ReaderKenka Let's be realistic.

Solidrariol Am I Missing Something?

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

David Allen New Moon (1940 MGM) starring Jeanette MacDonald and Nelson Eddy is by far the best movie these two super star operetta singers provided for the USA and world public in the years before World War II during the Golden Age Of Hollywood.It is one of the last and best of the black and white movie costume musicals, and is dazzling in every way. Every film buff should obtain and screen this incredible movie often.The two stars, Jeanette MacDonald and Nelson Eddy, appeared in two widely and justifiably honored movies before this one......Naughty Marietta (1935 MGM) and also Rosemarie (1937 MGM), and were incredible in both.They managed to turn the unusual trick of skillful acting combined with singing music in the range and with the obvious ability of true opera stars (Nelson Eddy later provided wonderful singing of famous opera arias in "The Whale Who Wanted To Sing At The Met" sequence part of the Make Mine Music [1946 Disney] animated cartoon show.)In addition to wonderful singing, MacDonald and Eddy provide actor performances comfortable and delightful to watch, the kind of acting people from all backgrounds could feel comfortable with and enjoy. They were natural actors of high talents and also singers of unparalleled gifts. The entire history of world cinema never saw their equal before or since.The chemistry between MacDonald and Eddy is breathtaking....at times understated and amazingly carefree considering the pomp and glamor always part of their costumed and sumptuously decorated surroundings, and at times intimate to a level of sexual believability almost "x" rated. but it never occurred to the censors to object to their movies or performances or for the public, even the most conservative part of it, to object to the acting and love duet singing these two super stars provided. They were in a class by themselves, never to be forgotten, always to be cherished, probably never to be duplicated at any time in the future.....they were to musical performing arts what Shakespeare was to dramatic play writing....the best of the best.The camera work includes many night time scenes and moving scenes tracking marching men, galloping horses, and sumptuous dances and walks in formal gardens in New Orleans mansions part of it all. So, too, are wonderful special effects sequences showing a storm at sea which wrecks the large sailing ship which takes the main characters away from New Orleans, deposits them on a lonely island, and is wrecked by a storm which somehow does not drown or harm the endangered boat passengers.Somehow, it is all believable, and one can never take one's eyes off of the screen, or stop being interested and believing in the story, rooting for the main characters as they face and overcome one travail after the other.New Moon (1940 MGM) starring Jeanette MacDonald and Nelson Eddy is the sort of movie one knows will end happily from the start, and no matter what the characters face, the audience knows it will all come out all right in the end, and a splendid and enjoyable story is always ahead, well presented and scripted, witty and charming, wonderfully costumed, supplied with one beautifully furnished and designed setting after another....the sort of movie which could and was only provided for American and world audiences during the fabled Golden Age Of Big Studio Hollywood in the years immediately before World War II, perhaps the high water mark in movie history.See this movie and these two actors (and the other two movies of fame they did before this....Naughty Marietta [1935 MGM] and Rosemarie [1937 MGM]}. Everything about it is good in all ways------------------Written by Tex Allen, SAG-AFTRA movie actor. Visit WWW.IMDb.Me/TexAllen for more information about Tex Allen. Tex Allen's email address is TexAllen@Rocketmail.Com.See Tes Allen Movie Credits, Biography, and 2012 photos at WWW.IMDb.Me/TexAllen. See other Tex Allen written movie reviews....almost 100 titles.... at: "http://imdb.com/user/ur15279309/comments" (paste this address into your URL Browser)

bkoganbing The New Moon and Naughty Marietta get understandably confused in the minds of some filmgoers. Both are set in New Orleans during the French colonial period, both star Jeanette MacDonald and Nelson Eddy, both begin with a ship crossing from France.But New Moon is set during the last days of Louis XVI while Naughty Marietta takes place during Louis XV's reign. This time it is Nelson who is the fugitive. He's a member of the aristocracy who's believing and preaching the ideals of the Revolution. He's slipped away as a bond servant sailing to New Orleans. In Naughty Marietta it's Jeanette who's disguised as a bondservant to escape an arranged marriage.Also both films have Nelson singing a rousing fight song for his followers in Naughty Marietta, it's Tramp Tramp Tramp, while in this film he exhorts and rallies his troops with Stouthearted Men.MGM did this film before with Lawrence Tibbett and Grace Moore at the beginning of the sound era. They made the mistake of changing the story line to fit the Russian Revolution. Here they wisely opted for the traditional locale.Jeanette and Nelson are in their traditional roles in the romance game. She with her kittenish ways, him with his put downs of same.The plot here calls for the two of them after escaping from New Orleans on the ship the New Moon (hence the title), to drop anchor at an island where the former bondservants set about to create at Utopian society. A little bit like Pitcairn Island in Mutiny on the Bounty. It only lasts a short while until news of the revolution in France arrives.I've often wondered how portraying a Utopian socialist ideal must have sat with the very Republican Jeanette MacDonald. I'm guessing she would have been glad of rescue for more reasons than one would think.Of course it's the music and the voices that one sees this film and the Sigmund Romberg-Otto Harbach-Oscar Hammerstein, II score was never better sung. The obligatory duet of Wanting You is heard and Jeanette is in particularly good voice in One Kiss. She also sings Lover Come Back to Me first alone and later with Nelson. That was the big hit of the score, sung by artists that range from Rudy Vallee to Ella Fitzgerald.Personally speaking I'll listen to any kind of music as long as I can recognize the melody. This film will have melody lovers everywhere entranced.

didi-5 One of the more risible romantic musicals, this effort teamed Nelson Eddy and Jeanette Macdonald for the fifth time and gave them the creaky score by Sigmund Romberg and Oscar Hammerstein II to sing. The good news is that this included songs such as ‘Softly, As In A Morning Sunrise', and ‘Lover, Come Back To Me', and the overblown 'Stout Hearted Men'. The bad news is that the story is absolute rubbish – Jeanette is a singer captured by mutineers (yes, Nelson as the ringleader and not exactly convincing), forced to settle with the other passengers and crew on a distant island.Departing somewhat from the original stage production in its story, ‘New Moon' is not quite camp enough to compare with the best of the Singing Sweethearts classics. Both of them too are looking their age and beginning to tire in their ever-innocent personas. However, they are in good voice, and this film is bearable if you are looking for undemanding musical fare.

mayo2338 Particle physicists, cosmologists, and philosophers are not of one mind respecting whether our universe be eternal or not. The poet who noted that a thing of beauty is a joy forever seems to have made an eternally valid observation. New Moon features a duet by Jeannette MacDonald and Nelson Eddy of "LOVER COME BACK..."