BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

skiddoo Like the 1937 travelogue on Czechoslovakia, this one has profound interest for the historian. When I think what horrors all of these people would soon be cast into....The other aspect of historical interest is the colonial exhibits. Of course after the war the colonies would start the long process of breaking away from their colonizers.The architecture of each nation is another facet that might make someone want to watch. It shows the thinking of various nations toward their environment as reflective of their culture, except of course for the colonial exhibits which were basically the colonizers showing native housing as interpreted by outsiders for outsiders. We have no way of knowing what, for instance, a creative architect in SE Asia might have thought up for this exposition. Egypt's pavilion was a take on traditional architecture. Czechoslovakia went in for something that the Jetsons would appreciate. The Norwegians preferred to bring to mind their fjords and water. Hungarians danced, perhaps wondering what they would face when they went home. They might not have gone home if they had known of the decades of rape, pillaging, and murder at the hands of one fiend after another that were to come.I thought Russia's gigantic sculptures on top of the massive building were meant to intimidate and apparently that was the case. I didn't see the German pavilion. Apparently it was opposite the Russian and they had a war of ideology going on. Germany's was topped by an eagle and swastika and had had a statue of two nude men. Russia's pavilion had a man and woman. All in very heroic-type poses as advertising for their country's and system's superiority over all others but especially over their rival across the way, totally against the peaceful theme of this travelogue or indeed of the exposition. I also read that the Spanish pavilion had Guernica on display.Everything was accompanied by the usual music to represent each part of the world.There are websites that talk about this exposition, what it wanted to achieve, and the other exhibitors not mentioned in the travelogue. Obviously one goal of the Depression era expos was to boost tourism and trade. But the specific goal of this one had a decidedly anti-war aspect to it that was promoted by the narrator of the travelogue. It is debatable if ANY of the Thirties expos achieved its goals but as my dearly departed mother used to say, they made a lot of work for a lot of people. And in the Thirties, that made a welcome change.

Neil Doyle Ironically, the theme for the Paris Exposition was "The Spirit of Peace", just as World War II was looming across many European countries, including France and the city of light.This is a rather by-the-numbers dry view of various pavilions, all of which are glanced from outside only with no indication of what the buildings held inside. The usual commentary is spoken by James FitzPatrick in a dull monotone.At least we're told that the flags of 44 nations are displayed along the banks of the Seine where the Eiffel Tower is part of the exhibition; countries included Great Britain and its Empire, Sweden (simplicity), Czechoslovakia (impressive architecture), U.S. (American Indian displays), France (replica of Statue of Liberty and French colonies, a pavilion of French-IndoChina and colonies of French West Africa), a shot of a water skier on the Seine, and a Russian statue of heroic figures situated atop a monument 100 ft. high.At the Spanish pavilion we see dancers from Segovia; and toward the closing we see The Fountain of Peace, an aquatic display of the kind France is noted for. The final shot are the illuminated fountains at night in brilliant color (thanks to electricity) and the short documentary ends with a pyrotechnical display of fireworks, the very same kind that would light up New York's World Fair a few years later.Interesting but none of the pavilions looked that impressive to me. Might have been more interesting to show some of the interior displays, but I suppose time would not allow that.Sad to realize that the theme of peace was an ironic one, considering all that was soon to follow.

jtyroler This is one of MGM's "Traveltalks" with James A. FitzPatrick - just a couple of years before Nazis were trying to make themselves feel at home there. This is a brief look at the Paris Exhibition of 1937, which included pavilions of other European nations that would be invaded by the Nazis even sooner than France.According to Mr. FitzPatrick there were 44 nations with their exhibits on the banks of the Seine, showing the "faith in the ideals of man's humanity to man" on the eve of the world witnessing man's inhumanity to man - some of which was already taking place (Japan's invasion of parts of China, Germany already having concentration camps, annexing Austria, Italy invading Ethiopia, etc.).It is very difficult for a modern viewer to watch things like the "modern" architecture of the Czechoslovakian pavilion with the knowledge that a lot of the architecture of that former nation will most likely be destroyed over the next 6 or 7 years.There were also interesting exhibits from former French colonies: Indochina and French West Africa, which included Senegal, Dahomey (now Benin), the Ivory Coast (Côte d'Ivoire), Mauritania, French Sudan, and other colonies. There was also the Soviet Union's exhibit which included a Stalinist statue of a man and woman worker that was, according to Mr. FitzPatrick, about 100 feet tall.The illuminated fountains were quite beautiful as were the fireworks displays.This appears occasionally on TCM - it's definitely worth checking out.

Ron Oliver An MGM TRAVELTALK Short Subject.PARIS ON PARADE takes us on a dazzling exterior tour of the pavilions built for the 1937 Paris Exposition. The film ends with the wonderful waterworks & pyrotechnic display on and over the River Seine.This is one of a large series of succinct travelogues turned out by MGM, beginning in the 1930's. They featured Technicolor views of beautiful & unusual sights around the globe, as well as vivid, concise commentary. These films were produced & narrated by James A. FitzPatrick.