Thehibikiew Not even bad in a good way

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Jenna Walter The film may be flawed, but its message is not.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

d-JCB An absolute masterpiece from Philippines, inspired by Fyodor Dostoevsky's "Crime & Punishment" but told through real events & political / social problems of the director's country… This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring… this is the human condition in it's most naturalistic state… Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours… a masterpiece that will take some time to wipe form your memory…http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz

Turfseer Anyone who has sat through the epic four hour plus "Norte, The End of History," deserves a medal. "Norte" is the product of Lav Diaz, the Filipino auteur who has already completed seven films that are even LONGER than this one! When he wishes to introduce each new scene, Diaz has a penchant for holding establishing shots for a minute or two, which can be infuriating. Be forewarned: there is some interesting material here but one has to be extremely patient to appreciate any of it!Diaz's "Norte" is set in the Phillipines and revolves around three interconnected characters. The prime mover (and perhaps most interesting of the three) is the antagonist, Fabian, a law school dropout who seeks to punish anyone who transgresses his personal moral code. Fabian's idea is to eliminate the "bad elements" in Filipino society. While his friends agree that society must change, Fabian, the bitter psychopath and reactionary, berates all those who believe in "all talk and no action." In contrast, husband and wife Eliza and Joaquin, come from a poor background and are dependent on a local moneylender, Magda, for their sustenance. When Eliza pawns a precious family ring, Joaquin tries to convince Magda to sell it back to him. When he can't pay her price, Joaquin impulsively chokes Magda and runs off after a housekeeper witnesses the event. Later, Fabian is passing by on the street and sees Magda turn Eliza away at her door, after requesting another loan. Magda's rough treatment of Eliza is enough justification for Fabian to later enter Magda's home and kill the moneylender along with her innocent teenage daughter.Joaquin is later implicated in Magda's murder (due to the circumstantial evidence against him) and is forced to accept a plea bargain of life in prison. Eliza is forced to sell vegetables on the street for a living, in order to take care of her children, who are in the care of a family friend. Meanwhile, Joaquin must adjust to prison life and survives a brutal attack by a predatory inmate. Later that inmate falls sick and Joaquin, in true Christian fashion, ministers to him, in a great act of forgiveness.Echoing Dostoyevsky's "Crime and Punishment," Fabian is haunted by the memory of committing the two murders and eventually digs up money he had stolen and later buried from Magda's house and gives it to Eliza. Fabian, however, remains deeply troubled and on a visit to his sister, who owns a large farm, ends up raping her.Now with a little money, Eliza is finally able to visit her beloved Joaquin. On the way back, she tragically dies in a plane crash. We see Joaquin (apparently now deceased) levitating, as if he's moving closer to God, attaining some kind of sainthood. Can we assume that Joaquin killed himself or died from grief, following the death of Eliza in the plane crash? Possibly but it's not entirely clear.The randomness of the death of two good people, Eliza and Joaquin, is contrasted with Fabian, an evildoer, who very much continues to live. Perhaps Diaz is saying sometimes there is no justice in this world and perhaps no God. Diaz hints that perhaps there is still hope as one of the concluding shots focuses on the innocent children of Eliza and Joaquin, who survive, along with the farm animals, who also represent innocence.Neil Young writing in the "Hollywood Reporter," finds Diaz's characters lacking in complexity: "Fabian's transition from preening bohemian chatterbox to bestial psychotic is seldom convincing, but at least his character gets to change a little over the course of the years. Joaquin and Eliza are little more than plaster saints from beginning to end in a film which simplistically equates poverty with spiritual purity and fortitude."Peter Sobcynski of "RogerEbert.com," notes that there "are moments of staggering beauty and power on display here," but also notes there are numerous scenes which are quite lugubrious or gratuitous: "The trouble is that there are also extended sequences in which so little happens that the effect is more tedious than hypnotic…This is mostly due to a screenplay that grows less and less psychologically sound the further it drifts from its inspiration—there is a long sequence when Eliza contemplates killing herself and her children that feels like a cheap shot and some of the cruelties on display in the final hour feel like attempts to jolt viewers that may have inevitably drifted off during the slower parts. For these moments to fully work, a filmmaker has to have earned them, and there are times in which Diaz hasn't completely done that."A.O. Scott, writing in the "New York Times,"holds that "Norte's" value is connected to Diaz's social critique: "Mr. Diaz, patiently surveying the social and physical landscape with his beautiful, asymmetrical wide-screen compositions, makes inequality seem like an aspect of the local climate. The cruelty of laws and economic arrangements is obvious and intolerable, and yet there is no real sense that anything can be done.""Norte, The End of History," does indeed highlight the tragedy of poverty and its attendant sense of class inequalities. Again, if you're patient enough to ignore some of the more tedious moments in the film, you'll be rewarded by scenes of what A.O. Scott terms, the film's "inexhaustible humanism."

Mina Radovic Norte: Hangganan ng Kasaysayan (Norte, the End of History) clocking in at 250 minutes is utterly breathtaking in scope and visually remains a staggeringly beautiful, poetic masterpiece. On a symbolic level, it is a transcendent story of exploration, self-discovery and redemption, realistically portraying the strength, and equal fragility, of the human condition. The film elaborately investigates the relationship between man and his socio-political circumstances - in this case the extreme poverty of the Philippines in correlation with brutal capitalism on the rise. Most importantly however it explores the spiritual relation between humanity and God.Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.

3xHCCH Finally! Today, I can now say that I have seen a Lav Diaz film. Since his multi-awarded "Batang West Side" in 2001, Mr. Diaz has built a name directing artistic opuses that run much much longer than usual feature films, usually more than five hours. His longest was "Evolution of a Filipino Family" in 2004, which clocked at a whopping 11 and a half hours! Running for about 4 hours, "Norte" is fondly referred to as Mr. Diaz's "short" film, and therefore the most accessible of all his films."Norte" is set in the northern province of Ilocos Norte. Fabian Viduya (Sid Lucero) was a topnotch law student who quit law school because of his highfalutin philosophical ideas of a society beyond existentialism and anarchy. Joaquin (Archie Alemania) and Eliza (Agnes Bayani) were a poor couple whose dreams of building their own eatery business are dashed when Joaquin suffers a leg injury and they fell deep into debt. The fates of these three people intersected when a heinous crime was committed in their small town. Since then, these three lives were thrown into a major maelstrom. These events happened in just in the first hour, the rest of the next three hours follows what happens to each of these three characters following that cruelly fateful day.I will not pretend and say that I did not feel the four hours. I did feel the length of the film with those static shots that seemed to be showing nothing in particular or the very slow telling of events with several details that seemed like they would have been edited out in usual film. However, each of these scenes would usually precede a scene of big importance, building up the suspense very effectively.If we complain that there is no character development in mainstream film, in this film, there is not shortage of that. We will get to see how the events shaped Fabian, Joaquin and Eliza as they were caught in their consequences. However, for a super-complex character like Fabian, the four hours was not even enough to get to know his innermost core that drove him to do the things he did. Fabian is a big question mark up to his very last scene.Sid Lucero got wrung through the wringer for his role as Fabian. You'll admire him. You'll pity him. You'll hate him. This is such a complex role and Lucero was more than up to the task. "Norte" is his film. It was his actions that throw the other characters' lives around. Angeli Bayani has taken over roles that would probably been given to younger Ms. Nora Aunor. Even if her character barely talked, it was her eyes, her face that talked to us. Her scenes with Archie Alemania are tearjerkers without words nor music to build up the moment. Her back was even turned to us. Yet the emotion was so deeply felt. There was also that scene where she was walking with her kids at the crossroads, and following that, a scene with her kids over a ledge -- she can really convey tension that her director requires.Archie Alemania's character development was rather straight-forward and he played the character very sympathetically. Mae Paner was the usurer Magda, such a hateful character you will feel her effect even if she was only seen in the first hour. Soliman Cruz was another hateful character Wakwak seen in the third hour. That scene where he was singing "O Holy Night" was so insidiously sinister.This film is not for everyone. Not everyone will have the patience for it. Not everyone will have the time for it. However, for those who do invest their time with this, you will see that this was a film of artistic excellence. The innovative camera angles make mundane household items and rustic scenes look and feel different. This could be your best chance to watch a Lav Diaz film and immerse yourself in the work of a director whose name is already lined up with National Artists for film Brocka and Bernal.