Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Smartorhypo Highly Overrated But Still Good

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.

Armand good cast, interesting idea. and an old recipes who do not really working in this case. the lost son, the characters connections around this tragedy are far to be a new subject and that is the great problem of movie. it seems be confuse, it seems use a seductive cast for ambiguous purpose. slice of gray universe, dominated by frustration and bad emotions, it is saved by the acting of actors - Carrie - Anne Moss is the best example. admirable is , in same measure, the work of Kevin Zegers and Tygh Runyan but , after the end, it seems be not enough. something missing and the cause is that you knows the story lines and the ambition of profound one is lost in too many details. short - a decent film. but nothing more.

OJT Beware, don't watch this if you're depressed or wanting some entertainment! We're introduced to an interesting gallery in the start of the movie, and the actors are doing their job. Great cast, but that's about all. It's sort of annoying that we don't clay understand if the main event in the film, the loss of a teenager, already has happened or not. Carrie Anne Moss, which is great as always, finally makes us think it's happened.And that sums up my main problem with this movie. I think you really need to get the whole story to get to feel the tragedy. When we finally understand, after 13 minutes, it's almost too late. How is a loss that long time ago able to be so profound on so many? The mother is feeling she didn't know her lost son that well, And then the other son still living is as unloved as can be!!!It's also told in a for me a bit too depressive way. There's nothing positive to too see for the first half an hour. Tragic human lives, and I both Moss and Kevin Zegers difficult to like. And the people keep insulting each other on a too large scale for me to believe in. Even the persons on you think you'll like ends up beeping unlikeable. And if that's not enough, people here which don't like each other ends up having sex. Is it the times? That also makes it more difficult to identify with the main characters.And then when you expect the film to take off, nothing simply happens. It feels like a kind of a disjointed story. The actors are not to blame, and not so much the instruction either, I think. They all do a good job. The manuscript is probably the main problem.Sorry to see such a good cast go to waste in a film like this. The persons are not only insulting each other, the filmmakers are insulting us viewers. Go rather see the great film "The dead girl" by Karen Moncrieff, which is also based on a similar idea, but much more gripping told and well done.

pro-phy Call me stupid, but I did not get the point of this movie. As I am about to watch the Carrie-Anne Moss "videography" I kind of had to go through this one. ..and this is a tough I can tell.Although there are quite interesting scenes - whether it is some nude scene (which are quite authentic) - this movie seemed not to come to an end. This is about regret, hope, affairs, pain, .. just too much of everything for me but nothing done the right (intense) way as it should be. The scenes are just to short and too much seesaw as one could get into it. It is as if the director wanted to put just everything in - whether it fits or not..The plot could be told told in two sentences.. The story is nothing new.. There are many "side"plots which seem so go no where, that cross each other from time to time what made me lose the thread and finally the interest in this movie. The camera is very shaky in some scenes..anyhow I like the actors but this is - to sum it up - neither fish nor fowl. Maybe you like it - or understand it - then tell me please ;)

Subhamoy Sengupta This film is actually for the beginners. Beginner everything. Beginner cine-goer, beginner observer, beginner lover, beginner recuperating person. It did not tell me anything I already did not know. But I liked the style of representation in this film. Similar situations do happen in real life, though sometimes much less predictable, much more pivotal, and beyond redemption. There is, however, no point in making a film on what is the worst that could happen. It makes all the more sense to show while on your way to the last stand, at the edge of loneliness, what it is that you would cling on to or let go of. Sometimes that thing is within your reach, sometimes it is not. Sometimes it is well-deserved, sometimes it is just a matter of chance. This film looks into some such characteristic cases.Pretty much everyone in this film did what they had been asked of, I think. That was not much of a challenge. They are making more films like these nowadays, so probably it will not leave any deep impression for the days to come. But still, watching it just once will not be an utterly disappointing or revolting experience. You can raise questions, of course. But as you will soon realize, the answer to most questions is "It was never really meant to be a masterpiece or anything." And that pretty much sums it up!