Paris Honeymoon

1939 "3 ON A HILARIOUS HONEY MOON in funny old Paree!"
6| 1h32m| NR| en
Details

A Texas millionaire travels to Europe to meet his girlfriend, a European countess. He stops in a rustic mountain village and meets a beautiful peasant girl. He falls in love with her, then must decide if he wants her or the rich countess.

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Reviews

Majorthebys Charming and brutal
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
boblipton Workhorse director Frank Tuttle is in charge of a Bing Crosby programmer in this decent but unexceptional movie. Bing's all set to marry Shirley Ross, but it turns out she's still married to a French Count, so they go to Paris to arrange the divorce. While waiting for the courts, Bing heads off to a small Balkan village run by Akim Tamiroff, where he falls in love with annoying Rose Queen Franciska Gaal. The usual hi-jinks ensue, and there's an amusing running gag involving Tamiroff, village idiot Ben Blue and a one-armed bandit. It's all predictable and rote, and even Edward Everett Horton doesn't do much to liven up matters, nor three decent but unexceptional songs.There's some decent Leroy Prinz choreography for the peasant dances; Evelyn Keyes has a bit role as a peasant, but as usual, I couldn't spot her.
TheLittleSongbird Bing Crosby starred in some great films (i.e. 'Holiday Inn' and 'Going My Way') but also a few not so good ones (i.e. the 1956 version of 'Anything Goes'). 'Paris Honeymoon' is a minor, and pretty much forgotten, film, but it is a pleasant diversion and nothing more or less.The title is misleading at the very least. There is a little bit of Paris, but it is more Ruritania than Paris (probably done because it sounds catchier?) and there's no honeymoon. That however is a nit-pick and not really a flaw. There are things that stop it from being great, but there are a good many good things to make 'Paris Honeymoon' very much watchable.Franciska Gaal agreed is irritating and displays very little warmth or charm. The plot, while still warm-hearted and light-footed, is pretty paper thin nonsense, and although there is some enormously fun comic relief from Akim Tamiroff and especially Edward Everett Horton, the script is every bit as flimsy in places. The songs have been criticised for being forgettable, well they are not the most memorable in a Bing Crosby film or any musical for that matter but they are pleasantly tuneful.Crosby however carries 'Paris Honeymoon' with ease, it is a reasonably early film in his filmography and he is much more comfortable than in some of his earlier roles. As ever he also sings a dream. Shirley Ross is also charming, and Horton and Tamiroff are very funny, Rafaela Ottiano also. Ben Blue is amusing too, though one can't help think of Harpo Marx when seeing Blue, except not as good.It is a good looking film too, hardly a cheapo while also not being elaborate. There are two particularly great scenes, when Horton gets water spilt over him by Ottiano and particularly the scene in the castle.All in all, a pleasant if not exactly great film. 6/10 Bethany Cox
richard-1787 I like Crosby, but this is definitely not a memorable movie. It's a rather late case of American goes to Ruritania, the land of endless Viennese operettas. (In fact, the movie's title is misleading: only a short time is spent in Paris, and there is no honeymoon here. Most of the movie takes place in Ruritania.) There are the usual complications. Crosby's character meets a young peasant girl who is, as one of the other reviewers notes, very annoying. Why he would forsake Shirley Ross for her I don't understand.The music is forgettable, and that sinks any chance of remembering this otherwise unmemorable if pleasant effort.
F Gwynplaine MacIntyre "Paris Honeymoon" is an above-average Bing Crosby musical. Bing plays a superstitious Texas gambler, engaged to marry a European countess (Shirley Ross). They're planning a Paris honeymoon ... but first Bing needs his good-luck charm: a horseshoe from a left hind hoof. While Bing's valet goes hoof-hunting, Bing takes a wrong turn in the Pyrenees and meets a pair of knees attached to Franciska Gaal.Hungarian actress Gaal was discovered by Paramount and given the movie-star build-up in three Hollywood films. ("Paris Honeymoon" is her best and last Paramount movie.) She's incredibly annoying in this film, as a peasant girl who latches onto Bing and tries to woo him away from Shirley Ross.The supporting cast are excellent. Edward Everett Horton gives his usual superb performance as Bing's hoof-hunting valet, a bit more "nelly" than usual. Akim Tamiroff is amusing as a crooked politician promoting a soft drink called "Karloca-Cola". Ben Blue plays a Harpo Marx-like European village idiot, remarkably similar to the role Harpo Marx played in "Two Many Kisses". Like Harpo in that film, Ben Blue here is almost entirely mute, but he spoils the effect when he speaks. "Paris Honeymoon" features a gag sequence with a slot machine that pays out jelly beans to everyone else, but which pays out cash jackpots to Ben Blue: this is very similar to Harpo's slot-machine routine a few years earlier in "Horse Feathers".The funniest scene in this film occurs when Bing disguises himself as a ghostly head without a body, hoping to scare away Franciska Gaal. (Of course, Bing sings "I Ain't Got No Body".) The songs and production numbers in this film are just a notch below first-rate. The only fly in the paprika is Franciska Gaal, who was strictly from Hungary and went back there after this movie.