2hotFeature one of my absolute favorites!

Smartorhypo Highly Overrated But Still Good

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Alistair Olson After playing with our expectations, this turns out to be a very different sort of film.

Paul Robinson The film had an intriguing idea and story-line. But unfortunately they have produced a lack luster effort. With a quite unfocused story and slowly paced.The story is set 300 years in the future, in a i would say post - apocalyptic landscape. A young boy/man Agito comes upon a girl frozen in time Tula wakes her up, which could tip the balance in an ongoing war between two factions. One whom wants to live peacefully with the forest and one that wants to bring the earth back, to the way it was. just by typing up the synopsis here, again gives me the feeling of a good idea gone to waist. One of the main things that bothered me were the way the two factions were put across, as the people who want to destroy the forest are obviously the bad guys, which is the obvious environmental message the film wants to put across and showed no subtlety while it slapped you across the face with this message, but the forest which has some mythical druids protecting it, come across to me as quite like a dictatorship holding the power over human kind. The pacing of the film was very slow with some action scenes you would hope lift the momentum for the picture which actually turned out quite bland and predictable.The film is beautifully drawn with the huge landscapes being absolutely stunning and competing with Studio Ghibli on that front. The dubbing was pretty good and the musical score was not disappointing.Overall an OK film, with decent elements, and an idea there that could work very well but not quite on this movie.

Neil Welch Origin: Spirits Of The Past is an animated Japanese movie. Set in a future after apocalyptic events, it shows humans living in ruined civilisation with encroaching plant growth. Young Agito is slightly rebellious and, while adventuring somewhere he shouldn't, he discovers Toola, a girl placed in stasis by an earlier civilisation. Releasing her proves to be the catalyst for a number of changes, most of which will be familiar to anyone who was watched Nausicaa, Avatar, Frengully and the like.The message is fine (if arguable) and the look of the movie is terrific - design and animation are both great. The problem with this film is more serious - it is that it never really grabs you.I am used to Studio Ghibli's contributions to Japanese animated cinema. They are weird (to my western sensibilities, at any rate), but they have bags of heart: they grab hold of you at the start and never let go. Origin, by contrast, never really does. The two rebellious lads come close, but after their initial exciting foray, the characters all become cardboard and you stop caring. It's a shame because, with a bit more effort put into the human story, this film could have been very good (if unoriginal).

ArrayThis This movie had really beautiful animation in parts, but the plot is severely lacking, and character development is almost non-existent. I thought the fist forty five minutes showed potential, but it just went down hill. There was no attachment to the characters or their world. I found myself wishing the villain would win because they gave no better alternative. The forest and the druids were portrayed as cultish dictators who could drain the water from the towns at will. And for the humans who left there small patch of land, the forest attacked them. Why not bomb it and pick up the pieces afterwards? If you want to watch a somewhat similar story showing the tensions between industrialization and nature done right,watch Nausicaa Valley of the Wind made by Hayao Miyazaki.

littleneutrino The first noticeable thing about Gin-iro no kami no Agito is its visual excellence. From the first look at the exploding moon over the lush greens of the great forest to the magnificent views of the broken cities of Earth, the production values for this movie are nothing short of stunning. Studio Gonzo sure knew how to make the best of its budget, seamlessly mixing CGI and more traditional art. A wonderfully engrossing, orchestral soundtrack by Iwasaki Taku tops this all off, making this movie a memorable experience, especially when viewed on the big screen High production values alone do not make a good movie, but fortunately, Gin-iro no kami no Agito also has an entertaining, if maybe a little stereotypical, action plot. There are those that wish to coexist with nature and those who want to destroy it; guess who's good and who's bad? Still, the addition of Tula and, to a lesser extent, Shunak brings a bit of depth into the conflict. After all, both sides have reasonable motives for their actions and are equally fanatic. All in all, the plot could even be called interesting...... were it not borrowed shamelessly from Nausicaä of the Valley of Wind. Humanity struggling with a dangerous environment? Check. Conflict between peaceful and militaristic people? Check. An ancient, technological relic that could turn the tide in the conflict? Check. The hero making a sacrifice in the end to achieve victory? Check. Even the structure of this movie's (The first noticeable thing about Origin ~Spirits of the Past~ is its visual excellence. From the first look at the exploding moon over the lush greens of the great forest to the magnificent views of the broken cities of Earth, the production values for this movie are nothing short of stunning. Studio Gonzo sure knew how to make the best of its budget, seamlessly mixing CGI and more traditional art. A wonderfully engrossing, orchestral soundtrack by Iwasaki Taku tops this all off, making this movie a memorable experience, especially when viewed on the big screen High production values alone do not make a good movie, but fortunately, Origin ~Spirits of the Past~ also has an entertaining, if maybe a little stereotypical, action plot. There are those that wish to coexist with nature and those who want to destroy it; guess who's good and who's bad? Still, the addition of Tula and, to a lesser extent, Shunak brings a bit of depth into the conflict. After all, both sides have reasonable motives for their actions and are equally fanatic. All in all, the plot could even be called interesting...... were it not borrowed shamelessly from Nausicaä of the Valley of Wind. Humanity struggling with a dangerous environment? Check. Conflict between peaceful and militaristic people? Check. An ancient, technological relic that could turn the tide in the conflict? Check. The hero making a sacrifice in the end to achieve victory? Check. Even the structure of this movie's Japanese name (Gin-iro no Kami no Agito) reminds us of Miyazaki's early masterpiece. The name "Shunak" sounds suspiciously as though someone rearranged the syllables in the name of Nausicaä's opponent, Kushana. There's hardly an original element in the story, except for one, and that doesn't really fit into the setting; around the middle of the movie, Agito gains superpowers. The way these powers are bestowed upon him is a little... anticlimactic, so to speak, but the bigger problem is that the entire plot would have been much more exciting without this little addition. A virtually undefeatable hero doesn't make for good drama, does he?) reminds us of Miyazaki's early masterpiece. The name "Shunak" sounds suspiciously as though someone rearranged the syllables in the name of Nausicaä's opponent, Kushana. There's hardly an original element in the story, except for one, and that doesn't really fit into the setting; around the middle of the movie, Agito gains superpowers. The way these powers are bestowed upon him is a little... anticlimactic, so to speak, but the bigger problem is that the entire plot would have been much more exciting without this little addition. A virtually undefeatable hero doesn't make for good drama, does he?