Never Talk to Strangers

1995 "In A World Where Love Isn't Always Safe, Trust Can Be Deadly."
5.2| 1h26m| R| en
Details

Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.

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Reviews

ThiefHott Too much of everything
Flyerplesys Perfectly adorable
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
gridoon2018 This 1995 erotic thriller has some of the right ingredients: primarily the rich, Bernard Herrmann-like music score by Pino Donaggio, and the good cast. Rebecca De Mornay is ideal for portraying repressed fire, Antonio Banderas can easily switch from likable to potentially dangerous, Dennis Miller and Harry Dean Stanton provide lively support (Miller gets the best line in the film: "I am Sisyphus with a hard-on!"). The De Mornay - Banderas erotic scenes are quite steamy. It's a well-done film of its type, but the ending is telegraphed in advance, and the final psychological explanations are clichéd. A moderate success. **1/2 out of 4.
dmcdknf We watched this at home as a rental. The pacing was okay and there were enough plot points to keep the viewer watching and make it interesting. It was largely predictable, but not in a particularly annoying way. My husband and I discussed several possible twists during the film, finally deciding on the scenario that turned out to be correct. Even so, it was a decent film until the very end when my rating went from a 5 to a 2.I was willing to accept the private detective who gave unrealistically timely and incredibly incorrect updates. What I won't accept is that the police don't follow even the most basic of crime scene procedures after the shooting. The most inept coroner would notice that "Tony" had not fired any gun and a cursory swab analysis of "Sarah's" hands would show that she had two different powders on them. I am not comparing this to the unrealistic standards of an episode of CSI, Bones, or Criminal Minds where the world's supposedly best forensic minds have access to the world's best (and sometimes futuristic) crime scene forensic technologies. Even overworked NY City cops would have done swabs in what might seem an open and shut case. Maybe especially in this case as cops tend to be suspicious by nature...
ccthemovieman-1 This thriller is a bit rough-edged, but a lot of people like that sort of thing. Rebecca DeMornay was the at the top of her game around this time (early to mid '90s).GOOD NEWS - Overall, an interesting and involving story, especially in the second half. The movie is capped by a surprise ending I defy anyone to guess correctly. There are a few steamy scenes, too.BAD NEWS - No likable characters, too much profanity; a few minor holes in the story; an obvious feminist bias and DeMornay's foul mouth and morals are pretty rotten for a psychologist, the character she plays. The guys - Dennis Miller and Antonio Bandaras - play pretty sleazy characters, too.OVERALL - Interesting movie but too sleazy a feel to it.
TBJCSKCNRRQTreviews I write this for people who've seen the movie, and don't understand it. First of all, you have to understand that Sarah suffered from multi-personality disorder from a long time before the movie started; most likely since she was a child. She didn't know this herself, because it's like that with MPD's. The regular personality doesn't know what the other(s) are doing. They are simply unaware. And her other personality hated men, while her regular just didn't trust them. That's why she thought her old boyfriend Benny left "without a note or anything". Her other personality reacted aggressively against a man that her regular personality loved; it killed him, and made it seem to her and her close friends, that he just left suddenly. She didn't know he was dead. However, although her other personality usually hates men, it falls in love with Tony, as well as Sarah herself. This is obvious in the scene where Sarah appears in Tony's home, slaps him, and has sex with him. Her regular personality wasn't ready for that kind of commitment yet; also, her other personality's way of having sex is very aggressive. Everything weird, bizarre, or directly threatening that happens towards Sarah, is caused by her other personality, because it's jealous. It wants Tony for itself. It starts out threatening her(the paper, the flowers), and ends with trying to kill her(with the heater in the bathtub). Sarah, who doesn't know that it's her other personality, and isn't good at trusting men, especially men who are close to her, blames Tony, because she doesn't feel safe when he's around. However, at the end, she is told the truth by Tony: He is investigating her, in order to find out what happened to Benny. In the beginning, Sarah doesn't believe that she's "been stalking herself". However, when her father enters, he triggers some memories, that awakes her other personality. She reacts aggressively to both, because she feels, as usual, that men are the root of all evil. She starts by killing Tony, because she was, in fact, in love with him, and it seems(to her, at least) like he isn't in love with her. After killing him, her father, not knowing she is not "herself" at the moment, tries to calm her down; this triggers more unwanted memories; she feels like she's back at the top of those stairs, her father making her cover his crime. She reacts very aggressively, as that memory is one part of the origin of her hate against men(the other being sexual abuse by her father). After killing him, she destroys the tape, which is the only devastating proof toward her suffering from multi-personality disorder. At that point she's still not "herself", but her other personality. She then covers her own crime, as she feels that it was her father's fault, just like back when she was little. After covering up her crime, she sits down by the body of Tony, and her other personality subsides. Sarah is herself again; thereby, she doesn't know what happened, but guess/thinks that Tony killed her father(which would seem logical to her, as she was certain that Tony was insane) and she shot him in self-defense. We hear that the police aren't going to file charges, since it seems like an obvious case of self-defense. She then gives us a definition on a multi-personality disorder(which fits perfectly on herself) and goes out with Cliff. She doesn't know that she is guilty of killing two people close to her, and the movie ends with the disturbing conclusion, that unless something hinders her from killing more, her other personality can keep killing men, while her regular personality can have a clean consciousness, as she doesn't know the truth.Review:While watching this movie, I thought that it was just the regular thriller. I was very surprised at the ending, which tries to turn it into more... I'm not quite sure it succeeds, but it made everything that preceded it easier to forgive. The movie has a very Hitchcock feel to it; suspense, shocks, atmosphere... It felt like it could have been the work of the late Hitchcock himself(save for the sex scene, which I'm not quite sure was so much necessary as an easy device to attract those on the look-out for such a thing). I recommend this to fans of thrillers(just don't expect a masterpiece... but hey, it's got Rebecca De Mornay, does anyone actually see her name on the cast list of anything and think "oh, quality cinema lies ahead!"?), particularly those who like them with a "twist". Yes, I actually just made that pun. 6/10.