Konterr Brilliant and touching

Breakinger A Brilliant Conflict

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Cristal The movie really just wants to entertain people.

Leofwine_draca NORTH WEST FRONTIER is a solidly enjoyable adventure story that might well be described as a British western. The setting is India at the turn of the 20th century, with Kenneth More and Lauren Bacall tasked with rescuing a six-year-old Hindu prince from a clutch of murderous Muslims who want to kill him and thus destroy his ruling family's bloodline.Much of the action is centred on a train, with More and a clutch of passengers doing their very best to escape from an overwhelming horde of gun-toting enemies. And the film has a real verve to it, near-constant well-shot intrigue and suspense courtesy of director J. Lee Thompson, who would keep on directing strong action for the next thirty years of his career. It helps that it hits the ground running, offering some electric action at the opening that Hollywood can only dream of.The rest of the film is a nice mix of character work and suspense staples. I think the production could have had twenty minutes or even half an hour shaved off it quite easily, but it's still an above-average effort. More has a naturally likable screen presence and is one of my favourite stars of the era, and he's supported well by a spiky Bacall here. Inevitably one of the passengers is a traitor and there are no prizes for guessing who given that Herbert Lom is in the cast, but he gives a strong performance of depth and class. Wilfrid Hyde White and Ursula Jeans round out the cast, although the real scene-stealer is I.S. Johar as the lovable Gupta. Containing slightly controversial religious themes that feel just as relevant today (if not more so than in the 1950s), NORTH WEST FRONTIER is one to catch.

Neil Welch Younger film viewers may never have encountered Kenneth More, and so may no idea of how important a film star he was in post-war England, nor of what part he played. I think it is fair to say that he almost always played the same sort of character - a stolid, decent, hearty, English everyman, the sort who would always stand up and be counted when the chips were down, a no-fuss, unassuming hero.In North West Frontier he plays a British Army captain tasked with escorting a young Indian prince to his parents across bandit country on a small train with a motley handful of others, one of whom (fairly obviously Herbert Lom) may have an alternate agenda.More plays his usual character in this small epic, greatly enhanced by the bleak landscapes of Spain standing in for India, by the small and antiquated steam engine (the real hero of the film), and a winning turn from I.S. Johar as engineer Gupta.

Spikeopath We are in British India, Moslem rebels want to kill a young Hindu prince and thus killing his family blood line. The British army are charged with the task of ensuring the prince is safely escorted from the troubled provinces. The duty falls to one intrepid Captain Scott, the only chance to achieve the aim is by train, with his allies on board being a rather unique group of individuals, can Scott achieve the mission against the mounting odds?North West Frontier has everything a great action adventure should have, action, tension, drama and an array of wonderfully colourful characters. The opening to the film is pulsating, as Scott has to fight off the rebels whilst smuggling the prince and his governess out to safety. From then on we are on a train journey that is rich with enjoyment, the tension mounts among the passengers, not least because of the class differences, and perhaps motives are not in alignment? But they must club together if they are to survive this journey.Kenneth Moore, Lauren Bacall, Herbert Lom and Wilfrid Hyde-White (comedy gold when under attack) are all pulling together to make a cracking yarn. Directing duties falls to J. Lee Thompson, whose CV boasts Ice Cold In Alex, The Guns Of Navarone and Cape Fear, so this material was thankfully in very safe hands. The photography from Geoffrey Unsworth is top notch, barren and desolate landscapes beautifully realising the peril of the passengers' journey, whilst the music from Mischa Spoliansky leaves a lasting impression.This train may well be crammed full of genre stereotypes, and sure enough the patronising nature of the piece is dated at the edges, but this remains a gloriously enjoyable film that the whole family can readily digest. 9/10

Terrell-4 Rebellion is breaking out in India and all that stands in the way of religious and political chaos, not to mention British control, is a six-year-old Hindu prince and the unflagging confidence of Captain Scott (Kenneth More). Charged with bringing the boy safely from a small, fortified hill station to the British base at Kalapur 300 miles away, Captain Scott will need every bit of his resourcefulness, energy, ingenuity and pluck. The year is 1905 and Muslim tribes in India's north west territories are rising up against the Hindu princes and their British masters. Young prince Kishan is seen as a symbol of order and justice. If the rebels can kill him, there will be uprisings against the British which they may not be able to control. But how to get the prince to Kalapur? The last refugee trains have left and attempting the journey by horseback through enemy territory would be madness. But then Captain Scott remembers there was an old, derelict steam locomotive, The Empress of India, in the train sheds. Could it be put back into service? He calls upon his friend, Gupta (I. S. Johar), who assures him in broken English that his locomotive will not fail Captain Scott and that Gupta, himself, will run it. In a trice Gupta brings needed maintenance to The Empress and Scott finds himself loading an assorted group of passengers onto the one passenger car. There is Lady Wyndham (Ursula Jeans), the governor's wife; Peters (Eugene Deckers), an arms dealer whose weapons now most likely arm the rebels; Mr. Bridie (Wilfred Hyde-White), a diplomat and old India hand; and Van Layden (Herbert Lom), a reporter who has no love for the British. Most importantly, there is the prince and his American governess, Catherine Wyatt (Lauren Bacall). On this desperate journey, Captain Scott and this group of passengers will encounter massacres, the old steam engine's urgent need for water, the hard work of replacing rails, the tense clamber over a blown bridge with only the rails remaining, then the careful driving of the engine across those shifting, sagging rails, and the mass attacks of Muslims on horseback racing to capture the train and the prince. More troubling, Scott discovers that his group harbors a traitor, someone determined to either kill the prince or see that the boy is killed. Only the best traditions of British military leadership, exemplified by the publicly confident but privately worried Captain Scott, plus the vital assistance he receives from a number of the passengers, enable North West Frontier to have a happy ending. For Captain Scott, the ending is even happier. Not only has he fulfilled his mission, it appears that he and Catherine Wyatt will have a future together. This film is a throwback to the classic movies about the British Empire and the quality of the brave men who made the Empire possible. It's all fiction, of course, but it's greatly entertaining. Films like Drums and The Four Feathers reassured many that the British Empire would always be around and that the men who made it work were...well, gentlemen; that is, dedicated to bringing order, opportunity and justice to the natives as only British gentlemen could, and who always dressed for dinner. While this movie arrived in the theaters as the underside of empire was becoming known, it still tells a cracking good yarn. There is a bit too much exposition, in my opinion, offering justification for and against the Empire's rule in India (and the pro side wins the argument most of the time). It also seemed to me that the villain of the movie is far too easily identified. One final weakness is that the pairing of More and Bacall doesn't really work; they have such different personalities that their attraction for each other and their eventually pairing just doesn't strike any sparks for me. Still, the movie offers some grand adventures, great scenery, a journey on a steam train, brave derring-do, a typically forceful and optimistic performance by Kenneth More, and a nice reminder of why adventure stories are so much fun.