Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Walter Sloane Mostly, the movie is committed to the value of a good time.

Woodyanders This baby begins on a truly startling note: A lovely young woman (shapely blonde stunner Zoe Sloane) wakes up in a cheap motel room covered in blood with the corpse of a recently slain man lying right next to her. Did the woman kill this man? Or did something even more awful and sinister happen last night? Writer/director Chris R. Notarile does his customary adept job of creating and sustaining an extremely tense, compelling, and unsettling mood; he makes especially effective use of an annoyingly incessant beeping dial-tone, a jittery hand-held camera style, and a spare shuddery score. All of these things further enhance the creepy and uneasy atmosphere. Sloane warrants special praise for her strong and convincing acting; this short is basically a one woman show and she pulls it off with impressive results. Chase Coleman likewise deserves kudos for spending the bulk of his screen time credibly playing a dead dude. The final resolution of the story is quite solid and satisfying, with a worthy central message about the dangers of possible rape involved with one night flings. Well worth a watch.