Paradise: Love

2012
7| 2h1m| en
Details

On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.

Director

Producted By

Tatfilm

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Also starring Dunja Sowinetz

Reviews

Laikals The greatest movie ever made..!
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Yazmin Close shines in drama with strong language, adult themes.
Catharina_Sweden This is a very sad movie. It explores some of the worst sides of human nature, I should say. To begin with, I can sympathize with Theresa, because her longing for love and sex, although she has become too old and fat for Western European men - is after all a natural thing. I feel sorry for her, when the African men only try to suck her out of more and more money, in a completely shameless way.But then Theresa also changes into someone harder, who does not expect love anymore but just seeks sex on her own terms. She is getting ruthless, and in the end - and in the company of her women friends who are the same - she can even treat a very young man, almost a boy, as if he was some kind of animal... By then she has lost me, and I feel an equal disgust against the Western women and the African men, customers and sellers in the sex trade, alike. I have also lost all desire to visit Africa South of Sahara, ever...The photo is very bleak and dark, and it does not seem very professional. But maybe this is intentional - to make it look more like a documentary or a reality show? I think it would have been more entertaining with Hollywood standard on the photo and filming, though.This is not a movie that you should watch if you are already depressed and have doubts about the human race... And absolutely not in the company of children or teenagers, as there is a lot of nudity here and sex showed in an unpleasant way - the opposite of romantic. But if you want to learn something about what your sister, mother, colleague or friend might have been up to on her "cultural" tour of Gambia or Kenya... you might give it a go!
petarmatic Finally some meaningful film on the repertoire! I loved it although I found it a little bit slow, but I still gave it 7 out of 10. Life in reality is slow, so it is natural.So is sex. Natural! That is showing in this film. Everyone needs sex and love! So do fat Austrian women. In Austria they probably would not get any, so they have to travel to Kenya. Kenyan are so poor that it is a way to make some money. It is business! Sex tourism! There is so much of it today all over the world. Sad and funny and heartwarming at the same time.If you want a little bit break from Hollywood, please watch this.
m.a. moore This is a super film in many respects. Beautifully filmed. Interesting issues. And sensitive approach.But some of the sex scenes were exploitative of the actors, particularly the first and last sex scene (the rest were fine and gave a real sense of what was going on).I thought that it was a terrible irony that the director was making a point about sexual exploitation, when he was in effect sexually exploiting these actors, very tawdry and morally questionable.Otherwise, I would have given the film an 8 or 9. And was tempted to give it a 1 because of this.
RainDogJr After watching the first part of Ulrich Seidl's PARADISE trilogy you just have to answer to one question to know whether this Austrian director is doing worth watching material or not – "would I like to watch the second part?" And well, I would. There's really nothing quite like this film, for better or worse; although some of themes it touches aren't something we couldn't find elsewhere. It's about a woman, or better said women in their fifties or something who aren't happy – they have never been satisfied with the way they look and with their whole love life. The first unusual thing is the setting: the African country Kenya. To call this some sort of definitive look at the culture of Kenya would be simplify things very much. It's really just a look at the Kenya that's close to the tourists. Nevertheless is a very rich film for that matter, with a quick learning of part of the culture – it's funny that we get to learn some African phrases that most likely, well one in specific, will make you remember Disney's THE LION KING!The reason we don't see much of Kenya is that our main character Teresa (Margarethe Tiesel) is the representation of a tourist who's not traveling just to know a different part of the world but to find a new part of herself (and to do that she doesn't need to go very far from her hotel). PARADISE: LOVE is one of those films that constantly make you feel sorry for the respective protagonist. Ulrich definitely succeeded in creating a piece where things aren't totally messed up only superficially. Teresa is leaving her country Austria for the paradise of the title. The paradise refers to both the place and the things she believes is up to: a complete sexual freedom in Africa that ultimately could end in an experimentation of love – love is, unlike in Europe, eternal in Africa, says one of the main Kenyan characters As you can tell, things aren't going to be as good as planned for Teresa. You may be thinking this is therefore a very sad film with the likes of a Todd Solondz film. After all, we have an upper middle class European woman with overweight continually suffering as sadness and dissatisfaction. Like I said, superficially things aren't quite depressing. PARADISE: LOVE is a women-having-crazy-vacation-fun film too – I'm writing this as a guy in his early twenties but if there's an audience that will "get" the film is definitely women in their forties or something close. What we have here is a very feminine point of view. Therefore its sexual content is unusual as well – I'm pretty sure this film is one of the most, if not the most explicit one of the year, yet we don't have any intercourse scene. It's a take on male prostitution too – this is why, I think, the explicit material is only there to capture those women's lust and, essentially, idea of a real paradise. In other words: there's a lot of male nudity… you've been warned! The film is a deep, and very different sort-of "chick flick"; a sad look at a real issue that sometimes is funny. *Watched it on 02 December, 2012