a half-Indian girl in order to for her to cash in on her late mother's oil rich property, while a nasty gang of cutthroats plan on snatching her for their own enrichment. Complicating things is a gang of armed robbers who attempt to frame Wayne.Despite a few good stunts and the presence of Yakima Cannut and George "Gabby" Hayes the first two-thirds of this entry in Lone Star/Monogram Pictures' John Wayne films is mediocre and bland. Fortunately, the last third brings it all out of the muck with probably some of the best suspense and action in all of the series!Overall, it's worth watching.
suchenwi When your child presents its newest painting, a parent often doesn't apply art critic standards, but just enjoys and applauds it. Funnily, I'm somehow feeling the same for Lone Star westerns.I've started to discover them only yesterday, when I bought The Lucky Texan at the supermarket, for €2.99. I watched it, torn between disbelief and fascination.. and went back to the shop the same night, and bought all others they had, Diamond Valley, West of the Divide, Neath the Arizona Skies. And had an increasingly joyful weekend with them :) The more I watched, the more I got a warm fuzzy feeling, the cast of John Wayne, George Hayes, Yakima Canutt.. Up to and including the Ford Model T, which featured in the others, but not this one - and I already missed it.But what Arizona Skies offers, in addition to the usual welcome fare, is the "Indian" girl (who happens to call for Daddy Chris in unsuitable situations), the lasso/elevator trick which made me laugh out loud, the cliff-to-river stunt.. The hostage exchange and the last bullet idea were good, too.This is a different kind of cinema from what I normally watch. Somehow more resembling old TV serials, like Bonanza (and some 30 years older than that). I can only say it gave me a good fun time, and I'm looking forward to the next items I'll find.
Delphian This early John Wayne film left a lot to be desired. Nonetheless, for a 1934 low-budget film, it wasn't all that bad. The film's saving grace is that it clocks in at just over 50 minutes. About the time you're getting bored with it and ready to move on, it is over.‘Neath Arizona Skies is badly in need of restoration. The image quality is fair at best and the sound track is scratchy throughout. However, despite the erosion of time, the story line remains interesting, if predictable. Your typical western, the story traces the hero's (Wayne) attempts to save a half-breed child whose worth $50,000 in oil money.The young Wayne shows promise of what was to come. He saves the show from otherwise stale acting. One notable exception is Gaby Hayes in an uncredited bit part. He is charming and provides Wayne with a solid support that makes Wayne look better than he probably was at that time. One obvious neglect is costume design. The woman (Shelia Terry) - Wayne's love interest - is dressed in very fashionable 1930s attire, and sticks out like a sore thumb against the men in their buckskins and cowboy hats.If you can stand bad costuming, fake sound effects and a grainy picture, the film is worth seeing. In others words, if you aren't a diehard Wayne fan, don't bother.