Libramedi
Intense, gripping, stylish and poignant
Majorthebys
Charming and brutal
Cassandra
Story: It's very simple but honestly that is fine.
Aspen Orson
There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
David Munn
This film has been criticised too harshly, because of Mick Jagger's lack of experience as an actor and it's failure to stick to verifiable facts. But treat it as the cinematic equivalent of a folk ballad and you'll have a good time with it. Just as you wouldn't hire an opera singer to sing a folk song, you don't need a professional actor to play the lead in a rough-and-ready entertainment about a rough-and-ready character. By the time one gets to the speeded up segment that accompanies Waylon Jenning's singing of Shel Silverstein's "Blame it on the Kelly's" it becomes clear this is not a film that is intended as a serious examination of history. Like the song "The Wild Colonial Boy" which Jagger sings in one of the more memorable scenes in the movie, this is popular entertainment to be enjoyed with a few beers. Taken as such it is very enjoyable, with catchy songs, evocative cinematography and Jagger being very much the lovable, charismatic rabble-rouser he was in real-life at the time. And what matters in a folk ballad is not the truth, but the legend.
Boris Todorov
One big problem with the movie is Mick Jagger. Jagger was half-convincing, his biggest problem being that he is not exactly masculine, while Ned Kelly probably was. Otherwise, he fitted the role much better than the stunningly banal H. Ledge in the 2003 remake - that devilish glimpse in his eyes makes him a much better choice for an outlaw who goes as far as challenging the British Empire and proclaiming a fancy republic of his own. Another problem was the poor cutting - some scenes were so drastically cropped that the storyline was getting lost. Still, a far better version of the Ned Kelly legend than the 2003 edition.
lowcompanion
Deadly dull junk, poorly made, with Jagger seemingly on heavy quaaludes during the entire production. Ugly to look at to make matters worse, and the actors all seem to affect Irish accents, rather than Australian as the real Ned Kelly was.If a Heath Ledger/Orlando Bloom remake can only improve things, then you know the original is awful.Postscript: if you loved "21 grams," then you're just the sort of pompous yuppie who goes for this sort of thing. In that case, by all means rent "Ned Kelly". "Six Feet Under" & "The West Wing" are bound to be a re-run once in a while, right?
John Seal
This potted history of the infamous Australian outlaw benefits tremendously from Gerry Fisher's frequently ravishing photography but is ultimately doomed by its paint by numbers screenplay and the star turn by Mick Jagger (who reportedly dismissed the film as a "load of s**t"). Frankly, a bearded Jagger speaking in a weak brogue reminded me more of Warwick Davis in the Leprechaun series than it did of a legendary Robin Hood style badman. Shel Silverstein's faux-folk songs haven't aged well either.