Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

MartinHafer This is an extremely well made film full of wonderful performances and great direction. The problem is, explaining exactly why I enjoyed it isn't all that easy--much of due to the rather unconventional plot.The film begins in 1936. A very ordinary and unassuming looking man named Pigoil is being interrogated by the police about a murder he apparently committed. The rest of the film consists mostly of events from the last half year that led to this killing.Pigoil and his friends work at a theater in Paris that has seen better days. They put on a variety show but the show is abruptly cut short when an evil fascist mobster takes over the place and shuts it down--leaving everyone out of work. After months of looking for jobs, Pigoil is so frustrated that he decides he and his out of work friends will just squat--take over the empty theater and stage a revival. There is A LOT more to the film--including several key subplots just too complicated to explain in the review. Oddly, however, late in the film it suddenly becomes, briefly, a slightly surreal song and dance number--like you'd find in a 1940s musical! But, once again, there is SO MUCH to this film that it's just one you need to see for yourself.Some might no enjoy the film's somewhat episodic style or not understand the historical context for the movie. After all, today few would realize that France and much of Europe (and even the US) were experiencing fascist nationalistic movements. And, at the same time, Communists were also making in-roads with the masses--very much like the crap that was going on in Nazi Germany at the time--just not as organized or militant.Overall, this is a cute and well-made film--one you will enjoy if you just give it a chance--it sneaks up on you!

krzysiektom A very nice cinematic experience. Everything was top notch - direction, script, acting, singing, scenography and costumes. The film leaves a warm feeling despite presenting many dark sides of life in Fauborg (outskirt of Paris) in the 1930s, like fascism, workers' strikes, unemployment, marital betrayal, loneliness. The director incredibly managed to mix pathos and sentimentality with sarcasm and sardonic humor in the same scenes, which prevented the film from being corny. Includes probably the best written funeral scene ever in my opinion. The songs are not remarkable, with one exception - a song about love where the main female character is virtually declaring love to a man from the stage. The female is a revelation, talented and beautiful young actress with good singing voice. I will gladly watch the film again.

paty91 When i heard that the director from " Les Choristes" was releasing a new movie i thought it was a must see. And i was definitely right! the music is very good, the photography and the costumes are excellent and the actors too.Nora Arnezeder came as a big surprise to me, this unknown girl who has such a great voice, she was very good, and, of course, Gerard Jugnot, the great Monsieur Mathieu from " Les Choristes" was amazing again. The thing i most liked about the movie is that it keeps you entertained from beginning to end, you really want to keep watching and you never get bored. The songs take you to the 1930's as well as the scenarios.This movie is beautiful and definitely must be watched, it will definitely entertain you and you will enjoy good french cinema.

daphne4242 This is a beautiful film which captures much of the feel of great French films of the 1930's. It's also a love poem to Paris. It helps that Nora Arnzeder is so gorgeous and all the actors give strong performances. The story is really a fairy story with a political twist. A small music hall in Paris is forced to close down in 1936. Because this is is the year of the Popular front in France, when factory occupations spread across the country, the performers decide to take over the theatre and run it themselves. They get an extraordinary stroke of luck when a young girl, Douce, turns up hoping to get a break in the theatre. Double luck because not only is she a brilliant performer but the local boss fancies her and allows the theatre to stay open. There are some serious themes touched on, including the pervasive anti-Semitism of the extreme Right at this period but the film is overwhelmingly joyous, which is as it should be. The Popular Front didn't happily, which was a tragedy for France, but this film does, as do all good fairy tales.