Never Love a Stranger

1958 "RAW and VIOLENT as the book that sold 3,000,000 SIZZLING copies!"
5.4| 1h31m| en
Details

Orphan turns bad, finds redemption with some help from boyhood pal. This movie is of interest because of the presence of a young Steve McQueen, the leading man being John Drew Barrymore, father of the more famous Drew, and for being based on a novel by Harold Robbins, famous for steamy writing in his day.

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Reviews

Skunkyrate Gripping story with well-crafted characters
Ceticultsot Beautiful, moving film.
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
secondtake Never Love a Stranger (1958)You might be most impressed by the early appearance of Steve McQueen, who shows a spark and intensity that makes him rise above the rest of the cast, who are really rather good in all. It says something about star power, which isn't all smoke and mirrors. You might also get a kick that the leading male (McQueen is secondary) is played by John Drew Barrymore, son of the famous John and father of the famous Drew. Sadly, this man of the generation in the middle was troubled and had a mixture of leading roles, never achieving greatness or fame.If the plot is a familiar one about two slum kids in New York growing up into opposite roles, one a thug, the other the area's district attorney (there are several of these films), there is another theme that makes the movie singular. That is the issue of being Jewish, and at times downright anti-Semitism, though handled with kid gloves. The fighting between Catholic boys and the one Jewish kid (McQueen) is standard clan rivalry, with a religious twist. But when the other character, raised in a Catholic orphanage, discovers he is actually Jewish, his first reaction is rebellion. And the movie carries this theme throughout, adding a good if forced second level to work with.I'm not sure it matters, but it's interesting, at least, that McQueen and Barrymore are both not Jewish as far as I know (McQueen in particular doesn't fit the stereotypes, but that's probably okay by itself), nor was the director, Robert Stevens the American (as opposed to the more famous Robert Stevens the Brit). Even more interesting, the book the movie draws from was written by Harold Robbins, whose parents were Jewish immigrants, but when he was a child he claimed (falsely) to have been raised in a Roman Catholic orphanage. For whatever reason, then, the theme is handled with a kind of detachment that makes it odd, and not nearly as affecting as, say, some of the European films that really attack the issue of "passing" for Goy when the Nazi rampage was on (Louis Malle's "Au revoir les enfants" possibly the best). The Barrymore character never does quite accept of address his heritage.Now to be clear, the movie lacks a directorial touch to keep it alive and pertinent. It's a decent if uninspired effort, but the exceptions will make it worth a close look for some.
BILLYBOY-10 1912: Frankie Kane is born, his mom dies, the put him a catholic orphanage. 1928: Frankie is shining shoes for crime boss Silk plus he befriends Steve McQueen (a "Jew-boy") and Julie. Suddenly the orphanage finds out Frankie is a Jew so the kick him out cause "it's the law"). Frankly, Frankie ain't too happy about being a Jew so he joins Silk running money and one day Silk gets shot up so Frankie splits town in a freight car. 1935: Frankie is back in town, bitter, angry, mad, gray around the temples..and broke..he's a bum. Silk hires him as a chauffeur in his 1942 Cadillac (yes, it's 1935...detail, details). 1938: Frankie's hot now in the organization and telling the boss Silk what to do. 1941: Frankie takes over and sets up his own empire but the Governor, mayor,police commissioner & district attorney declare him a menace to society and appoint a prosecutor to get rid of him...a bright young lawyer (gasp):Steve McQueen his old Jew pal. Lots of back & forth, plots and sub plots and more Jew stuff and gangs and Julie who loves Frankie but is Silks gal, but wants Frankie and he wants her an then the final shoot-out (actually where we came in). The end. Whatever flick. Frankie is John Drew Barrymore, son of the famed John...his daughter is Drew. He's not a good actor. Skipped genes I guess. H
DSHThompson I came to own and watch this film because the score was written by musician and inventor Raymond Scott. The acting is very wooden. but fans of Steve McQueen might get a kick out of seeing him in an early role, not to mention the Buddy Holly glasses!
Lovpups I thought this was a great movie. The different paths that it takes you down and places it takes you too. If you like gangsters, crime, love and hate this is the movie to see.It had a different ending then I was expecting, but that is what make the movie good you had no idea how the movie was going to end.I would watch the movie again if given the chance.

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