Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

JohnHowardReid This "It Happened One Night" on wheels suffers from the casting of the comparatively dull James Ellison opposite the hitting-sparks-on-all- cylinders Lucille Ball in her first number one leading star role at RKO. Ellison looks a bit like Joel McCrea. In fact, McCrea would actually have made the ideal leading man for this picture. He is not only so much more charismatic but has exactly the right screen personality that would have paired perfectly with Lucy's. On the other hand, Ellison is always outclassed. We know how the picture is sure to end almost right from the start. The script has no suspense. True, it could have been made a good deal more amusing if the writers had been game to tackle the plot in a more satiric fashion. The two lead characters needed to be far more personable and individual, but still satiric and even exotic. But for some reason, while Lucy Ball has the right go-for-it approach, Ellison and the rest of the cast, plus the writers and director Garson Kanin keep holding back and playing safe. Available on an excellent Warner Archive DVD.

bbrebozo This odd little movie sets out to prove that any white American male, randomly selected off the street, can easily outsmart a team consisting of a foreigner, a woman and a black person.Lucille Ball's recently-deceased father insists, in his will, that she must marry a "plain American" to inherit his fortune. So she offers money to various "plain American" men on the street in return for agreeing to marry her, and finally one accepts. After she marries the man, Ball sets off for Reno in the company of the foreign husband she really wants to marry and her black "yowza, ma'am" chauffeur, to get a divorce and collect her father's inheritance. But our smug and somewhat smarmy "plain American" blocks her at every turn, which includes forcibly putting her over his shoulder and kidnapping her, soaking her with a hose, and locking her in a trailer while driving recklessly through rough terrain, until she flees in panic and is nearly raped by two passers-by. Yeah, quite a laugh riot, all right.But on the plus side, being saved from a near-rape seems to cause Lucille Ball to fall in love with the "plain American." So there you go.The phrase "mighty white of you" makes its appearance just minutes into the film, and a string of "yowzas" emerge from the black guy a little bit later. While I promise you I'm in no way a member of the Politically Correct squad, the whole movie made me cringe, and really prevented any enjoyment I may have gotten from it. Were things that much different in 1938? Maybe so, but I'm glad we've moved to where we are now.

utgard14 Far-fetched bit of fluff starring Lucille Ball as an heiress who pays a complete stranger to marry her. Ditch digger James Ellison is the lucky groom. Why she does this is because of a stipulation in her father's will that says she can't get her inheritance unless she marries a "plain American." Apparently her father was worried about foreign gold diggers seducing his daughter for her money. I've seen this theme in a lot of movies from the '30s so I guess there was an epidemic of international gold diggers fleecing unsuspecting American heiresses back then. Once married, Lucy will inherit the money and then she can divorce Ellison and marry the guy she's really interested in, foreign gold digger Lee Bowman. Guess Dad knew what he was doing, after all. Anyway, Lucy plans to divorce Ellison but he gets ticked off and decides to divorce her first to publicly humiliate her or something. I was a little unclear about the reasoning there but they had to have a conflict to fill time, I suppose.This is a rather lame screwball comedy that suffers from having unlikable characters doing unrelatable things. Lucy's pretty but there's very little of her comedic abilities on display here. Her character is insufferable. The only scene I can think of that hinted at the greatness to come for her is the scene where she and the dog tussle over some bacon. James Ellison is a sort of poor man's Joel McCrea. It's hard to really root for him either since he was mercenary enough to marry a woman he just met for money. It's a staple of screwball comedies to put characters in extraordinary situations and have them act as absurdly as possible. But it only works when you like the characters. If you don't, their madcap antics are just annoying. Don't even get me started on how this affects the romantic element of the movie. And what was with that dark and totally out of place scene where it's implied the two guys are about to rape Lucy? Creepy. Anything with Lucy is worth seeing but this is one where I doubt you'll be in any hurry to rewatch it.

csteidler Rich girl Lucille Ball pulls up in her huge car alongside a WPA ditch-digging project. She offers handsome laborer James Ellison $1000 to marry her, after which she immediately ditches him and goes off to a ritzy party. Lucy is actually kind of obnoxious….will she learn her lesson before the end of the picture? Not a lot of surprises in this mild comedy, but Lucy is fun to watch, Ellison is fine as the dogged and resourceful leading man, and Lee Bowman is hilarious as Lucy's goofy-accented South American fiancé.We learn early on that Lucy's father's will requires her to marry a "plain American"—thus her rush to marry and get her money. When Ellison figures out that she's married him only to quickly divorce him, he vows to divorce her first, and from there on it's a race to Reno.Besides its human cast, the picture stars a dog named Mike in a funny role, and also a little streamlined camper-trailer that Ellison pulls behind his car. The camper is at the center of much of the film's action, including a scene where Lucy sets it on fire in a harebrained attempt to escape.No classic, I guess, but it's fast-paced and and has some solid laughs. --Oh, and a clever ending featuring a preacher and family piling into the car....