Nightmares & Dreamscapes: From the Stories of Stephen King

2006
6.8| 8h0m| en
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A television mini-series adaptation of Nightmares and Dreamscapes, Stephen King's collection of short horror stories.

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Reviews

Matcollis This Movie Can Only Be Described With One Word.
NekoHomey Purely Joyful Movie!
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
jonathan45 The first episode set the bar quite high i thought. It starred William Hurt as a hit-man who is contracted to kill a toymaker. We are given very little information on his character or who is paying him to kill, indeed the episode is notable for having no dialogue at all. Returning to his modernist penthouse he is delivered a package containing toy soldiers, this gives him a smile but he dismisses it and goes about his business. But he is in for a night of hell, the soldiers are alive and are about to wage war, driving jeeps, shooting machine guns and bazookas and even flying helicopters!. The special effects are good for a TV show and it becomes quite tense as he dodges around the apartment using his wits to survive, sometimes getting the upper hand and other times not. I wont spoil the ending but suffice to say it was a clever little twist. This gave me hope for the rest of the series but i was in for a disappointment, the other episodes were all rubbish and i lost interest by the fourth one. Stephen King adaptations are always a mixed bag and these are no exception
rushhour3 I have to say that I loved this miniseries. I had read about TNT doing something on it last year and came into it with great anticipation. I actually went out and bought all the books so I could read the stories prior to viewing. The books are great so I advise anyone who hasn't read them to do so and there only about six dollars each. Now onto the stories, I actually liked just about every story on screen better than on paper simply because of the fantastic acting and music. Also my favorite to read and watch was The End of the Whole Mess. If your someone who likes horror movies but thinks that the same stories are told over and over this should be a nice change. I highly recommend this to all horror and Stephen King fans because your in for a ride and the stories are very faithful to the books.
ChristianZane After the Salem's Lot and Shining re-make fiasco, we finally have a couple of episodes form this series that really make up for a lot of the bad Stephen King movies on television.Firstly we have Battleground which sets the tone of the series and does a good job of making something out of a nothing story. The effects were well done (for TV) and except for the first 20 minutes, this mostly kept me on the edge of my seat."Crouch End" is an excellent companion to the night with a surreal nightmare through a desolate English suburb. Thrilling directing, a neat look to the film and great performances really make this and Battleground the two best of the series.
Jeff Coatney Man, I really wanted to like these shows. I am starving for some good television and I applaud TNT for providing these "opportunites". But, sadly, I am in the minority I guess when it comes to the Cinematic Stephen King. As brilliant as King's writing is, the irony is that it simply doesn't translate well to the screen, big or small. With few exceptions (very few), the King experience cannot be filmed with the same impact that the stories have when read. Many people would disagree with this, but I'm sure that in their heart of hearts they have to admit that the best filmed King story is but a pale memory of the one they read. The reason is simple. The average King story takes place in the mind-scape of the characters in the story. He gives us glimpses of their inner thoughts, their emotions and their sometimes fractured or unreal points of view. In short, King takes the reader places where you can't put a Panavision camera. As an audience watching the filmed King, we're left with less than half the information than the reader has access to. It's not too far a stretch to claim that One becomes a character in a King story they read, whereas One is limited to petty voyeurism of that same character when filmed. For as long as King writes, Hollywood will try shooting everything that comes out of his word processor, without any regard to whether or not they should. I don't blame the filmmakers for trying, but it takes an incredible amount of talent and circumspection to pull off the elusive Stephen King adaptation that works. The task is akin to turning lead into gold, or some arcane Zen mastery. Oh well, better luck next time.