Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
PiraBit
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Asad Almond
A clunky actioner with a handful of cool moments.
Roxie
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Prismark10
Rodeo cowboy Chris (Fred MacMurray) has a whirlwind romance while visiting New York for a charity gig where he meets song writer Kay (Irene Dunne.)After rapidly getting married she drives cross country to his ramshackle Wyoming ranch where she becomes stepmother to his two daughters from his first marriage.Much of the movie sees Kay trying to adjust to her life at the ranch and raise her new stepdaughters. Problems begin with the neighbouring rancher who holds the water rights and whose cow, Kay accidentally shoots.Kay contemplates returning to Broadway to earn money in this fish out of water comedy. The cast make the film better than it should be, there are a few songs but it really is not that funny and rather predictable.
abcj-2
The reviews on this board seem to hold Dunne and MacMurray up to their usual elite standard of comedy. There is nothing wrong with that if you only want to see the best of the best. So, if that's all you have time for, then perhaps you'll want to pass on this one.However, I watched this film today for the second time. Honestly, I didn't care much for it a few years ago, so I wrote it off. However, I recorded it thinking maybe I'd been too hard on it and as I watched it again, I realized that I had been a bit too judgmental.The weakness lies in the script. Perhaps the aging Irene Dunne (who certainly still looked lovely and young for her age), wasn't being offered the best scripts anymore. I find that sad for an actress of her caliber, but it still happens today when actresses approach the age of 45-50.However, it is still a cute comedy with a fine cast. Fred MacMurray is a macho but weary cowboy with financial problems. His performance reflects this stress effectively. His daughters are a bit precocious at first, but Irene passes their tests and their affection grows.The supporting cast is fine. I love the telephone scenes where all the local women can listen in on a conversation and, of course, begin gossiping. Poor Irene Dunne's character is worked to death by everyone with little appreciation, but this is purely for comic effect. Gigi Perreau and Natalie Wood were darling and great little horsewomen. If Natalie was having an awkward stage, as mentioned in some other reviews, then I'll take hers over the one I had with no braces and an unflattering Dorothy Hamill haircut when I was 11. Overall, this isn't the best of the best, but it's certainly not the worst of the worst. It's still worth a watch if you enjoy these actors or this genre. Predictable and formulaic it is, but it's still much better than most of what's showing today. Also, it has some catchy songs and we get to enjoy hearing Irene's lovely voice. I'm glad I viewed this one again. It was a fine way to spend a rainy afternoon with some of my favorite stars.
emivan
Having seen the lovely Irene Dunne perform many years ago in her better known movie "The Awful Truth" (1937), I looked with great expectations forward to watching my recently acquired DVD "Never a Dull Moment". However, I soon realized the awful truth that this movie was much below par to any previous movie she has ever starred in. Irene Dunne who was 52 years old at the time and approaching the end of her movie career was poorly matched with Fred MacMurray who was 10 years her junior, which might also explain perhaps the lack of chemistry between the two stars. The script writing is very poor and lacking of any clever and witty dialog for both of them to work on. In my opinion they could have made the courtship a bit more interesting with some romantic interludes included, instead what we see are a few minutes of the bottom half of legs shoveling through hallways; very unimaginative and cheaply done, but I suppose the priority might have been to get them in a hurry out into the rural country side for all the silly slapstick action. Irene Dunne also sings in this movie but as much as I love and admire Irene for having been a great actress, singing was definitely not one of her strongest attributes and especially the first number is quite embarrassing; it would have been better if a professional singer had dubbed her voice. It is also made quite obvious that the fast horse riding and being thrown of the horse was done by a stunt person. All in all a big disappointment, mainly due to bad directing and bad script writing and a sad end to what has otherwise been a great acting career for Irene Dunne, however this movie might appeal to children 8 to 14 on a rainy Sunday afternoon, mainly for the silly slapstick humor and uncomplicated story line which might be more appealing to this age group
jotix100
Irene Dunne, one of the best comediennes in the history of the movies, retired from acting after completing this comedy that was not up to her best work. Ms. Dunne was seen in great films during her Hollywood career that were made better by her style, sophistication and beauty. Alas, in this one, her character, Kay Kingsley is swept off her feet to a rancher who lives out west.Kay Kingsley is part of a composing team based in Manhattan. Kay is elegant, smart, and it's hard to imagine she would fall in a short period of time for Chris, who is way out of her league, and who comes with some baggage, as he is a widower with two young daughters back home. This is a big proposition because it involves leaving behind modern plumbing and heat. Accepting that premise, Kay transplants herself to the ranch that is falling apart because of neglect and lack of money to improve it.Things go from bad to worst. The two girls, Nan, and Tina, give Kay a guarded welcome, but they come around when they see she is a good person who has had no experience with her present situation. With the help of her neighbor Jean, Kay gets a handle on things, not before running away to Manhattan to try to see if she still wants her old life back.The film was directed by George Marshall, a veteran of the movies, who tried to give the comedy some pacing, but doesn't succeed well. The problem with the film is Fred MacMurray, an otherwise perfect actor, who shows no chemistry with Ms. Dunne. Irene Dunne tries her best to make her Kay a wife and step-mother. William Demarest, Andie Devine, Ann Doran and Philip Ober are seen in supporting roles. Gigi Perreau, a child actress of the time, plays Tina, and Natalie Wood, who, as Neil Doyle points out, was probably having problems at the time and is not her usual self as Nan. See the film as a curiosity and because this was Irene Dunne's swan song at the movies.