StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

gordonl56 Ordre d'execution – 1958 There has been a leak in a French Underground network ran by the U.S. Army intelligence service. Several agents have been killed after meeting with a member of the network. The U.S. decides that the man, Leslie French, must be a double agent working for the Germans. They decide that the leak needs to be sealed and Mr. French eliminated. It is only a month till D-Day and the Allies cannot take any chances.They draft in a French speaking pilot from the Air Force. The man, Paul Massie, just happens to have lived in the same area of Paris where French lives. They give Massie a crash course on how to act etc once he is dropped in country. They also teach him various ways of killing quietly.One of training officers, Eddie Albert, is not quite sure that Massie is the right man. While dropping bombs on a more or less unseen enemy is OK, will Massie be able to do the deed, face to face? Albert's boss, Johnny Crawford sees no problem and orders the training to carry on. "Lives are at risk!" Crawford says.Massie is soon ready and dropped outside Paris. He is to meet with an Underground contact, Irene Worth, who will put him up etc. He as papers as an electrical engineer which allows him more or less free movement through the streets.He then spends several days casing the run down building where French has his lawyer offices. While having a drink in the downstairs café, Massie bumps right into French. French seems like a nice sort, and warns him not to order the rabbit stew as it is really cat. French then warns him that the Police and the Germans will be raiding the area in an hour. Massie best hideout, or he will be grabbed up and shipped to Germany as forced labour. French offers the man a room in his office upstairs to hide in.Sure enough, the raid happens and several men are grabbed up and hauled away. Massie spends the night in French's office looking for evidence he is a turncoat. He finds none. French returns the next morning and invites Massie to dine with his wife and daughter that evening. Massie accepts the invite. Massie is finding that the more time he spends with his target, the more convinced he is that French is innocent.Massie contact's Worth and asks what he should do?. ''Do your job!'' Is her response. The next morning Massie returns to French's office. When French turns his back to brew up some tea, Massie, belts him with a handy blunt object on the back of the head. The blow was not hard enough and Massie is forced to make a mess of the job with a knife. He cleans up as best he can and takes off into the streets.Several days after the Allies have liberated Paris. A MP patrol brings in a drunken man who says he is a U.S. pilot. The name is run through the records and Eddie Albert gets the call. He visits Massie in the hospital and finds that the man is being eaten up by guilt over killing French. He has been drunk ever since the hit.Now Col. Crawford shows up, he tells Massie that he is a hero and his actions saved hundreds of lives. Once Crawford has left, Massie asks Albert for the truth. He can't go the rest of his life wondering about it. Albert tells him that French turned out to be innocent. Also in the cast, are James Robertson Justice, Sandra Dorne, Lionel Jefferies and Lillian Gish.Canadian Paul Massie won a BAFTA Award for his role in this film. Though the film builds slowly, it is worth staying till the pay off. The film was nominated for the Palme dÒr at the Cannes Film Festival.The director was Anthony Asquith. His work includes, THE BROWNING VERSION, COTTAGE TO LET, FANNY BY GASLIGHT, THE WOMAN IN QUESTION, THE IMPORTANCE OF BEING EARNEST, CARRINGTON V.C. and LIBEL.

RanchoTuVu As the Allies are preparing the D-Day invasion, an American bomber pilot (Paul Massie) is recruited to be sent to occupied France to kill a member of the Resistance (Leslie French) who is suspected of supplying the names of fighters to the Germans. Each part of the film, the recruiting, training and the mission itself, is expertly done. There is expert drama in both his recruitment and training under James Robertson Justice, whose expertise in these matters is brilliantly portrayed. The film shows the excellent acting of Eddie Albert who plays an American officer who monitors Massie's training and then his deployment on a night flight to be parachuted into occupied France, where he is to be on his own except for his one contact played by Irene Worth, whose part turns out to be the best one in the film. The title pretty much sums up the dilemma that faces Massie as he's the one ordered to carry out the execution.

blanche-2 Paul Massie, Eddie Albert, Leslie French, and Irene Worth star in "Orders to Kill," a 1958 film produced and directed by Anthony Asquith.Done in a low-key, realistic way, the story concerns a young American soldier, Gene Summers (Massie) who is chosen to go to France to kill an attorney who was a Resistance member, Lafitte (French) but has become a traitor. For Summers, it's an exciting assignment, and he relishes learning his new identity and being taught to kill either with his bare hands or by knife. One of the men in charge of his training, Major MacMahon (Albert) is afraid the ramifications of the job aren't real enough for him, but off he goes. His contact in France is Leonie (Irene Worth).All goes well until Summers actually meets LaFitte, who saves him from a Nazi roundup by hiding him in his office. When he sees that Lafitte seems like a gentle soul, he can't kill him. Then he meets LaFitte's daughter and wife. He appeals to Leonie -- maybe this man is innocent, maybe a further investigation is warranted. Leonie is a hard-nose and insists that he carry out his orders.Talky and slow-moving through a good deal of the film, it changes suddenly and becomes very suspenseful and exciting. Everyone underplays, making them somehow more realistic in their war-torn surroundings.Everyone is very good, but Irene Worth, a fantastic actress, Leslie French, and Eddie Albert are standouts. The workhorse role is Massie's, and he is very good in a role that required him to be extremely natural and even throughout.Very good.

wes-connors During World War II, American-born bomber pilot Paul Massie (as Gene Summers) is sent from Boston to England, then German-occupied Paris. His mission is to assassinate a man secretly spying for the Nazis. In the event he is captured, Mr. Massie is trained in the art of interrogation and undercover work, by Eddie Albert (as Major "Mac" McMahon) and James Robertson Justice. His training complete, Massie is given the French identity "Jean Doumier" and arrives in Paris via parachute...When Massie meets his target, small-time lawyer Leslie French (as Marcel Lafitte), he has second thoughts. The suspected Nazi informant turns out to be a friendly family guy who loves cats. Massie thinks Mr. French may be innocent and shares his reservations with French resistance fighter Irene Worth (as Leonie). She reminds Massie of his "Orders to Kill"...Some of the build-up is tedious, but this turns out to be an intelligent drama about the morality of war...Note that the American stars' billing is exaggerated; top-billed Eddie Albert is a supporting actor to Massie, who is the star of the film. Moreover, Lillian Gish (as Mrs. Summers) appears in only two scenes. It would have been nice to see Ms. Gish become involved during the latter portions, inquiring about and/or visiting her son; this could have tied in with the parts of the opening which appear to signal flashbacks. The adaptation by Paul Dehn, direction by Anthony Asquith, and cast are excellent.******* Orders to Kill (7/25/58) Anthony Asquith ~ Paul Massie, Eddie Albert, Irene Worth, Lillian Gish